標誌 - 三聖徒 - 木





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賣家描述
正宗的19世纪东正教圣像,描绘三位军事圣人,很可能是圣乔治、圣迪米特里乌斯和圣西奥多。
以蛋彩画在木板上,背景为金箔。
圣像呈现了传统的拜占庭风格面部特征、细致的铠甲与长矛,以及精巧的镀金光环,带有打凹装饰。
上部仍留有以红色西里尔字母/希腊字母标识圣人的痕迹。
该圣像来自教会背景(无可用文献)。
磨损模式与虔诚磨耗,尤其沿下缘,表明长期宗教使用。
Dating
19世纪(约1820–1880年)。
Attribution based on:
• Panel construction with rear support
• Craquelure pattern in the gilding
• Pigment aging
• Iconographic style typical of Greek/Balkan Orthodox tradition
⸻
Technique
Tempera and gold leaf on wooden panel.
⸻
Condition
Fair condition, consistent with age and devotional use.
Visible:
• Paint losses, especially along the lower section
• Surface wear and abrasion
• Craquelure in the gilded areas
• Minor panel warping
• Old inactive woodworm traces
• Small structural cracks
No modern overpainting detected to the naked eye.
The condition has been left untouched. The icon has not been cleaned or restored.
Please examine the photographs carefully as they form part of the description.
正宗的19世纪东正教圣像,描绘三位军事圣人,很可能是圣乔治、圣迪米特里乌斯和圣西奥多。
以蛋彩画在木板上,背景为金箔。
圣像呈现了传统的拜占庭风格面部特征、细致的铠甲与长矛,以及精巧的镀金光环,带有打凹装饰。
上部仍留有以红色西里尔字母/希腊字母标识圣人的痕迹。
该圣像来自教会背景(无可用文献)。
磨损模式与虔诚磨耗,尤其沿下缘,表明长期宗教使用。
Dating
19世纪(约1820–1880年)。
Attribution based on:
• Panel construction with rear support
• Craquelure pattern in the gilding
• Pigment aging
• Iconographic style typical of Greek/Balkan Orthodox tradition
⸻
Technique
Tempera and gold leaf on wooden panel.
⸻
Condition
Fair condition, consistent with age and devotional use.
Visible:
• Paint losses, especially along the lower section
• Surface wear and abrasion
• Craquelure in the gilded areas
• Minor panel warping
• Old inactive woodworm traces
• Small structural cracks
No modern overpainting detected to the naked eye.
The condition has been left untouched. The icon has not been cleaned or restored.
Please examine the photographs carefully as they form part of the description.

