秘鲁,莫切, Terracotta 精美的Huaco象征性雕塑,长20厘米,制作于公元400年至800年。西班牙出口许可证





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精美的莫切文化人像鬥瓶,秘魯莫切文化,公元400–800年,陶土與顏料製成,長約20公分、高18公分,狀態良好,含西班牙出口許可,來源於私人收藏。
賣家描述
Fine Stirrup jar Huaco of a Figure - nice form -
Moche, Peru, 400 - 800 AD.
Terracotta and pigments
20 cm long and 18 cm height
Provenance:
- Private collection, Bordeaux, France, 1970 - 1980. Public acution. Thence by descendent.
DOCUMENTS:
- Spanish Export License.
Condition: Good condition, a part of the base has lost its varnish and is scorched, see photos.
The Moche culture inhabited the coast of present-day northern Peru, concentrating in the valleys of Lambayeque, Chicama, Moche and Virú. This desert region is crossed by several rivers that flow down into the Pacific Ocean, where marine resources are plentiful.
The Moche produced fine ceramic, textile and precious metal pieces. Their characteristic style can be seen in a wide range of goods such as fire-engraved gourds, wall murals, featherwork art, body painting and tattoos. Their ceramic decoration displays a level of skill that has rarely been surpassed, and included such techniques as incision, bas-relief with stamps, and painting on smooth surfaces. Many were made in state-run workshops that mass-produced pieces from molds. Their ceramics came in a variety of forms and decorative styles and displayed myths and ritual motifs as well. Notable among these earthenware forms were the so-called “portrait bottles”, bottles molded with the face of a well-known Moche figure. These highly detailed facial portraits reflect the Moche’s own use of face paint and/or tattoos, as well as elaborate headdresses. This portrait-making expertise can also be observed in everyday scenes and erotic representations, as well as in figures of individuals that were hunch backed, blind, or suffered from other disorders. They were skillful metalworkers, using gold, copper and silver to make ear ornaments, nose rings, bracelets, necklace beads, tweezers and a variety of tools. Especially notable is the tumi or ceremonial knife that was usually only carried by Moche officials.
Moche ceramics provide detailed representations of the culture’s supernatural world, including deities, myths, sacred animals and ceremonial practices. Their deities take the form of foxes, owls, hummingbirds, falcons and felines. These figures were servants of greater gods that had human form and sported elaborate outfits and ferocious faces with crossed fangs.
Tombs of important Moche individuals were rectangular and made of adobe, with niches for offerings. Some bodies were laid on cane mats, while others were left in caves inside cane coffins. People of the elite class were buried with metal masks and a rich array of grave goods, servants and animals accompanying them. The famous “Lord of Sipán” is the most notable example of this kind of burial.
賣家的故事
Fine Stirrup jar Huaco of a Figure - nice form -
Moche, Peru, 400 - 800 AD.
Terracotta and pigments
20 cm long and 18 cm height
Provenance:
- Private collection, Bordeaux, France, 1970 - 1980. Public acution. Thence by descendent.
DOCUMENTS:
- Spanish Export License.
Condition: Good condition, a part of the base has lost its varnish and is scorched, see photos.
The Moche culture inhabited the coast of present-day northern Peru, concentrating in the valleys of Lambayeque, Chicama, Moche and Virú. This desert region is crossed by several rivers that flow down into the Pacific Ocean, where marine resources are plentiful.
The Moche produced fine ceramic, textile and precious metal pieces. Their characteristic style can be seen in a wide range of goods such as fire-engraved gourds, wall murals, featherwork art, body painting and tattoos. Their ceramic decoration displays a level of skill that has rarely been surpassed, and included such techniques as incision, bas-relief with stamps, and painting on smooth surfaces. Many were made in state-run workshops that mass-produced pieces from molds. Their ceramics came in a variety of forms and decorative styles and displayed myths and ritual motifs as well. Notable among these earthenware forms were the so-called “portrait bottles”, bottles molded with the face of a well-known Moche figure. These highly detailed facial portraits reflect the Moche’s own use of face paint and/or tattoos, as well as elaborate headdresses. This portrait-making expertise can also be observed in everyday scenes and erotic representations, as well as in figures of individuals that were hunch backed, blind, or suffered from other disorders. They were skillful metalworkers, using gold, copper and silver to make ear ornaments, nose rings, bracelets, necklace beads, tweezers and a variety of tools. Especially notable is the tumi or ceremonial knife that was usually only carried by Moche officials.
Moche ceramics provide detailed representations of the culture’s supernatural world, including deities, myths, sacred animals and ceremonial practices. Their deities take the form of foxes, owls, hummingbirds, falcons and felines. These figures were servants of greater gods that had human form and sported elaborate outfits and ferocious faces with crossed fangs.
Tombs of important Moche individuals were rectangular and made of adobe, with niches for offerings. Some bodies were laid on cane mats, while others were left in caves inside cane coffins. People of the elite class were buried with metal masks and a rich array of grave goods, servants and animals accompanying them. The famous “Lord of Sipán” is the most notable example of this kind of burial.
賣家的故事
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Catawiki已告知賣家有關文件的要求,賣家須保證如下: - 物品為合法獲得; - 賣家有權出售和/或出口相關物品; - 賣家依據當地法規(如適用)提供必要的原產地資訊,並辦理所需文件和許可證/執照; - 若許可證/執照的取得發生任何延誤,賣家須通知買家。 參與競標即表示您知悉,根據您的居住國,可能需要進口文件,而取得許可證/執照可能導致您的物品延遲交付。

