Attila Kovacs (1938) - Composition

Attila Kovacs：线性构造

Medium: Silkscreen
材料：纸张
Dimensions: 28 x 28 cm framed 35 x 35 x 4
尺寸：28 x 28 cm（装框后35 x 35 x 4 cm）
Editor: Edition Panderma, Basel
编辑：Edition Panderma，巴塞尔
Year: 1966
年份：1966
Signature: Signed and dated
签名：签名并标注日期
Comes with frame and passepartout
附带画框与护边纸

Provenance:
来源：
Edition Panderma, Carl Laszlo, Basel
Edition Panderma、Carl Laszlo，巴塞尔
Galerie von Bartha, Basel
Galerie von Bartha，巴塞尔
Private Collection, Basel
私人收藏，巴塞尔

Condition / Restauration:
状态/修复：
archival condition, placed on black cardboard (35 x 35 cm)
档案级状态，放置于黑色硬卡纸上（35 x 35 cm）

Further Information:
更多信息：

A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.
这是战后及当代艺术随身收藏集 La Lune en Rodage III 的罕见限量版。为未编号的230册之一（其中65册为 hors commerce 未编号），属于 La Lune en Rodage 丛书的第三辑。
La Lune en Rodage 分三卷，分别于1960、1965和1977年出版，合计约180件艺术作品，记录了1950年代至1970年代的前卫艺术场景。
这些艺术作品由 Carl Laszlo 收集，汇集了当时最杰出的艺术家，他们贡献了重要作品，往往标志着其创作与发展的一次转折：例如恩里科·卡斯特拉尼的作品是他首次有文献记载的平面作品，而皮耶罗·曼佐尼的多件作品 Achrome 是该艺术家唯一的缔造。

Attila Kovács was born in 1938, in Budapest and emigrated to West Germany in 1964. He graduated from the Department of Art at the Staatliche Akademie der Bildenen Künste in 1970. Kovács had many international solo and group shows including a retrospective exhibition at the Kunsthalle Budapest in 1995. He was a senior lecturer of the Painting Department at the Hungarian University of Fine Arts between 1997 and 2010 and in 2001 he became a Doctor of Liberal Arts. In 2010 he moved back to Budapest where he died in 2017.
Attila Kovács 生于1938年，地点布达佩斯，1964年移居西德。1970年毕业于国立美术学院艺术系。Kovács 曾举行过多场国际性个展与联展，其中包括1995年在布达佩斯美术馆的回顾展。1997至2010年任匈牙利美术学院绘画系高级讲师，2001年获得自由艺术博士学位。2010年返回布达佩斯，于2017年去世。

Between 1964 and 1970 Attila Kovács created a unique artistic language he named “Frame of Reference” or “Transmuting Plasticity”, where he built his own system of non-Euclidean sequential geometric abstraction along mathematical coordinates delineated by the three spatial axes x, y and z, and the time axis t (spacetime).
在1964到1970年之间，Attila Kovács创造了一种独特的艺术语言，他称之为“Frame of Reference”或“Transmuting Plasticity”，在以三条空间坐标x、y、z以及时间坐标t（时空）划定的数学坐标系中，构建了他自己的非欧几何序列几何抽象体系。