基督教的,中世纪的 石灰岩 带有铭文‘ΤΟΝ ΑΓΙΟ[.] ΠΑ[---]’的容器模具,用以指代一位圣人。 (沒有保留價)
![基督教的,中世纪的 石灰岩 带有铭文‘ΤΟΝ ΑΓΙΟ[.] ΠΑ[---]’的容器模具,用以指代一位圣人。 (沒有保留價) #1.0](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2025/10/12/1/f/e/1fe38a59-7c1c-4c49-9eb5-29fe5794e07d.jpg)
![基督教的,中世纪的 石灰岩 带有铭文‘ΤΟΝ ΑΓΙΟ[.] ΠΑ[---]’的容器模具,用以指代一位圣人。 (沒有保留價) #1.0](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2025/10/12/7/9/5/7953bc0d-f226-4ee0-9b94-1aa1851b2b3d.jpg)
![基督教的,中世纪的 石灰岩 带有铭文‘ΤΟΝ ΑΓΙΟ[.] ΠΑ[---]’的容器模具,用以指代一位圣人。 (沒有保留價) #2.1](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2025/10/12/d/c/d/dcd0bb36-5559-4ccc-b4e9-c1b3d00fc6ca.jpg)
![基督教的,中世纪的 石灰岩 带有铭文‘ΤΟΝ ΑΓΙΟ[.] ΠΑ[---]’的容器模具,用以指代一位圣人。 (沒有保留價) #3.2](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2025/10/12/c/d/5/cd593a4b-b8da-491c-84a2-c91b3348b007.jpg)
![基督教的,中世纪的 石灰岩 带有铭文‘ΤΟΝ ΑΓΙΟ[.] ΠΑ[---]’的容器模具,用以指代一位圣人。 (沒有保留價) #4.3](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2025/10/12/d/2/0/d2030c31-3cc6-4b29-bac6-dff5b5500403.jpg)
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石灰石製容器模具,屬於基督教中世文化,年代介於公元五至六世,尺寸為115 mm × 135 mm,狀況良好為兩件分離件,銘文為「ΤΟΝ ΑΓΙΟ[.] ΠΑ[---]」,於2022年自美國私人收藏取得,附有真伪證明與歐盟出口許可。
賣家描述
ITEM: 题为“带 inscription 'ΤΟΝ ΑΓΙΟ[.] ΠΑ[---]’ 的船腔模具”,指向一位圣人
MATERIAL: 石灰石
CULTURE: 基督教,中世纪
PERIOD: 公元五世纪至六世纪
DIMENSIONS: 115 mm × 135 mm
CONDITION: 体况良好,分为两块独立件
PROVENANCE: 来自美国纽约一家艺术画廊,2000年代前从美国私人收藏购得
软质钙质土壤或石灰岩泥质模具在晚古代和前拜占庭时期(大约公元4世纪至7世纪)的陶器生产中是重要工具。此材料在东地中海与北非地区容易获取,优势在于可用简单工具进行雕刻,便于工匠快速生产模具。虽然石灰石模具比陶土或金属模具脆弱、使用寿命短得多,但其易于制造促成了当地或区域作坊的大规模标准物件生产。
These molds were primarily used through the pressure molding technique, where wet clay was pressed onto the negative matrix to reproduce relief designs. This technique was crucial for decorating daily-use items such as oil lamps (lucernae), small votive plaques, and certain types of tableware. The fragility of the limestone molds meant that workshops had to be in a constant cycle of creating new molds, which archaeologically indicates a decentralized production adapted to the immediate needs of the population, differing from the large centralized Roman factories.
这些模具主要通过压模技术使用,将湿黏土压在阴模上以再现浮雕设计。这一技术对装饰日用物品(如油灯 lucernae、小型愿赐牌以及某些类型的餐具)至关重要。石灰石模具的脆弱性意味着工坊需处于持续新品模具的循环之中,这在考古学上指示了一种分散化的生产,适应即时需求,与大型集中化的罗马工厂不同。
The cultural significance of these molds lies in the Christian iconography they helped popularize. Their designs are a direct testament to the visual transition from classical culture to the new dominant religious identity. Recurring motifs include the Chi-Rho monogram, Latin crosses, fish, doves, and figures of saints or martyrs. The wide dispersion of ceramics decorated with these molds allows researchers to track the expansion and popularization of Christian symbolism among the common classes, demonstrating how the faith was integrated into the most humble and everyday objects of the Late Antique world.
These molds 的文化意义在于它们帮助普及的基督教图像学。它们的设计直接见证了从古典文化向新兴主导宗教身份的视觉转变。常见主题包括 Chi-Rho 字母组合、拉丁十字、鱼、鸽子以及圣人或烈士的形象。大量以这些模具装饰的陶器的广泛传播,使研究者能够追踪基督教象征在普通阶层中的扩张与普及,展示信仰如何渗透进晚古世界最朴素、日常的物件之中。
Comes with Certificate of Authenticity and European Union export license
附有鉴定证书和欧盟出口许可证
If you bid outside European Union and win the item, we must request a new export license to your country and the shipment will delay between 3 - 5 weeks.
若你在欧盟以外出价并中标,我们需向贵国申请新的出口许可,运输将延迟约3至5周。
#CollectorsFairMarch2026
賣家的故事
ITEM: 题为“带 inscription 'ΤΟΝ ΑΓΙΟ[.] ΠΑ[---]’ 的船腔模具”,指向一位圣人
MATERIAL: 石灰石
CULTURE: 基督教,中世纪
PERIOD: 公元五世纪至六世纪
DIMENSIONS: 115 mm × 135 mm
CONDITION: 体况良好,分为两块独立件
PROVENANCE: 来自美国纽约一家艺术画廊,2000年代前从美国私人收藏购得
软质钙质土壤或石灰岩泥质模具在晚古代和前拜占庭时期(大约公元4世纪至7世纪)的陶器生产中是重要工具。此材料在东地中海与北非地区容易获取,优势在于可用简单工具进行雕刻,便于工匠快速生产模具。虽然石灰石模具比陶土或金属模具脆弱、使用寿命短得多,但其易于制造促成了当地或区域作坊的大规模标准物件生产。
These molds were primarily used through the pressure molding technique, where wet clay was pressed onto the negative matrix to reproduce relief designs. This technique was crucial for decorating daily-use items such as oil lamps (lucernae), small votive plaques, and certain types of tableware. The fragility of the limestone molds meant that workshops had to be in a constant cycle of creating new molds, which archaeologically indicates a decentralized production adapted to the immediate needs of the population, differing from the large centralized Roman factories.
这些模具主要通过压模技术使用,将湿黏土压在阴模上以再现浮雕设计。这一技术对装饰日用物品(如油灯 lucernae、小型愿赐牌以及某些类型的餐具)至关重要。石灰石模具的脆弱性意味着工坊需处于持续新品模具的循环之中,这在考古学上指示了一种分散化的生产,适应即时需求,与大型集中化的罗马工厂不同。
The cultural significance of these molds lies in the Christian iconography they helped popularize. Their designs are a direct testament to the visual transition from classical culture to the new dominant religious identity. Recurring motifs include the Chi-Rho monogram, Latin crosses, fish, doves, and figures of saints or martyrs. The wide dispersion of ceramics decorated with these molds allows researchers to track the expansion and popularization of Christian symbolism among the common classes, demonstrating how the faith was integrated into the most humble and everyday objects of the Late Antique world.
These molds 的文化意义在于它们帮助普及的基督教图像学。它们的设计直接见证了从古典文化向新兴主导宗教身份的视觉转变。常见主题包括 Chi-Rho 字母组合、拉丁十字、鱼、鸽子以及圣人或烈士的形象。大量以这些模具装饰的陶器的广泛传播,使研究者能够追踪基督教象征在普通阶层中的扩张与普及,展示信仰如何渗透进晚古世界最朴素、日常的物件之中。
Comes with Certificate of Authenticity and European Union export license
附有鉴定证书和欧盟出口许可证
If you bid outside European Union and win the item, we must request a new export license to your country and the shipment will delay between 3 - 5 weeks.
若你在欧盟以外出价并中标,我们需向贵国申请新的出口许可,运输将延迟约3至5周。
#CollectorsFairMarch2026
賣家的故事
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Catawiki已告知賣家有關文件的要求,賣家須保證如下: - 物品為合法獲得; - 賣家有權出售和/或出口相關物品; - 賣家依據當地法規(如適用)提供必要的原產地資訊,並辦理所需文件和許可證/執照; - 若許可證/執照的取得發生任何延誤,賣家須通知買家。 參與競標即表示您知悉,根據您的居住國,可能需要進口文件,而取得許可證/執照可能導致您的物品延遲交付。

