後羅馬時期/前拜占庭時期 Terracotta 熊形油灯。长14厘米。公元4–6世纪





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帶熊圖案的油燈,長度14公分,陶土材質,公元4至6世紀(晚羅馬/早期拜占庭)時期,品相良好且具有原始真實性,來源於法國私人收藏,先前由英國古董市場取得。
賣家描述
Oil Lamp with a bear
late Roman Empire, 4th-6th century AD
Pottery
14 cm 长 and 9 cm 宽
PROVENANCE: Private collection, France , 1970 – 1980. Acquired from the french art market.
CONDITION: Good, intact, see photos.
Terracotta lamps, commonly known as “lucernas,” were an essential element of daily life in the Roman Empire. These small oil lamps provided light in homes, workshops, temples, and public spaces. Made primarily from terracotta, a type of fired clay, they were relatively inexpensive to produce and widely accessible across different social classes. Their practicality, combined with artistic decoration, made them both functional and decorative objects in Roman material culture.
Roman terracotta lamps were typically made using molds, a technique that allowed artisans to reproduce the same design many times. The process involved pressing clay into a two-part mold, which formed the upper and lower sections of the lamp. After drying, the two halves were joined together, leaving a central hole at the top for pouring oil and a small nozzle where the wick would be placed. Once assembled, the lamp was fired in a kiln to harden the clay.
One of the most distinctive features of these lamps is their relief decoration. The upper surface, known as the discus, often displayed detailed scenes created directly in the mold. These relief images could represent mythological figures, gods and goddesses, animals, gladiatorial combats, theatrical masks, or everyday activities. Some lamps also depicted symbols associated with religion or protection, reflecting the beliefs and cultural values of Roman society.
The relief decoration served several purposes. It enhanced the aesthetic appeal of the lamp, but it could also communicate messages about identity, status, or personal devotion. For example, a lamp showing a deity might indicate the owner’s religious preferences, while scenes of gladiators could reflect the popularity of public spectacles.
Archaeological discoveries across the Roman world—from Italy to Hispania, North Africa, and the Near East—demonstrate the widespread use of these lamps. Their standardized forms and decorative motifs also help archaeologists date archaeological contexts and understand patterns of trade and cultural exchange within the empire.
Thus, terracotta lamps with relief decoration illustrate how everyday Roman objects combined utility, artistic expression, and cultural meaning.
賣家的故事
Oil Lamp with a bear
late Roman Empire, 4th-6th century AD
Pottery
14 cm 长 and 9 cm 宽
PROVENANCE: Private collection, France , 1970 – 1980. Acquired from the french art market.
CONDITION: Good, intact, see photos.
Terracotta lamps, commonly known as “lucernas,” were an essential element of daily life in the Roman Empire. These small oil lamps provided light in homes, workshops, temples, and public spaces. Made primarily from terracotta, a type of fired clay, they were relatively inexpensive to produce and widely accessible across different social classes. Their practicality, combined with artistic decoration, made them both functional and decorative objects in Roman material culture.
Roman terracotta lamps were typically made using molds, a technique that allowed artisans to reproduce the same design many times. The process involved pressing clay into a two-part mold, which formed the upper and lower sections of the lamp. After drying, the two halves were joined together, leaving a central hole at the top for pouring oil and a small nozzle where the wick would be placed. Once assembled, the lamp was fired in a kiln to harden the clay.
One of the most distinctive features of these lamps is their relief decoration. The upper surface, known as the discus, often displayed detailed scenes created directly in the mold. These relief images could represent mythological figures, gods and goddesses, animals, gladiatorial combats, theatrical masks, or everyday activities. Some lamps also depicted symbols associated with religion or protection, reflecting the beliefs and cultural values of Roman society.
The relief decoration served several purposes. It enhanced the aesthetic appeal of the lamp, but it could also communicate messages about identity, status, or personal devotion. For example, a lamp showing a deity might indicate the owner’s religious preferences, while scenes of gladiators could reflect the popularity of public spectacles.
Archaeological discoveries across the Roman world—from Italy to Hispania, North Africa, and the Near East—demonstrate the widespread use of these lamps. Their standardized forms and decorative motifs also help archaeologists date archaeological contexts and understand patterns of trade and cultural exchange within the empire.
Thus, terracotta lamps with relief decoration illustrate how everyday Roman objects combined utility, artistic expression, and cultural meaning.
賣家的故事
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Catawiki已告知賣家有關文件的要求,賣家須保證如下: - 物品為合法獲得; - 賣家有權出售和/或出口相關物品; - 賣家依據當地法規(如適用)提供必要的原產地資訊,並辦理所需文件和許可證/執照; - 若許可證/執照的取得發生任何延誤,賣家須通知買家。 參與競標即表示您知悉,根據您的居住國,可能需要進口文件,而取得許可證/執照可能導致您的物品延遲交付。

