Vicus,秘鲁 Terracotta 带把手的象征性容器。已出版。高25厘米。公元前500年至公元400年。西班牙出口许可证。





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法奧 陶器 Vicús 具把手的具象容器,高25公分,年代為公元前500年至公元400年,秘魯,狀況良好並已刊登(Loudmer Paris Drouot,1995,lot 14),具有西班牙出口許可證,來源於法國與巴塞隆納的私人收藏。
賣家描述
Figurative vessel with handle
- PUBLISHED -
Vicus, Peru, 500 BC - 400 AD
Terracotta
25 cm height
Provenance:
- Private collection, France.
- Loudmer Comissaires Priseurs S.C.P., Art Precolombien Collection d'un Amateur. Paris Drouot, 18 March 1995. Lot 14.
- Private collection, J. R. (1928 - 2013) Barcelona, formed since 1950 until 2000. Thence by descendent.
PUBLISHED:
- Catalogue; Loudmer Comissaires Priseurs S.C.P., Art Precolombien Collection d'un Amateur. Paris Drouot, 18 March 1995. Lot 14.
DOCUMENTS:
- Spanish Export License.
Condition: Good condition, see photos.
The Vicús culture arose in what is now the Peruvian region of Piura, mainly in the pre-Andean highlands, although they also had links to coastal and mountain groups. It is a desert zone, but a few rivers and lakes supply the water that made human settlement and agriculture possible, along with large areas of arable land. The area also features plentiful grassland for livestock and woodland for hunting.
The Vicús were skilled metalworkers, fashioning many personal adornments such as earpieces, masks, nosepieces, necklace beads, metal leaf, crowns, and headdresses with spangles and feathers that made sounds as the wearer moved, as well as rattles. Many of these artifacts were decorated with anthropomorphic, zoomorphic, geometric, or hybrid motifs. The most notable feature of Vicús ceramics is their use of modeled decorations, which represented different aspects of their way of life. Many Vicús motifs depict local wildlife such as deer, rodents, felines, monkeys, ducks, parrots, owls, iguanas, and snakes. Some images blend two or more kinds of animal, suggesting mythical beasts. Many other ceramic vessels depict humans in different poses or engaged in different activities, including warriors, weavers, and people with unusual garments that have been interpreted as priests. The Vicús are also known for their erotic ceramics, which may reflect a concern with fertility.
Music played a key role in Vicús ritual life and was expressed in different areas of their culture, particularly in funeral rites. Grave goods often feature a preponderance of musical instruments including ceramic drums, flutes, and whistling bottles. In ceramic decoration, musicians playing antaras (pan pipes) are one of the most common motifs, often appearing in contexts that suggest funeral rites. Vicús graves are tubular or often boat shaped pits with a chamber at the bottom. Bodies were deposited there, often cremated, along with an array of grave goods that varied in richness with the deceased’s social rank.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union). NOT TAXES.
- According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it:
- Up to 6,000 euros: 5%.
- From 6,001 to 60,000 euros: 10%.
This export permit application process can take between 1-2 months maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
#ExclusiveCabinetofCuriosities
賣家的故事
Figurative vessel with handle
- PUBLISHED -
Vicus, Peru, 500 BC - 400 AD
Terracotta
25 cm height
Provenance:
- Private collection, France.
- Loudmer Comissaires Priseurs S.C.P., Art Precolombien Collection d'un Amateur. Paris Drouot, 18 March 1995. Lot 14.
- Private collection, J. R. (1928 - 2013) Barcelona, formed since 1950 until 2000. Thence by descendent.
PUBLISHED:
- Catalogue; Loudmer Comissaires Priseurs S.C.P., Art Precolombien Collection d'un Amateur. Paris Drouot, 18 March 1995. Lot 14.
DOCUMENTS:
- Spanish Export License.
Condition: Good condition, see photos.
The Vicús culture arose in what is now the Peruvian region of Piura, mainly in the pre-Andean highlands, although they also had links to coastal and mountain groups. It is a desert zone, but a few rivers and lakes supply the water that made human settlement and agriculture possible, along with large areas of arable land. The area also features plentiful grassland for livestock and woodland for hunting.
The Vicús were skilled metalworkers, fashioning many personal adornments such as earpieces, masks, nosepieces, necklace beads, metal leaf, crowns, and headdresses with spangles and feathers that made sounds as the wearer moved, as well as rattles. Many of these artifacts were decorated with anthropomorphic, zoomorphic, geometric, or hybrid motifs. The most notable feature of Vicús ceramics is their use of modeled decorations, which represented different aspects of their way of life. Many Vicús motifs depict local wildlife such as deer, rodents, felines, monkeys, ducks, parrots, owls, iguanas, and snakes. Some images blend two or more kinds of animal, suggesting mythical beasts. Many other ceramic vessels depict humans in different poses or engaged in different activities, including warriors, weavers, and people with unusual garments that have been interpreted as priests. The Vicús are also known for their erotic ceramics, which may reflect a concern with fertility.
Music played a key role in Vicús ritual life and was expressed in different areas of their culture, particularly in funeral rites. Grave goods often feature a preponderance of musical instruments including ceramic drums, flutes, and whistling bottles. In ceramic decoration, musicians playing antaras (pan pipes) are one of the most common motifs, often appearing in contexts that suggest funeral rites. Vicús graves are tubular or often boat shaped pits with a chamber at the bottom. Bodies were deposited there, often cremated, along with an array of grave goods that varied in richness with the deceased’s social rank.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union). NOT TAXES.
- According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it:
- Up to 6,000 euros: 5%.
- From 6,001 to 60,000 euros: 10%.
This export permit application process can take between 1-2 months maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
#ExclusiveCabinetofCuriosities
賣家的故事
詳細資料
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Catawiki已告知賣家有關文件的要求,賣家須保證如下: - 物品為合法獲得; - 賣家有權出售和/或出口相關物品; - 賣家依據當地法規(如適用)提供必要的原產地資訊,並辦理所需文件和許可證/執照; - 若許可證/執照的取得發生任何延誤,賣家須通知買家。 參與競標即表示您知悉,根據您的居住國,可能需要進口文件,而取得許可證/執照可能導致您的物品延遲交付。
Catawiki已告知賣家有關文件的要求,賣家須保證如下: - 物品為合法獲得; - 賣家有權出售和/或出口相關物品; - 賣家依據當地法規(如適用)提供必要的原產地資訊,並辦理所需文件和許可證/執照; - 若許可證/執照的取得發生任何延誤,賣家須通知買家。 參與競標即表示您知悉,根據您的居住國,可能需要進口文件,而取得許可證/執照可能導致您的物品延遲交付。

