Julien Gauthier

南部及中部非洲的面具與符號

这块Pwevo面具相当于Tshokwe族的Pwo面具，象征一位女祖先。发型由前部染成蓝色、中分、由植物纤维编成的长而细的辫子组成，是1930年代的创新。脸部比Tshokwe族更具立体感，涂成红色，在与头发的交界处有一对颜色玻璃珠的双带，增添了媚态；下方及全脸长线状的刻痕形成的是纵向切割纹；整个眉 forehead和鼻梁之间有一条中线；眼眶的上部涂黑，眼球呈球形，水平裂开；嘴部为简略、细长且微张，露出牙齿的部分较少，在嘴角与圆润的下巴之间的两条竖纹纹身分布清晰；脸颊上的圆形和双弯形纹身在罗恩妇女中常见且具辨识度；耳朵也以简略线条呈半圆形，中央有线状纹身。面具配有由编织纤维形成的网状领饰，可遮住佩戴者的面部而仍能看见前方。安哥拉的舞蹈风格简朴而优雅，但在赞比亚，舞者则沿着两根柱子之间、离地大约十米高的绳索移动。 

产地：Berthe Hartert 收藏
Argiles 收藏，巴塞罗那

This Pwevo mask, equivalent to the Pwo mask of the Tshokwe, represents a female ancestor. The
hairstyle, consisting of long, fine braids of plant fibres dyed blue at the front and parted down the middle in accordance with the fashion of the time, is an innovation of the 1930s. The face, with greater depth than among the Tshokwe, is painted red and, at the junction with the hair, has a double strip of coloured glass beads as a coquettish touch; below and along its entire length are scarifications in the form of vertical notches; it has a medial line along the entire length of the forehead and nose; in the eye sockets, the upper part of which is painted black, it has globular eyes slit horizontally; the mouth, schematic, small and elongated, is slightly open, without showing the teeth, with two vertical tattoos below, between the mouth and the rounded chin; the circular and double-arched tattoos on the cheeks are common and distinctive among Luena women; the ears are also schematic, semicircular in shape, with linear tattoos in
their centre. The mask has a collar made of braided fibres in a mesh pattern, which conceals the wearer's face
while allowing them to see. In Angola, the dance is sober and elegant, but in Zambia, the dancer moves along a rope stretched between two posts about ten metres above the ground.

Provenance: Berthe Hartert collection
Argiles Collection, Barcelona


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Luena - 剛果民主共和國

木 - 良好狀態

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盧埃納文化的Pwevo面具，來自剛果民主共和國，木製，高32公分，狀況良好，來源自貝爾特·哈特收藏與 Argiles 收藏，巴塞隆納。

Luena - 剛果民主共和國

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盧埃納文化的Pwevo面具，來自剛果民主共和國，木製，高32公分，狀況良好，來源自貝爾特·哈特收藏與 Argiles 收藏，巴塞隆納。

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