一个陶土头像 - 布拉 - 尼日利亞 (沒有保留價)





€1 |
|---|
Catawiki買家保障
在您收到物品前,我們會妥善保管您的付款。查看詳情
Trustpilot評分 4.4 | 132471 則評論
在Trustpilot獲得極佳評等。
来自尼日利亞布拉文化的陶土頭像;高19公分,重840公克,狀況一般。
賣家描述
The present head sculpture from the Tillabéri region in western Niger is situated within the cultural and archaeological context of the Bura culture, whose material remains are among the key testimonies of pre-modern societies in the middle Niger Bend. The Bura tradition, primarily known for its ceramic and stone sculptures, is often associated with funerary practices, ancestor worship, and the visual marking of social continuity. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.
The sculpture depicts an oval head, tilted slightly backward, resting on a neck that transitions into a fragmentarily preserved bust form. This deliberate reduction of the body to the head suggests a concentration of symbolic meaning in the realm of identity and memory. The face is structured by a systematic groove pattern: two parallel lines run vertically from the top of the head to the forehead, while further grooves divide the two halves of the face, creating a rhythmic, almost textural order.
The facial features are highly abstracted, yet clearly legible: slit-like, half-closed eyes, a straight, reduced nose, and a slightly open mouth form a reserved, contemplative physiognomy. The simply crafted ears blend into the overall austere formal language. A crack in the upper lip is particularly noteworthy, as it, along with other chips and signs of age, suggests a long history of use and possibly ritual significance.
In its formal simplicity and structural clarity, the sculpture embodies an early Sahelian pictorial tradition in which the human head is understood as a bearer of memory, presence, and transgenerational meaning.
Literature (selection)
Gronenborn, Detlef: Archaeology of the Bura Culture. Frankfurt, 1999.
Haour, Anne: Bura in the Niger Valley: Archaeology and History. Oxford, 2013.
LaGamma, Alisa (ed.): Sahel: Art and Empires on the Shores of the Sahara. New York, 2020.
Insoll, Timothy: The Archeology of Islam in Sub-Saharan Africa. Cambridge, 2003.
CAB47183
賣家的故事
由Google翻譯翻譯The present head sculpture from the Tillabéri region in western Niger is situated within the cultural and archaeological context of the Bura culture, whose material remains are among the key testimonies of pre-modern societies in the middle Niger Bend. The Bura tradition, primarily known for its ceramic and stone sculptures, is often associated with funerary practices, ancestor worship, and the visual marking of social continuity. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.
The sculpture depicts an oval head, tilted slightly backward, resting on a neck that transitions into a fragmentarily preserved bust form. This deliberate reduction of the body to the head suggests a concentration of symbolic meaning in the realm of identity and memory. The face is structured by a systematic groove pattern: two parallel lines run vertically from the top of the head to the forehead, while further grooves divide the two halves of the face, creating a rhythmic, almost textural order.
The facial features are highly abstracted, yet clearly legible: slit-like, half-closed eyes, a straight, reduced nose, and a slightly open mouth form a reserved, contemplative physiognomy. The simply crafted ears blend into the overall austere formal language. A crack in the upper lip is particularly noteworthy, as it, along with other chips and signs of age, suggests a long history of use and possibly ritual significance.
In its formal simplicity and structural clarity, the sculpture embodies an early Sahelian pictorial tradition in which the human head is understood as a bearer of memory, presence, and transgenerational meaning.
Literature (selection)
Gronenborn, Detlef: Archaeology of the Bura Culture. Frankfurt, 1999.
Haour, Anne: Bura in the Niger Valley: Archaeology and History. Oxford, 2013.
LaGamma, Alisa (ed.): Sahel: Art and Empires on the Shores of the Sahara. New York, 2020.
Insoll, Timothy: The Archeology of Islam in Sub-Saharan Africa. Cambridge, 2003.
CAB47183
賣家的故事
由Google翻譯翻譯詳細資料
Rechtliche Informationen des Verkäufers
- Unternehmen:
- Jaenicke Njoya GmbH
- Repräsentant:
- Wolfgang Jaenicke
- Adresse:
- Jaenicke Njoya GmbH
Klausenerplatz 7
14059 Berlin
GERMANY - Telefonnummer:
- +493033951033
- Email:
- w.jaenicke@jaenicke-njoya.com
- USt-IdNr.:
- DE241193499
AGB
AGB des Verkäufers. Mit einem Gebot auf dieses Los akzeptieren Sie ebenfalls die AGB des Verkäufers.
Widerrufsbelehrung
- Frist: 14 Tage sowie gemäß den hier angegebenen Bedingungen
- Rücksendkosten: Käufer trägt die unmittelbaren Kosten der Rücksendung der Ware
- Vollständige Widerrufsbelehrung

