Sandra Wong

日本藝術與設計

一件由来自日本高冈的铜铸匠大师“Seihō”所打造的三足铜香炉
炉身以铜制成，饰以金色的六十六枚花瓣菊花——这是日本天皇及皇室的正式家纹。炉盖镶嵌着以镂空浮雕呈现的青海波纹图样，三足高而修长，整体呈现出浓郁而深沉的黑铜包浆，既有光泽又显份量感；附带原始木质呈盒。

六十六枚花瓣菊花的金纹是日本天皇及皇室的正式徽章——相当于日本的“国徽”的象征。幕府维新后，其使用被正式限定为皇室专用，普通百姓不得滥用。当这一徽章出现在像像这样的香炉上时，通常是作为设计致敬，象征物件的崇高地位与独特来历。常见于高端手工艺品——如高冈铜器——这一图案被视为社会声望与非凡工艺的双重见证。」}]}_final_

A Three-Legged Copper Incense Burner Crafted by "Seihō," a Master Copper Caster from Takaoka, Japan

The body of the burner is crafted from copper and adorned with a golden sixteen-petal chrysanthemum—the official family crest  of the Japanese Emperor and Imperial Family. The lid features openwork carving depicting the *Seigaiha*  motif, while the three legs are tall and elegantly tapered. The piece as a whole exhibits a rich, deep black-copper patina that feels both lustrous and substantial; it comes complete with its original wooden presentation box.

The golden sixteen-petal chrysanthemum serves as the official crest of the Japanese Emperor and the Imperial Family—a symbol of status equivalent to Japan's "National Emblem." Following the Meiji Restoration, its usage was officially restricted to the Imperial Family alone, prohibiting ordinary families from adopting it at will. When featured on an incense burner such as this, the emblem typically serves as a design tribute, signifying the object's elevated status and unique provenance. Commonly found in high-end artisanal works—such as Takaoka bronzeware—this motif stands as a dual testament to both social prestige and exceptional craftsmanship.

香爐 - 銅 - 铜香炉

日本 - 1900–2000

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日本高岡匠人 Seihō 所作的銅三腳香爐，約1900–2000年，表面呈深黑色銅光，本體有金色十六瓣菊花家徽，蓋部為透雕的青海波紋，尺寸為11.2×10.5 cm，重量640 g，附原裝木盒。

香爐 - 銅 - 铜香炉

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日本高岡匠人 Seihō 所作的銅三腳香爐，約1900–2000年，表面呈深黑色銅光，本體有金色十六瓣菊花家徽，蓋部為透雕的青海波紋，尺寸為11.2×10.5 cm，重量640 g，附原裝木盒。

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