大型古董蒙古佛教密宗唐卡——忿怒多臂神祇——二十世纪上半叶 - 蒙古 - 1900/1940





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大型蒙古藏傳佛教壇唐卡,暴怒多臂神明,二十世紀前半葉,礦物顏料繪於亞麻/棉布,來源蒙古,正宗原作,尺寸75.5 × 57 cm。
賣家描述
authenticity antique Himalayan Buddhist thangka painting, likely Mongolian, dating to the first half of the 20th century
The composition depicts a powerful multi-armed wrathful tantric deity in yab-yum union at the center, surrounded by lineage masters, meditational deities, and wrathful protector figures arranged in a highly structured Vajrayana iconographic composition.
The central deity stands in dynamic alidha posture upon subdued figures symbolizing the conquest of ego, ignorance, and worldly attachment. The many arms hold ritual implements associated with tantric transformation and enlightened activity. The flaming aureole and charnel-ground imagery are characteristic of advanced Vajrayana meditation iconography.
The lower register contains fierce Dharmapala protector figures riding animals and emerging through flames, while the upper register depicts seated masters and enlightened beings floating on clouds, likely representing lineage transmission within a tantric cycle.
Particularly notable are:
the expressive mineral pigments
finely drawn black contour work
strong red flame mandorla surrounding the deity
traditional lotus and cloud motifs
archaic Mongolian-Himalayan stylistic features
visible hand-painted details throughout the composition
The reverse side shows age-consistent wear and pigment penetration typical of older linen-mounted thangkas. The painting displays substantial patina and clear signs of long devotional or ritual use.
The work remains unrestored and retains its original antique character.
Such thangkas were traditionally used for:
tantric meditation practice
shrine devotion
ritual visualization
monastic ceremonies
spiritual protection practices
Provenance:
From a German auction house collection
Condition:
Fair antique condition with heavy authentic wear and age-related deterioration, including:
extensive creasing and fold marks
pigment abrasion and paint losses
surface wear
stains and small imperfections
edge wear from mounting/storage
Please study photographs carefully as they form part of the description.
Origin: Mongolia / Tibet
Period: early 20th century
Material: Mineral pigments on linen/cotton textile
Dimensions: approx. 75.5 × 57 cm
A rare and visually powerful Himalayan tantric artwork with strong decorative, spiritual, and collector appeal.
authenticity antique Himalayan Buddhist thangka painting, likely Mongolian, dating to the first half of the 20th century
The composition depicts a powerful multi-armed wrathful tantric deity in yab-yum union at the center, surrounded by lineage masters, meditational deities, and wrathful protector figures arranged in a highly structured Vajrayana iconographic composition.
The central deity stands in dynamic alidha posture upon subdued figures symbolizing the conquest of ego, ignorance, and worldly attachment. The many arms hold ritual implements associated with tantric transformation and enlightened activity. The flaming aureole and charnel-ground imagery are characteristic of advanced Vajrayana meditation iconography.
The lower register contains fierce Dharmapala protector figures riding animals and emerging through flames, while the upper register depicts seated masters and enlightened beings floating on clouds, likely representing lineage transmission within a tantric cycle.
Particularly notable are:
the expressive mineral pigments
finely drawn black contour work
strong red flame mandorla surrounding the deity
traditional lotus and cloud motifs
archaic Mongolian-Himalayan stylistic features
visible hand-painted details throughout the composition
The reverse side shows age-consistent wear and pigment penetration typical of older linen-mounted thangkas. The painting displays substantial patina and clear signs of long devotional or ritual use.
The work remains unrestored and retains its original antique character.
Such thangkas were traditionally used for:
tantric meditation practice
shrine devotion
ritual visualization
monastic ceremonies
spiritual protection practices
Provenance:
From a German auction house collection
Condition:
Fair antique condition with heavy authentic wear and age-related deterioration, including:
extensive creasing and fold marks
pigment abrasion and paint losses
surface wear
stains and small imperfections
edge wear from mounting/storage
Please study photographs carefully as they form part of the description.
Origin: Mongolia / Tibet
Period: early 20th century
Material: Mineral pigments on linen/cotton textile
Dimensions: approx. 75.5 × 57 cm
A rare and visually powerful Himalayan tantric artwork with strong decorative, spiritual, and collector appeal.

