Odilon Redon (1840-1916) - Passage d'une Ame

ODILON REDON (1840-1916).

Title: Passage d'une Ame [一个发光的躯干，从背面略微向右转出现在阴影中。两个紧闭的拳头抵在太阳穴处。灵魂，哪怕被拟人化，似乎在至高的升腾中离开尘世]。

Etching from 1891, originally as a frontispiece for Adrien Remacle's book, "La passante, roman d'une âme", published in 1892 by Bibliothèque Artistique & Littéraire Editeur (Paris, 1892).

这幅1891年的蝕刻原本是Adrien Remacle 《La passante, roman d'une âme》一书的扉页插画，该书于1892年由Bibliothèque Artistique & Littéraire Editeur（巴黎，1892）出版。

This is one of the few larger proofs on cream Hollande laid paper (the book itself is only 17 x 11 cm). As André Mellerio (art critic, biographer, and friend of the artist) describes in the famous catalogue raisonné of Redón's graphic work, there are a few proofs, part of the frontispiece, on large paper, without specifying how many, within the general print run of 400 copies on Hollande paper (most of them cut for the book's frontispiece and less valued than the larger loose sheets).

这是少数几张在奶油色Hollande纸上印制的较大版样之一（该书本身尺寸仅为17 x 11 cm）。正如艺术评论家、传记作者及艺术家好友 André Mellerio 在著名的 Redón 图版全集目录中所述，有少量前页的一部分印在大纸张上，但未指明数量，属于总印数400本的Hollande纸版里（其中大多数裁切用于书册扉页，较大张的松纸不那么值钱）。

Paper size: approx. 32 x 25 cm. Plate size: 9.4 x 5.8 cm.

纸张尺寸：约32 x 25 cm。版画尺寸：9.4 x 5.8 cm。

Catalogue raisonné: A. Mellerio, 21

目录汇编：A. Mellerio，第21号

Minimal handling marks. Very well preserved.

极少的处理痕迹。保存极好。

Framed in wood with a double acid-free mat. 38 x 31 cm.

木框，内有两层无酸垫，尺寸38 x 31 cm。

There is a posthumous edition from 1922 of only 30 copies, printed in the Parisian workshop of Louis Fort, which Melleiro also catalogues (Mellerio 21bis), and whose original plate is the same one held by the Musée d'Orsay in Paris.

另有一版1922年的逝世后版本，仅30本，在巴黎路易·福特工作室印制，Mellerio 亦收录（Mellerio 21bis），其原版蝕刻与巴黎卢浮宫里拿着的一模一样。

And very few of the total are signed directly by Redón, such as the one held by the British Museum or the Bibliothèque Nationale de France.

在总数中直接由雷东签名者也极少见，例如英国大英博物馆藏和法国国家图书馆藏的一件。

Among Redón's ever-desired prints, this is undoubtedly one of the most enigmatic by the Symbolist painter and precursor of Surrealism: A luminous torso, seen from behind and slightly turned to the right, emerges from the shadows. (...) The soul, thus personified, seems to leave the earth in a supreme ascent.

在雷东长期渴望的版画中，无疑是象征派画家与超现实主义先驱中最神秘的一件：一个发光的躯干，从背后略微向右转出现在阴影中。(...) 灵魂被拟人化，似乎在至高的升腾中离开尘世。

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__________________________________ 专业包装，采取一切安全措施。通过UPS、CORREOS或SEUR快速发运（以这些公司为主），并提供永久追踪号。描述中未提及的也可合并运送，运费可相应调整并退还剩余金额。

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重要提示：我们代缴税费。如需开具发票，请告知，以便我们放入包裹中。谢谢。 _______________________________________________

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