Sören Schuhmacher

淫穢藝術及攝影書籍拍賣（日本色情）

《地点》

Ichiro Tsuda
Banseisha/1980/Japanese/190*120*13

“《地点》：这些是由一位为粉红影片而勉强担任静态摄影师，在十年间捕捉到的深情街景！”——日本摄影师Ichiro Tsuda（1942年生）的作品集。Tsuda自1960年代起活跃于商业摄影与片场工作，以以独特的距离感捕捉城市与风景而著称，后来凭借 Nameless Zone 荣获Domon Ken Award（堂門健賞）。这本书是他早期的杰作之一，记录他在全国各地奔波拍摄粉红影片时，约十年间在拍摄地周边所捕捉的风景。与聚焦电影幕后花絮不同，本书突出街道的气氛，以及在拍摄间歇期间出现的人的存在，静静地积累了城市的匿名而多样的片段。作为 Banseisha 的“Yagenbura Selected Works”系列的一部分出版，这本书在与系列所探讨的都市边缘人物与场景（如夜总会和出租车司机）相结合时，能够更立体地呈现那个时代的氛围。它是一部捕捉城市街道现实的卷册，在记录与个人凝视交汇的地方。

The Location

Ichiro Tsuda
Banseisha/1980/Japanese/190*120*13

“The Location: These Are the Beloved Street Scenes Captured Over Ten Years by a Reluctant Still Photographer for Pink Films!”—a collection of works by Japanese photographer Ichiro Tsuda (b. 1942). Tsuda has been active since the 1960s, working in commercial photography and on film sets. He is known as an artist who captures cities and landscapes with a unique sense of distance, having later won the Domon Ken Award for *Nameless Zone*. This book is one of his early masterpieces, featuring landscapes around filming locations captured over approximately ten years as he traveled across the country working as a still photographer for pink films. Rather than focusing on the behind-the-scenes of filmmaking, the book highlights the atmosphere of the streets and the presence of people that emerge during breaks in shooting, quietly accumulating anonymous and diverse fragments of the city. Published as part of Banseisha’s “Yagenbura Selected Works” series, this book offers a more multidimensional sense of the era’s atmosphere when read within the context of the series, which explores people and settings on the urban periphery, such as cabarets and taxi drivers. It is a volume that captures the reality of the city streets, where documentation and a personal gaze intersect.

Ichiro Tsuda - The Location - 1980

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