Vincenzo Raimondo - Black glow #13





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兩幅原作雙聯畫,每幅70 x 34 cm,丙烯多彩畫布,標題 Black glow #13,藝術家 Vincenzo Raimondo,手工簽名,年份 2026,狀態良好,肖像題材,波普藝術風格。
賣家描述
2 幅画 70×34
由远方的两个世界在黑底上擦肩而过,仿佛夜晚决定把一场不该发生的相遇当成舞台。玛雅和马加,来自不同故事的角色,在这里彼此对望。
不是宣称的爱情场景,因为那样太容易,而人类已经过度利用了简单的事物。更像是一种默契的沉默,一瞥跨越边界、时代与归属。Black & Glow 系列正是点亮了这一点:标志性人物、记忆、光与怀旧,被转化为一个小而新的故事。
这是一个温柔而狡黠的二联画,爱意并不被明说:只能靠感知。难得地、令人难以置信地,一切就这样了。
***
Black Glow
With this new series, the artist opens a darker, more graphic, more theatrical path. The black background is not merely a backdrop: it becomes matter, atmosphere, a deep space from which the figures seem to emerge as illuminated apparitions.
The work plays with the contrast between shadow and glow: white lines, sudden reflections, touches of warm and cold colors that break the darkness and give movement to the composition. The subjects can change, but the heart of the series remains in the technique: an instinctive, luminous, almost nocturnal painting, where the black does not extinguish the image, but ignites it.
This is a series that recalls the language of pop art, but brings it to a more adult, rougher, less decorative dimension. The figures become visual pretexts to tell light, character, irony and presence.
In short, a play of contrasts: darkness as the stage, white as the
***Disclaimer***
Each work arises from the encounter between artistic expression and artisanal craft.
The painting represents the main creative element, while the support (canvas and materials) is an integral part of a careful and conscious production process.
The canvases used are selected with particular attention to quality and, where possible, to environmental sustainability, favoring recycled or low-impact materials. In some cases, supports may be crafted or finished artisanally, even through the reuse of materials.
Any slight imperfections of the support should not be considered defects, but testimonies of the manual process and the artisanal nature of the product. Such features do not compromise the artistic value and integrity of the work in any way, but rather strengthen its uniqueness.
Each painting is therefore to be understood as a unique piece, the result of a process that combines creativity, manual skill and responsible attention to materials.
賣家的故事
2 幅画 70×34
由远方的两个世界在黑底上擦肩而过,仿佛夜晚决定把一场不该发生的相遇当成舞台。玛雅和马加,来自不同故事的角色,在这里彼此对望。
不是宣称的爱情场景,因为那样太容易,而人类已经过度利用了简单的事物。更像是一种默契的沉默,一瞥跨越边界、时代与归属。Black & Glow 系列正是点亮了这一点:标志性人物、记忆、光与怀旧,被转化为一个小而新的故事。
这是一个温柔而狡黠的二联画,爱意并不被明说:只能靠感知。难得地、令人难以置信地,一切就这样了。
***
Black Glow
With this new series, the artist opens a darker, more graphic, more theatrical path. The black background is not merely a backdrop: it becomes matter, atmosphere, a deep space from which the figures seem to emerge as illuminated apparitions.
The work plays with the contrast between shadow and glow: white lines, sudden reflections, touches of warm and cold colors that break the darkness and give movement to the composition. The subjects can change, but the heart of the series remains in the technique: an instinctive, luminous, almost nocturnal painting, where the black does not extinguish the image, but ignites it.
This is a series that recalls the language of pop art, but brings it to a more adult, rougher, less decorative dimension. The figures become visual pretexts to tell light, character, irony and presence.
In short, a play of contrasts: darkness as the stage, white as the
***Disclaimer***
Each work arises from the encounter between artistic expression and artisanal craft.
The painting represents the main creative element, while the support (canvas and materials) is an integral part of a careful and conscious production process.
The canvases used are selected with particular attention to quality and, where possible, to environmental sustainability, favoring recycled or low-impact materials. In some cases, supports may be crafted or finished artisanally, even through the reuse of materials.
Any slight imperfections of the support should not be considered defects, but testimonies of the manual process and the artisanal nature of the product. Such features do not compromise the artistic value and integrity of the work in any way, but rather strengthen its uniqueness.
Each painting is therefore to be understood as a unique piece, the result of a process that combines creativity, manual skill and responsible attention to materials.

