Sumida Gawa - Ishiguro Koko (signed) - 碗 - 粘土, 釉 - 刷洗器

该件物品为正宗的日本 Sumida Gawa 手工艺术陶器，年代约为明治晚期至大正初期，约1900至1920年之间。此款低矮宽口的碗是典型的“池塘”或“笔洗”造型，记录详细且广为人知，使 Sumida 工作室在西方出口市场极具吸引力。器物展现出与著名陶匠石黑小子（Ishiguro Koko）相关的独特风格标志。碗身下部饰以纹理丰富、哑光赭红的底色，而上沿则以浓重的深橄榄绿与木炭色的 flambé 釉涂覆，向下流淌，呈现厚重、自然的呈现效果。

1The primary decorative focus of the bowl is a high-relief, three-dimensional applied figure of a monkey perched expressively over the rim, peering into the interior of the vessel. Ishiguro Koko is celebrated among international collectors specifically for his masterful, lifelike execution of simian subjects. A distinctive characteristic of his personal style is the contrasting treatment of the figure’s attire, where the monkey is dressed in a finely glazed jacket mimicking traditional underglaze blue-and-white porcelain motifs. This sophisticated technique beautifully juxtaposes the raw, unglazed body of the animal and the rustic nature of the main vessel.

碗的主要装饰焦点是一只立于碗沿、表情栩栩如生的高浮雕猴子，抬头望向碗内。这位石黑小子在国际收藏圈中因其对猿猴题材的巧妙、栩栩如生的再现而闻名。他个人风格的一个显著特征，是对猴子衣着的对比处理：猴子身着经特殊釉布釉的外套，模仿传统蓝白釉瓷 motifs 的图案。这一精妙技法巧妙地将动物的本体粗糙、未釉的质感，与主器的质朴特性形成对比。

The authenticity of the maker is further validated by the porcelain cartouche applied directly to the side of the body, rather than the foot ring, which is completely customary for this genre of pottery. The hand-painted underglaze cobalt blue inscription on the pebble-shaped tile features two stylized characters reading Kozan. In the context of Sumida Gawa production, Ishiguro Koko frequently utilized variations of this archaic script, drawing from the artistic legacy and lineage of the contemporary Yokohama and Tokyo workshops. This combination of the specific calligraphic signature, the distinctive blue-and-white clad monkey figure, and the characteristic multi-textured glazing technique makes this a highly characteristic, collectible, and legally exportable example of Japanese ceramic history from the turn of the twentieth century.

制作工艺的真实性还通过直接在器身侧面而非足环处所施的瓷质纹章得到进一步验证，这在此类陶器中是完全常规的。 pebble-shaped tile（鹅卵石形瓷砖）上手绘的釉下蓝色铭文呈现两个风格化字符，读作 Kozan。在 Sumida Gawa 的生产背景下，石黑小子经常使用这一古体书法的变体，借鉴当代横滨与东京工作室的艺术传承与脉络。这一特定书法签名、蓝白猴子形象以及多纹理釉的组合，使之成为二十世纪初日本陶瓷历史中极具特色、收藏价值高且符合出口法规的典型代表。

This combination of the specific calligraphic signature, the distinctive blue-and-white clad monkey figure, and the characteristic multi-textured glazing technique makes this a highly characteristic, collectible, and legally exportable example of Japanese ceramic history from the turn of the twentieth century.

This 这一点的组合使其成为二十世纪初日本陶瓷历史中极具特征性、值得收藏并符合出口法规的典型范例。

Condition is excellent vintage. No significant chips and cracks, no restorations. Red bottom die well preserved. Tiny and insignificant traces of time and use.

状况为极好之Vintage（古董级）。无明显缺口、无裂纹、无修复。底部红色印纹保存完好。仅有极小的、微不足道的时间与使用痕迹。

Approximate dimensions: Height: ca. 6 cm. Width: ca. 9 cm. Depth: ca. 10 cm.Weight: 195 g.

近似尺寸：高约6厘米，口径约9厘米，深约10厘米，重量约195克。

All information provided to the best of my knowledge and belief. Pictures are part of description. This lot will be carefully packaged and sent by registered mail.

所提供的所有信息均据我所知、所信之最善意作出。图片为描述的一部分。本拍品将被妥善包装并通过挂号邮件寄出。