歌川国貞 • 源义经与千本桜 • 珍品 • 日本木版画 - 日本 - 江戶時代（1600-1868）
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賣家描述
** 这一设计在西方资料中未有文献记载 **
Artist: Utagawa Kunisada 歌川国貞, signing as Toyokuni III 三代豊国 (1786–1865) — 签名为 Toyokuni ga 豊国画，刻在 toshidama 题字框内，另有注记 Kiyomoto no ōju 清元乃應需
Play: Yoshitsune Senbon-zakura (義経千本桜, "Yoshitsune and the Thousand Cherry Trees") — 大物浦场景
Technique: Nishiki-e (多色木版画) on washi
Format: Ōban tate-e triptych each approx. 37*25cm (three sheets)
Date: censor/date seals present — 1850s
Genre: Musha-e / yakusha-e (warrior-actor subject)
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Paper & condition
Overall colour fading, Soiling, and surface rubbing; the lower margins are repaired. Presents in fair, honest condition for a set of this age. Please check the images carefully!
----------------------------------------------------------------------
About the print
The Daimotsu-ura scene is the dramatic peak of Yoshitsune Senbon-zakura, one of the three great masterpieces of the kabuki and bunraku repertoire. The Taira general Tomomori, believed dead after Dan-no-ura, has been living in disguise as the boatman Ginpei; here he reveals himself, fights Yoshitsune's party, and — his schemes undone — binds himself to an anchor and throws himself into the sea, his white costume deliberately evoking the conventions of the Nō ghost play Funa Benkei. The Kiyomoto no ōju inscription ties this design to a specific Kiyomoto-narrated staging, marking it as a commemorative commission rather than a routine playbill print — a detail that adds documentary interest for collectors of the play.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯** 这一设计在西方资料中未有文献记载 **
Artist: Utagawa Kunisada 歌川国貞, signing as Toyokuni III 三代豊国 (1786–1865) — 签名为 Toyokuni ga 豊国画，刻在 toshidama 题字框内，另有注记 Kiyomoto no ōju 清元乃應需
Play: Yoshitsune Senbon-zakura (義経千本桜, "Yoshitsune and the Thousand Cherry Trees") — 大物浦场景
Technique: Nishiki-e (多色木版画) on washi
Format: Ōban tate-e triptych each approx. 37*25cm (three sheets)
Date: censor/date seals present — 1850s
Genre: Musha-e / yakusha-e (warrior-actor subject)
----------------------------------------------------------------------
Paper & condition
Overall colour fading, Soiling, and surface rubbing; the lower margins are repaired. Presents in fair, honest condition for a set of this age. Please check the images carefully!
----------------------------------------------------------------------
About the print
The Daimotsu-ura scene is the dramatic peak of Yoshitsune Senbon-zakura, one of the three great masterpieces of the kabuki and bunraku repertoire. The Taira general Tomomori, believed dead after Dan-no-ura, has been living in disguise as the boatman Ginpei; here he reveals himself, fights Yoshitsune's party, and — his schemes undone — binds himself to an anchor and throws himself into the sea, his white costume deliberately evoking the conventions of the Nō ghost play Funa Benkei. The Kiyomoto no ōju inscription ties this design to a specific Kiyomoto-narrated staging, marking it as a commemorative commission rather than a routine playbill print — a detail that adds documentary interest for collectors of the play.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
江戶時代（1600-1868）
原產國
日本
Attribution
原版
藝術品標題
Kunisada • Yoshitsune and the Thousand Cherry Trees • RARE • Japanese Woodblock Print
Condition
狀況一般
種源
私人收藏
真偽
原創/正版
