Kunisada • 演员对 • 双框 • 1860 • 日本木版画 - 日本 - 江戶時代（1600-1868）
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賣家描述
Artist: Utagawa Kunisada 歌川国貞, signing as Toyokuni III 三代豊国 (1786–1865)
Series: The 1860 "Actor Pairs"
Sheet: No. 11 (十一, lower centre)
Technique: Nishiki-e on washi
Format: Ōban yoko-e
Date: 1860 (Man'en 1 / Year of the Monkey)
Genre: Yakusha-e (actor portraits)
Roles depicted: Right — a stern male townsman role, read as Aragorō Mohei; Left — an onnagata as Osono (a wife role)
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Paper & condition
Two half-length portraits sit within a richly patterned "brocade" surround printed to imitate a padded fabric frame — one of the most decorative conceits of Kunisada's late career. On the right, a grim-faced male role with shaven blue pate and a bold striped robe over a red under-kimono; on the left, an elegant onnagata raising a slender pipe, hair dressed with lacquered combs and a yellow bar-kanzashi, the black outer kimono scattered with maple leaves and wave-patterned silk beneath. Each figure is accompanied by a cursive haiku and a red title cartouche. The printing is deliberately lavish: burnished shōmenzuri gives sheen to the dark passages, soft bokashi models a shadow inside the frame, and the whole sheet shows the high finish that marks the best work of this date. Colour and impression present fresh and strong, with the deluxe burnishing intact. Album backing.
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About the series
This is a sheet from a comparatively rare and little-documented set of paired actor portraits Kunisada designed in 1860. Its format takes its cue from his celebrated 1835 illustrated book Thirty-Six Flowers of the Acting Profession (a copy of which is in the British Museum), where actor likenesses are set beside haiku in cursive script. Here that idea is developed into a padded double-frame, each portrait a self-contained jewel; some of the actors in the series are shown posthumously, in roles Kunisada himself never saw them play, giving the set the character of an affectionate history of the Edo stage.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯Artist: Utagawa Kunisada 歌川国貞, signing as Toyokuni III 三代豊国 (1786–1865)
Series: The 1860 "Actor Pairs"
Sheet: No. 11 (十一, lower centre)
Technique: Nishiki-e on washi
Format: Ōban yoko-e
Date: 1860 (Man'en 1 / Year of the Monkey)
Genre: Yakusha-e (actor portraits)
Roles depicted: Right — a stern male townsman role, read as Aragorō Mohei; Left — an onnagata as Osono (a wife role)
----------------------------------------------------------------------
Paper & condition
Two half-length portraits sit within a richly patterned "brocade" surround printed to imitate a padded fabric frame — one of the most decorative conceits of Kunisada's late career. On the right, a grim-faced male role with shaven blue pate and a bold striped robe over a red under-kimono; on the left, an elegant onnagata raising a slender pipe, hair dressed with lacquered combs and a yellow bar-kanzashi, the black outer kimono scattered with maple leaves and wave-patterned silk beneath. Each figure is accompanied by a cursive haiku and a red title cartouche. The printing is deliberately lavish: burnished shōmenzuri gives sheen to the dark passages, soft bokashi models a shadow inside the frame, and the whole sheet shows the high finish that marks the best work of this date. Colour and impression present fresh and strong, with the deluxe burnishing intact. Album backing.
----------------------------------------------------------------------
About the series
This is a sheet from a comparatively rare and little-documented set of paired actor portraits Kunisada designed in 1860. Its format takes its cue from his celebrated 1835 illustrated book Thirty-Six Flowers of the Acting Profession (a copy of which is in the British Museum), where actor likenesses are set beside haiku in cursive script. Here that idea is developed into a padded double-frame, each portrait a self-contained jewel; some of the actors in the series are shown posthumously, in roles Kunisada himself never saw them play, giving the set the character of an affectionate history of the Edo stage.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
江戶時代（1600-1868）
原產國
日本
Attribution
原版
藝術品標題
Kunisada • Actor Pairs • double-frame • 1860 • Japanese Woodblock Print
Condition
極佳狀態
種源
私人收藏
真偽
原創/正版
