Sören Schuhmacher

淫穢藝術及攝影書籍拍賣（日本色情）

爱之风暴

荒木经惟
Hakuya Shobo/1982/Japanese/150*210*10

《“Shashin Jidai Bunko”》诞生于传奇编辑 Suei Akira 所创刊的杂志《Shashin Jidai》。该杂志的第一期收录的是荒木经惟，外号“荒木”，题为《Ai no Arashi》（爱之风暴）的摄影集。荒木经惟最初遇到堀堀荣子（Taeko Hori），她是剧作家冈住美智代在铃木清一导演的电影《Zigoinelwaizen》（1980）中的女演员随从，他为她拍摄长达两年半，并将这些作品收编成这本书。从自然肖像到为书中堀荣子所创的戏剧化装扮与裸照，书中以多种表情呈现了堀荣子的形象。堀荣子的神秘感（yokishness）及其独特的气质格外突出，她的发型在漫长的拍摄过程中以多种方式变化，初看仿佛是在看一个完全不同的人。书末有荒木经惟与堀荣子的对话，以及由《Shashin Jidai》（摄影时代）的贡献作家、剧作家上杉清文所撰写、题为《荒木经惟的思想跃迁》的论文。

Love storm

Nobuyoshi Araki
Hakuya Shobo/1982/Japanese/150*210*10

The “Shashin Jidai Bunko” was born out of the magazine “Shashin Jidai” created by the legendary editor Akira Suei. The first issue of the magazine was a collection of photographs by Nobuyoshi Araki, nicknamed “Araki,” entitled “Ai no Arashi” (Storm of Love). Araki first saw Taeko Hori, who was an attendant of Michiyo Okusu, the actress in Seijun Suzuki's film “Zigoinelwaizen” (1980), and photographed her for two and a half years, compiling them into this book. From natural portraits to staged shoots of Hori in costume and nudes, the book captures Hori in a variety of expressions. Hori's mysteriousness (yokishness) with its unique atmosphere stands out, and her hairstyle changes in various ways, probably due to the long period of shooting, so that at first glance it seems as if we are looking at a different person. At the end of the book is a dialogue between Araki and Hori, as well as an essay on Nobuyoshi Araki by Kiyobumi Uesugi, a playwright and contributor to “Shashin Jidai” (The Age of Photography), entitled “Araki Nobuyoshitsune's Idea Jumping.

Nobuyoshi Araki - Love storm - 1982

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