Giulia Resti

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这件作品延续了“Resilience”系列，在这里断裂不再被隐藏，而是被修复，修复本身也成为所描绘对象的一部分。

在这幅画中，金色不再只是沿着裂缝流动——它开始萌芽、成长。就像嫁接，根植并彼此缚合。

自然界存在一种力量，并非通过对抗来抗拒，而是通过适应、重新生长来实现。正是同样的力量，使绿色能够重新在石头上出现，支撑并重建而不抹去曾经的痕迹。这件作品正是在同一逻辑之内运作。

这幅画的表面将植物拼贴融入黑色织物纸之上，脆弱的元素被吸收进结构，成为痕迹与连接并存的要素。金色通过它们移动，而非单纯装饰，而是连续性的线条。

以丙烯颜料和拼贴在桦木受托板上的技法完成之作。
植物印刷品系用叶片在绢纹纸上手工制作。边缘经过上色，作品现已可悬挂。表面以两层水性缎光清漆处理，使其具备抗紫外线和时间流逝的耐久性。

www.federicabelloli.com
@federicabellolipainter

This work continues the Resilience series, where fracture is not hidden but repaired, and where repair itself becomes part of the subject represented.

In this painting, gold no longer follows only the crack—it begins to sprout and grow. Like a graft, something that takes root and binds.

There is a force in Nature that does not resist by opposing, but by adapting, by growing again. It is the same force that allows green to return over stone, to hold and rebuild without erasing what has been. This work moves within that same logic.

The surface of the painting integrates botanical collage on black tissue paper, where fragile elements are absorbed into the structure, becoming both trace and connection. The gold moves through them not as decoration, but as a line of continuity.

Work executed with acrylic colors and collage on birch wood cradled panel.
The botanical prints were handmade with leaves on tissue paper. The edges are painted and the painting is ready to hang. The surface is finished with a double layer of water-based satin varnish, which makes it resistant to UV rays and the passage of time.

www.federicabelloli.com
@federicabellolipainter

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Federica Belloli - Grafted light

壓克力畫, 拼貼 - Hand signed - 2026

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Federica Belloli 的 Grafted light，原作，2026 年以丙烯畫與拼貼於桦木面板上創作，尺寸 70 × 50 cm，品相極佳，直接由藝術家於意大利出售。

Federica Belloli - Grafted light

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Federica Belloli 的 Grafted light，原作，2026 年以丙烯畫與拼貼於桦木面板上創作，尺寸 70 × 50 cm，品相極佳，直接由藝術家於意大利出售。

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