Antonio Sciacca (1957) - Untitled

意大利艺术家 Antonio Sciacca（卡塔尼亚，1957）原创作品，完全以记号笔在艺术用纸上绘制。

作品由艺术家在左下角亲笔签名，且背面附有一份署名献词，作为作品的一部分随同拍卖。照片展示了作品的正面、背面及献词，供完整证明之用。

这是一幅具象派、具表现主义气质的绘画，采用极具支配力的线性语言来构建。女性形象并非寻求自然主义再现，而是在形式上进行综合，体积感通过线条网格本身来获得，而非传统的明暗刻画。

构图围绕一个正面肖像展开，因左下角的一组果实而略微偏离中轴，果实起到视觉对位作用，为整体增添稳定感。

该绘画几乎完全由以下元素构成：
• 连续线；
• 断续线；
• 层叠笔触；
• 线密度的变化。

第二种颜色（赭橙色）分隔平面、强化某些体积并创造视觉深度。

在媒介方面的简洁性尤为显著：仅用两种颜色和一条极具自信的线条，就能勾勒出面部、手部、发型、服装及所绘的果实，而无需借助绘画性的效果。

从形式上看，作品属于同时代的具象表达，表现出表现主义元素与某种象征性成分并存，特意与学术肖像传统保持距离。

纸张状况良好，保存整体完好，未发现会影响其稳定性或正确观赏的重要损坏。

纸张尺寸：49.5 × 34 cm。

注：作品以一个简单框架展示，框架仅作保護纸张在保存与运输过程中的平整之用。该框架无艺术或商业价值，不含玻璃，仅作为保护性支撑，确保作品以最佳状态呈现给新主人。

**照片为描述不可分割的一部分。**

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Antonio Sciacca (1957) – Original Marker Drawing on Paper

Original artwork by the Italian artist Antonio Sciacca (Catania, 1957), executed entirely in marker on artist's paper.

The artwork is hand-signed by the artist in the lower left corner and is also accompanied by an autographed dedication on the reverse, included as part of the lot. The photographs show the front and reverse of the artwork, as well as the dedication, providing complete documentation of the piece.

This is a figurative drawing of an expressionist character, constructed through a highly dominant linear language. The female figure does not seek a naturalistic representation, but rather a formal synthesis in which volume is achieved through the very network of lines rather than by means of traditional modelling with light and shadow.

The composition is organised around a frontal portrait, slightly offset by the presence of a group of fruits in the lower left corner, which act as a visual counterbalance and provide stability to the overall composition.

The drawing is constructed almost exclusively through:
• continuous lines;
• broken lines;
• superimposed strokes;
• variations in line density.

The second colour (sepia-orange) separates planes, reinforces selected volumes and creates visual depth.

The economy of means is remarkable: using only two colours and a highly confident line, the artist succeeds in defining the face, hands, hair, clothing and the depicted fruits without resorting to painterly effects.

Formally, the artwork belongs to a contemporary figurative language in which expressionist elements coexist with a certain symbolic component, deliberately moving away from the academic portrait tradition.

The paper is in very good overall condition. The composition remains fully intact and no significant damage is visible that would compromise its stability or proper appreciation.

Paper dimensions: 49.5 × 34 cm.

NOTE: The artwork is presented in a simple frame used exclusively as a protective support to keep the paper perfectly flat during storage and transportation. The frame has no artistic or commercial value, contains no glass, and should be regarded solely as a protective support intended to ensure that the artwork reaches its new owner in the best possible condition.

**The photographs form an integral part of the description.**