歌川国貞：东海道五十三次之役者——日本木版画 - 日本 - 明治時期（1868-1912）
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Kunisada — 明治時期 Nishiki-e 大判竪版木刻《東海道五十三次之內：赤坂站》，作者歌川國貞（Toyokuni III），原作/官方真品，尺寸約36 × 24 cm，私家收藏，品相良好。
AI輔助摘要
賣家描述
Artist: Utagawa Kunisada 歌川国貞, signing as Toyokuni III
Series: Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内 ("Actors at the Fifty-Three Stations of the Tōkaidō"), the famous 1852 "Yakusha Tōkaidō"
Station: Akasaka 赤坂
Technique: Nishiki-e (multi-colour woodblock print)
Format: Ōban tate-e, single sheet, approx. 36 × 24.5 cm
Date: 1852 (Kaei 5)
Genre: Yakusha-e (kabuki actor portrait)
-------------------------------------------------------------
Condition:
A very good impression with strong, well-registered colour. Minor trimming. A very light horizontal fold (consistent with former album mounting) that does not affect the composition. The paper supple. Overall very good condition. Please see the image closely.
-------------------------------------------------------------
About the print:
Two heroes loom close against a softly graded sky, framed at upper right by a cluster of travel gear — woven baskets, a bundled pack, a wayfarer's tag — that playfully announces the Tōkaidō theme. In front kneels the great ninja Jiraiya, his identity spelled out in the sweeping blue characters across his robe: 児雷也, "the Gallant of Thunder." Jiraiya is one of the most beloved shape-shifting heroes of the Edo stage and page — a noble bandit schooled in toad magic, forever locked in combat with his serpent-wizard nemesis Orochimaru. Behind him rises a stern, sword-bearing samurai in a striking tortoiseshell-patterned cloak, glowering off to the side with the coiled tension Kunisada gave his finest villains and retainers.
The design belongs to Kunisada's landmark Actor's Tōkaidō of 1852, and it carries the charge of that exact theatrical moment: Jiraiya Gōketsu Monogatari ("The Tale of the Gallant Jiraiya") was one of the great hits of the Edo stage in 1852, and prints of its stars sold as fast as they could be cut. Kunisada, the most sought-after portraitist of his age, seizes the drama of the confrontation in half-length — a format that pushes the actors' faces and costumes to the very front of the picture plane, close enough to read every thread of the brocade.
About the series
Actors at the Fifty-Three Stations of the Tōkaidō Road is one of the most successful print projects of the entire ukiyo-e era. It was born of necessity: the Tenpō-era reforms had banned the naming and glorification of kabuki actors, so Kunisada devised an ingenious workaround, pairing each idol — identifiable by role, costume and nigao likeness rather than by name — with one of the fifty-three post-stations of the great highway between Edo and Kyoto. Wildly popular, the series eventually grew far beyond its nominal fifty-three designs to more than 150 sheets, some stations appearing several times. It stands today as a roll-call of the theatrical superstars of 1852, and a high point of Kunisada's late portrait style.
There is a quiet poignancy in the sheet that its first buyers could not have felt. In 1852 Danjūrō VIII was the living god of the Edo stage, so idolised that when he bathed onstage in Sukeroku the water was sold off to his fans. Two years later, in the eighth month of 1854, he took his own life in Osaka at the age of thirty-two — and the city's grief spilled out in more than a hundred different memorial prints. This portrait belongs to the bright years just before that catastrophe: not a mourning image, but the star himself, alive and magnetic, exactly as his admirers wished to remember him.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯Artist: Utagawa Kunisada 歌川国貞, signing as Toyokuni III
Series: Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内 ("Actors at the Fifty-Three Stations of the Tōkaidō"), the famous 1852 "Yakusha Tōkaidō"
Station: Akasaka 赤坂
Technique: Nishiki-e (multi-colour woodblock print)
Format: Ōban tate-e, single sheet, approx. 36 × 24.5 cm
Date: 1852 (Kaei 5)
Genre: Yakusha-e (kabuki actor portrait)
-------------------------------------------------------------
Condition:
A very good impression with strong, well-registered colour. Minor trimming. A very light horizontal fold (consistent with former album mounting) that does not affect the composition. The paper supple. Overall very good condition. Please see the image closely.
-------------------------------------------------------------
About the print:
Two heroes loom close against a softly graded sky, framed at upper right by a cluster of travel gear — woven baskets, a bundled pack, a wayfarer's tag — that playfully announces the Tōkaidō theme. In front kneels the great ninja Jiraiya, his identity spelled out in the sweeping blue characters across his robe: 児雷也, "the Gallant of Thunder." Jiraiya is one of the most beloved shape-shifting heroes of the Edo stage and page — a noble bandit schooled in toad magic, forever locked in combat with his serpent-wizard nemesis Orochimaru. Behind him rises a stern, sword-bearing samurai in a striking tortoiseshell-patterned cloak, glowering off to the side with the coiled tension Kunisada gave his finest villains and retainers.
The design belongs to Kunisada's landmark Actor's Tōkaidō of 1852, and it carries the charge of that exact theatrical moment: Jiraiya Gōketsu Monogatari ("The Tale of the Gallant Jiraiya") was one of the great hits of the Edo stage in 1852, and prints of its stars sold as fast as they could be cut. Kunisada, the most sought-after portraitist of his age, seizes the drama of the confrontation in half-length — a format that pushes the actors' faces and costumes to the very front of the picture plane, close enough to read every thread of the brocade.
About the series
Actors at the Fifty-Three Stations of the Tōkaidō Road is one of the most successful print projects of the entire ukiyo-e era. It was born of necessity: the Tenpō-era reforms had banned the naming and glorification of kabuki actors, so Kunisada devised an ingenious workaround, pairing each idol — identifiable by role, costume and nigao likeness rather than by name — with one of the fifty-three post-stations of the great highway between Edo and Kyoto. Wildly popular, the series eventually grew far beyond its nominal fifty-three designs to more than 150 sheets, some stations appearing several times. It stands today as a roll-call of the theatrical superstars of 1852, and a high point of Kunisada's late portrait style.
There is a quiet poignancy in the sheet that its first buyers could not have felt. In 1852 Danjūrō VIII was the living god of the Edo stage, so idolised that when he bathed onstage in Sukeroku the water was sold off to his fans. Two years later, in the eighth month of 1854, he took his own life in Osaka at the age of thirty-two — and the city's grief spilled out in more than a hundred different memorial prints. This portrait belongs to the bright years just before that catastrophe: not a mourning image, but the star himself, alive and magnetic, exactly as his admirers wished to remember him.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
明治時期（1868-1912）
原產國
日本
Attribution
原版
Height
36 cm
Width
24 cm
藝術品標題
Kunisada - Actors at the 53 Stations of the Tōkaidō - Japanese Woodblock Print
Condition
狀況一般
種源
私人收藏
真偽
原創/正版
