Julien Gauthier

日本藝術中的動物與自然

这件安野左助的纯铜螃蟹饰品以传统技法精心打造，钳子与腿部均可灵活活动。
安野左助——生名志仓安之助——在江户晚期向明治时期过渡之际，是京都最杰出的铸金大师，也是日本最负盛名的金工作坊之一龙文堂（Ryubundo）的创始大师，被誉为确立现代京都铁壶与金属工艺风格基础的人物。在日本茶道与铁壶收藏领域，他被普遍公认为具有传奇地位的工匠。
他在铁铸与金银镶嵌方面均为大师，其作品无缝地将功能性与艺术感结合。其形态既端庄又质朴，饰件精致而含蓄，其艺术风格深刻影响了后来一代又一代的日本金属工匠。
螃蟹是安野左助独特且标志性的 motif。除了作为其个人艺术签名的象征外，它也承载着吉祥的日本象征意义：象征不受阻碍的进步、稳定与迎接恩泽，以及从四面八方聚财的寓意。」

This pure copper crab ornament by An-no-suke is meticulously crafted using traditional techniques, featuring pincers and legs that are fully articulated.
An-no-suke—whose birth name was Shifou Yasunosuke—was the preeminent master metalcaster in Kyoto during the transition from the late Edo period to the Meiji era. He was also the founding master of Ryubundo, one of Japan's most prestigious metalworking workshops, and is credited with establishing the stylistic foundations for modern Kyoto iron kettles and metalcraft. He is universally recognized within the realms of Japanese tea ceremony and iron kettle collecting as a craftsman of legendary stature.
A virtuoso in both iron casting and gold-and-silver inlay, his works seamlessly blend functionality with artistic sensibility. Characterized by forms that are at once stately and rustic, and ornamentation that is exquisitely refined, his artistry profoundly influenced generations of Japanese metalcasters who followed in his footsteps.
The crab serves as An-no-suke’s unique and signature motif. Beyond functioning as his personal artistic signature, it also embodies auspicious Japanese symbolism: signifying unhindered progress, stability and the welcoming of blessings, and the gathering of wealth from all directions.

裝飾飾物 - 蟹 - 日本 - 铰接铜蟹

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