KUNIYOSHI • 鏡山之拖鞋鞭打場景 • 日本木版畫 - 日本 - 江戶時代（1600-1868）
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日本江戶時代原作歌川國芳木版畫，三張 Oban 三連作，描繪 Kagamiyama 的 zōri-uchi 場景，約1847年，品相一般。
AI輔助摘要
賣家描述
**Rare kabuki subject · The design behind Kuniyoshi's famous cat parody of the same scene**
Artist: Utagawa Kuniyoshi (歌川国芳, 1797–1861)
Title: Chūkō Kagami Yama (忠孝加々見山, "Loyalty and Filial Piety: Kagami Yama"), title cartouche continuing across the three sheets
Subject: The zōri-uchi (slipper-beating) scene, with the roles Tsubone Iwafuji (局岩藤), Chūrō Onoe (中老尾上), and the maidservant Ohatsu (召仕お初)
Actors (per role cartouches): Sawamura Sōjūrō V as Iwafuji (right); Ichimura Uzaemon XII as Onoe (centre); Bandō Shūka I as Ohatsu (left)
Technique: Nishiki-e colour woodblock, complete vertical ōban triptych
Date: c. 1847 (Kōka 4), consistent with the paired nanushi censor seals
Publisher: Ibaya Senzaburō (伊場仙版, seals lower corners)
Signature: Ichiyūsai Kuniyoshi ga (left and right sheets); Chōōrō Kuniyoshi ga (centre sheet)
Format: Oban tryptic, each sheet approx. 36*24cm
----------------------------------------------------------------------
Condition
Fair, honest antique condition commensurate with age: some ink bleeding, wear to the margins, and light wormhole damage. The composition nonetheless remains fully legible and the colours accurate. please review the photographs carefully.
----------------------------------------------------------------------
About the print
This is one of the most notorious moments in all of kabuki. The Kagamiyama story — often called the "female Chūshingura" — unfolds in the women's quarters of a great household, where the scheming senior lady-in-waiting Iwafuji persecutes the younger, honest Onoe. In the climactic humiliation depicted here, Iwafuji strikes Onoe with a straw sandal (zōri), an insult so unbearable that Onoe later takes her own life — and is avenged by her devoted maid Ohatsu, who kills Iwafuji and is elevated in her mistress's place.
Kuniyoshi captures the moment with theatrical economy: at right, Iwafuji advances holding the yellow zōri aloft, her wisteria robe (a visual pun on her name, fuji = wisteria) billowing with malice; at centre, Onoe sinks to the floor before a folding screen of plum blossoms, absorbing the insult; at left, the loyal Ohatsu recoils in alarm behind the screen — the avenger-to-be witnessing the offence.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯**Rare kabuki subject · The design behind Kuniyoshi's famous cat parody of the same scene**
Artist: Utagawa Kuniyoshi (歌川国芳, 1797–1861)
Title: Chūkō Kagami Yama (忠孝加々見山, "Loyalty and Filial Piety: Kagami Yama"), title cartouche continuing across the three sheets
Subject: The zōri-uchi (slipper-beating) scene, with the roles Tsubone Iwafuji (局岩藤), Chūrō Onoe (中老尾上), and the maidservant Ohatsu (召仕お初)
Actors (per role cartouches): Sawamura Sōjūrō V as Iwafuji (right); Ichimura Uzaemon XII as Onoe (centre); Bandō Shūka I as Ohatsu (left)
Technique: Nishiki-e colour woodblock, complete vertical ōban triptych
Date: c. 1847 (Kōka 4), consistent with the paired nanushi censor seals
Publisher: Ibaya Senzaburō (伊場仙版, seals lower corners)
Signature: Ichiyūsai Kuniyoshi ga (left and right sheets); Chōōrō Kuniyoshi ga (centre sheet)
Format: Oban tryptic, each sheet approx. 36*24cm
----------------------------------------------------------------------
Condition
Fair, honest antique condition commensurate with age: some ink bleeding, wear to the margins, and light wormhole damage. The composition nonetheless remains fully legible and the colours accurate. please review the photographs carefully.
----------------------------------------------------------------------
About the print
This is one of the most notorious moments in all of kabuki. The Kagamiyama story — often called the "female Chūshingura" — unfolds in the women's quarters of a great household, where the scheming senior lady-in-waiting Iwafuji persecutes the younger, honest Onoe. In the climactic humiliation depicted here, Iwafuji strikes Onoe with a straw sandal (zōri), an insult so unbearable that Onoe later takes her own life — and is avenged by her devoted maid Ohatsu, who kills Iwafuji and is elevated in her mistress's place.
Kuniyoshi captures the moment with theatrical economy: at right, Iwafuji advances holding the yellow zōri aloft, her wisteria robe (a visual pun on her name, fuji = wisteria) billowing with malice; at centre, Onoe sinks to the floor before a folding screen of plum blossoms, absorbing the insult; at left, the loyal Ohatsu recoils in alarm behind the screen — the avenger-to-be witnessing the offence.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
江戶時代（1600-1868）
原產國
日本
Attribution
原版
藝術品標題
KUNIYOSHI • The Slipper-Beating Scene from Kagamiyama • Japanese Woodblock Print
Condition
狀況一般
種源
私人收藏
真偽
原創/正版
