Felipe Abreu

日本攝影集（Sabukaru26）

Sweet Life

Ed van der Elsken
东京摄影学院 /1968/日文版/310*310*35/缺盒

《Sweet Life》是荷兰著名摄影师 Ed van der Elsken（1925-1990）作品集的合集。在《Love on the Left Bank》（1956）、《Bagara》（1958）和《Jazz》（1959）之后，《Sweet Life（Acceptable）》是艾尔斯肯作品的杰作之一，英文与日文版均有出版。本书记录了艾尔斯肯与妻子 Gerda 14 个月的旅程，其中的照片分布在非洲、美国与亚洲。作品充满了艾尔斯肯所特有的“人性”与“爱”，以特写与对比度突出的强烈表达而闻名。这组影像得以实现，离不开日本的印刷技术。书刊出版时，艾尔斯肯曾写信给他的友人细木男干（日文：細木正弘?，此处为音译），请求他介绍一位日本印刷商，因为他希望采用雾面凹版印刷，类似玫瑰印刷；细木忙前忙后，去查看版画制作过程。影像从风景到肖像再到街拍，记录了艾尔斯肯的14 个月的“Sweet Life”。日文版。

Sweet Life

Ed van der Elsken
Tokyo College of Photography /1968/japanese/310*310*35/Missing box

Sweet Life” is a collection of works by Ed van der Elsken (1925-1990), a leading Dutch photographer. Following Love on the Left Bank (1956), Bagara (1958), and Jazz (1959), Sweet Life (Acceptable) is a masterpiece of Elsken's work that has been published in both English and Japanese editions. It is a record of Elsken's 14-month journey with his wife Gerda, and is composed of illustrations taken in Africa, America, and Asia. Full of the “humanity” and “love” that is typical of Elsken, the powerful illustrations with their close-ups and contrasts shine through. This image was made possible by Japanese printing technology. When this book was published, Elsken wrote to his friend Eikoh Hosoe, asking him to introduce him to a Japanese printer because he wanted to use matte photogravure printing, similar to rose printing, and Hosoe ran around to check the plate-making process. From landscapes to portraits to snaps, 14 months of Elsken's “Sweet Life. Japanese edition.

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Ed van der Elsken - Sweet Life - 1968

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