瀬野順一郎 • 雪覆村落中的农妇少女 • 创作版画派杰作 • 日本作品 - 日本 - 20世紀
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賣家描述
Sekino Jun'ichirō 関野凖一郎 (1914–1988)
Title: Peasant Girl on Street (as acquired); probably catalogued as Girl in Northern Japan
Date: 1946
Technique: Woodblock print (mokuhanga), self-printed by the artist
Format: Approx. 20 × 26 cm
Condition: Excellent!
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Why Sōsaku Hanga Deserves Your Attention
Sōsaku Hanga — the Japanese creative-print movement — remains one of the most undervalued areas of twentieth-century art. These are not commercial reproductions produced across a divided workshop of publisher, carver, and printer: the movement's founding principle, championed above all by the artist himself, was that the same hand should design, carve, and print the work.
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About the Print
A young woman in an indigo kasuri kimono and a checked hanten, a towel knotted at her throat and a red comb set in her hair, turns her head sharply out of the picture. Behind her, thatched and tiled roofs sit under deep snow, a bare tree, a dark treeline, and the sign of a noodle shop. Her face is done without any of the conventional prettiness of the bijin tradition: broad, wind-reddened cheeks, a set mouth, eyes fixed on something off to the right.
Sekino was born in Aomori and grew up in the same city as Munakata Shikō. He moved to Tokyo in 1939, studied woodblock with Onchi Kōshirō and Maekawa Senpan, and became a founding member of Onchi's Ichimokukai (First Thursday Society), contributing to every one of the group's Ichimokushū portfolios. Printmaking in Japan had effectively stopped between 1940 and 1945 for want of paper and ink; the immediate postwar years saw Sekino and the Onchi circle return to small-format work, much of it looking back at the vanishing customs and northern landscapes of their own country. This sheet belongs squarely to that moment — a Tōhoku winter, recorded in 1946 by an artist who had grown up in one.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯Sekino Jun'ichirō 関野凖一郎 (1914–1988)
Title: Peasant Girl on Street (as acquired); probably catalogued as Girl in Northern Japan
Date: 1946
Technique: Woodblock print (mokuhanga), self-printed by the artist
Format: Approx. 20 × 26 cm
Condition: Excellent!
----------------------------------------------------------------------
Why Sōsaku Hanga Deserves Your Attention
Sōsaku Hanga — the Japanese creative-print movement — remains one of the most undervalued areas of twentieth-century art. These are not commercial reproductions produced across a divided workshop of publisher, carver, and printer: the movement's founding principle, championed above all by the artist himself, was that the same hand should design, carve, and print the work.
---------------------------------------------------------
About the Print
A young woman in an indigo kasuri kimono and a checked hanten, a towel knotted at her throat and a red comb set in her hair, turns her head sharply out of the picture. Behind her, thatched and tiled roofs sit under deep snow, a bare tree, a dark treeline, and the sign of a noodle shop. Her face is done without any of the conventional prettiness of the bijin tradition: broad, wind-reddened cheeks, a set mouth, eyes fixed on something off to the right.
Sekino was born in Aomori and grew up in the same city as Munakata Shikō. He moved to Tokyo in 1939, studied woodblock with Onchi Kōshirō and Maekawa Senpan, and became a founding member of Onchi's Ichimokukai (First Thursday Society), contributing to every one of the group's Ichimokushū portfolios. Printmaking in Japan had effectively stopped between 1940 and 1945 for want of paper and ink; the immediate postwar years saw Sekino and the Onchi circle return to small-format work, much of it looking back at the vanishing customs and northern landscapes of their own country. This sheet belongs squarely to that moment — a Tōhoku winter, recorded in 1946 by an artist who had grown up in one.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
20世紀
原產國
日本
Attribution
原版
Height
26 cm
Width
20 cm
藝術品標題
Sekino Jun'ichirō • Peasant Girl in a Snow-Covered Village • Sōsaku Hanga Masterpiece • Japanese
Condition
極佳狀態
種源
私人收藏
真偽
原創/正版
