HIROSHIGE · 1891 年纪念版 · 江户名所四十八景 · 日本木版画 - 日本 - 明治時期(1868-1912)





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東洲斉弘重,1891年紀念版《江戶四十八景》木版畫,Meiji時代授權複製品, Ōban尺寸約36 × 24 cm,私家收藏流傳,品相一般。
賣家描述
**Edo时代的初印象在该系列中现今已能卖出相当于四位数的价格,且成色相近。本次为1891 Memorial Edition——市场上唯一的后期版本,边缘清晰标注并有日期记录。它提供了最具吸引力的收藏方式:依旧是同样的Edo时期木版画工艺,真正的高品质,与明治时期的着色相结合。它本身也是一件明治时期的古董,如今已有超过130年的历史**
Artist: Utagawa Hiroshige (歌川広重, 1797–1858), signed Hiroshige ga (広重画)
Title: View from Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya
Series: Forty-eight Selected Views of Edo
Edition: 1891 Memorial Edition (Meiji recut)
Technique: Woodblock print (mokuhanga), polychrome (nishiki-e)
Format: Ōban tate-e, approx. 36 × 24 cm (14.2 × 9.4 inches)
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Paper & condition
Very good impression with excellent colours and stunning Bokashi!. A few minor soiling and foxing spots in the margins. Otherwise sound. Please study the images.
--------------------------------------------
About the print
One of the finest compositions Hiroshige ever devised. The viewer sits inside a teahouse near the Massaki Inari shrine, and the whole scene is cut by the great round window of the room — a flat sweep of grey-green wall giving way to the Sumida River beyond. A plum branch crosses the opening, still half in bud, with a camellia arrangement at the left edge and a line of geese trailing across the sky. Below, a ferryman poles his raft while a second boat works the near bank. The bokashi gradation across the water, deep blue in the foreground fading to pale at the far shore, is handled with real care in this impression.
賣家的故事
**Edo时代的初印象在该系列中现今已能卖出相当于四位数的价格,且成色相近。本次为1891 Memorial Edition——市场上唯一的后期版本,边缘清晰标注并有日期记录。它提供了最具吸引力的收藏方式:依旧是同样的Edo时期木版画工艺,真正的高品质,与明治时期的着色相结合。它本身也是一件明治时期的古董,如今已有超过130年的历史**
Artist: Utagawa Hiroshige (歌川広重, 1797–1858), signed Hiroshige ga (広重画)
Title: View from Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya
Series: Forty-eight Selected Views of Edo
Edition: 1891 Memorial Edition (Meiji recut)
Technique: Woodblock print (mokuhanga), polychrome (nishiki-e)
Format: Ōban tate-e, approx. 36 × 24 cm (14.2 × 9.4 inches)
----------------------------------------
Paper & condition
Very good impression with excellent colours and stunning Bokashi!. A few minor soiling and foxing spots in the margins. Otherwise sound. Please study the images.
--------------------------------------------
About the print
One of the finest compositions Hiroshige ever devised. The viewer sits inside a teahouse near the Massaki Inari shrine, and the whole scene is cut by the great round window of the room — a flat sweep of grey-green wall giving way to the Sumida River beyond. A plum branch crosses the opening, still half in bud, with a camellia arrangement at the left edge and a line of geese trailing across the sky. Below, a ferryman poles his raft while a second boat works the near bank. The bokashi gradation across the water, deep blue in the foreground fading to pale at the far shore, is handled with real care in this impression.

