KUNICHIKA • 早期作品 • 歌舞伎 • 日本木版画 • 浮世绘 - 日本 - 江戶時代（1600-1868）
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原裝 Toyohara Kunichika 木版水印，早期時期的錦繪版畫，Ōban對聯（二幅紙張，各約36 × 24.5 公分），江戶時代（約1860年代），顏色良好，簽名 Kunichika ga，出版商為 Hiranoya。
AI輔助摘要
賣家描述
** 这件设计属于 Kunichika 早期作品，部分趣味也在于此。年轻的艺术家仍然完全沿袭师傅的风格：人物体型、密集的纹样装饰、带有纸门、走廊的室内舞台布景，皆属于 Toyokuni III 流派的纯正风格。这些年中的版画，在 Kunichika 以更硬朗的明治风格成名之前，记录了江户时代最伟大的役者版画大师与其最重要继承者之间的直接传承。 **
Artist: Toyohara Kunichika (豊原国周, 1835–1900)
Title: Sawamura Tanosuke III as the nun Seigen (清玄) and Kawarazaki Gonjūrō I as Yoshida Matsuwaka (吉田松若), from Sumidagawa Hana no Goshozome (隅田川花御所染), "Onna Seigen"
Format: Ōban diptych — two sheets, each ca. 36 × 24.5 cm
Technique: Nishiki-e (full-colour woodblock print)
Date: Edo period, ca. 1860s (Bunkyū–Keiō) — see notes
Signature: 國周画 Kunichika ga in red toshidama-style cartouche, both sheets
Publisher: Hiranoya (平のや), seal both sheets
Carver: 彫多七 Hori Tashichi, left sheet
Seals: Round censor/aratame seal, both sheets
----------------------------------------------------------------------
Condition: Good impression with good colour throughout. The paper is firm with a subtle texture. Minor soiling; Minor insect holes. otherwise clean and presentable. Please refer to the images for full detail
----------------------------------------------------------------------
About the print
Onna Seigen inverts one of kabuki's most durable plots. Hanako no Mae takes the tonsure as the nun Seigen when her betrothed, Yoshida Matsuwakamaru, is believed dead — then meets him again, breaks her vows, and is destroyed by a passion she cannot renounce. It was a signature onnagata vehicle, and Sawamura Tanosuke III, the great tragic onnagata of the 1860s, made the role his own.
Kunichika stages the two across the sheets as separation rather than confrontation. At right, Matsuwaka stands in a blue haori over boldly checked, flower-strewn hakama, sword at his hip, drawing back a discarded robe and glancing over his shoulder. At left, Seigen lies sprawled on a veranda edge in monastic grey, rosary hanging loose at her breast, eyes half-closed — a pair of butterflies drifting above her in the dark ground. Given the play, the reading is almost certainly the hermitage scene in which Seigen is united with Matsuwaka in a dream: the butterflies are the conventional signal that what we are watching is not happening."
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯** 这件设计属于 Kunichika 早期作品，部分趣味也在于此。年轻的艺术家仍然完全沿袭师傅的风格：人物体型、密集的纹样装饰、带有纸门、走廊的室内舞台布景，皆属于 Toyokuni III 流派的纯正风格。这些年中的版画，在 Kunichika 以更硬朗的明治风格成名之前，记录了江户时代最伟大的役者版画大师与其最重要继承者之间的直接传承。 **
Artist: Toyohara Kunichika (豊原国周, 1835–1900)
Title: Sawamura Tanosuke III as the nun Seigen (清玄) and Kawarazaki Gonjūrō I as Yoshida Matsuwaka (吉田松若), from Sumidagawa Hana no Goshozome (隅田川花御所染), "Onna Seigen"
Format: Ōban diptych — two sheets, each ca. 36 × 24.5 cm
Technique: Nishiki-e (full-colour woodblock print)
Date: Edo period, ca. 1860s (Bunkyū–Keiō) — see notes
Signature: 國周画 Kunichika ga in red toshidama-style cartouche, both sheets
Publisher: Hiranoya (平のや), seal both sheets
Carver: 彫多七 Hori Tashichi, left sheet
Seals: Round censor/aratame seal, both sheets
----------------------------------------------------------------------
Condition: Good impression with good colour throughout. The paper is firm with a subtle texture. Minor soiling; Minor insect holes. otherwise clean and presentable. Please refer to the images for full detail
----------------------------------------------------------------------
About the print
Onna Seigen inverts one of kabuki's most durable plots. Hanako no Mae takes the tonsure as the nun Seigen when her betrothed, Yoshida Matsuwakamaru, is believed dead — then meets him again, breaks her vows, and is destroyed by a passion she cannot renounce. It was a signature onnagata vehicle, and Sawamura Tanosuke III, the great tragic onnagata of the 1860s, made the role his own.
Kunichika stages the two across the sheets as separation rather than confrontation. At right, Matsuwaka stands in a blue haori over boldly checked, flower-strewn hakama, sword at his hip, drawing back a discarded robe and glancing over his shoulder. At left, Seigen lies sprawled on a veranda edge in monastic grey, rosary hanging loose at her breast, eyes half-closed — a pair of butterflies drifting above her in the dark ground. Given the play, the reading is almost certainly the hermitage scene in which Seigen is united with Matsuwaka in a dream: the butterflies are the conventional signal that what we are watching is not happening."
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
江戶時代（1600-1868）
原產國
日本
Attribution
原版
Height
36 cm
Width
48 cm
藝術品標題
KUNICHIKA • Early Work • Kabuki • Japanese Woodblock Print • Ukiyo-e
Condition
極佳狀態
種源
私人收藏
真偽
原創/正版
