歌川国貞 • 狐与初音鼓 • 日本木版画 • 浮世绘 - 日本 - 江戶時代（1600-1868）
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江戶時代日本浮世繪雙張 Ōban 立版畫，作者為葛飾国貞（Kunisada／Toyokuni III），描繪源義經千本櫻中的狐忠信與靜御前，約1854年，品相良好。
AI輔助摘要
賣家描述
Artist: Utagawa Kunisada / Toyokuni III (歌川国貞・三代豊国, 1786–1865)
Title: Untitled — identified by the role cartouches: 狐忠信 Kitsune Tadanobu (the fox Tadanobu, left sheet) and 靜御前 Shizuka Gozen (right sheet)
Subject: Yakusha-e (kabuki actor print) — a scene from Yoshitsune Senbon Zakura (義経千本桜), "Yoshitsune and the Thousand Cherry Trees"
Format: Ōban tate-e diptych, two separate sheets, each approx. 36 × 24 cm
Technique: Nishiki-e (full-colour woodblock print)
Date: Kaei 7 (1854), 6th month — combined round aratame (改) censor and date seal on each sheet
----------------------------------------------------------------------
Condition: Excellent colour and impression — bright, fresh and well-registered. The paper is firm and subtle. A very unique design! Please refer to the images for full condition detail.
----------------------------------------------------------------------
About the print
Few moments in the kabuki repertoire were printed as often, or loved as well, as the fox and the drum. In Yoshitsune Senbon Zakura, Yoshitsune's mistress Shizuka Gozen carries the Hatsune no tsuzumi, a hand-drum given her by her lover — and unknown to her, its two heads are made from the skins of a pair of foxes. Their child follows the drum in the shape of Satō Tadanobu, Yoshitsune's loyal retainer, guarding Shizuka through the cherry hills of Yoshino for the sake of the parents he can hear inside it. The recognition scene at Kawatsura Hōgen's mansion, in which the fox is unmasked and finally given the drum, is the best known passage of the whole play.
Kunisada stages exactly that suspended instant. On the right, Shizuka kneels on a patterned mat at the edge of a palace veranda, robed in layered pink, red and indigo with peony and pine-bark roundels, a blossom-laden hair ornament above her brow, the little drum lifted to her shoulder. On the left, Tadanobu has come to a halt on the boards, his head turned back, his mouth open — a man arrested mid-motion by a sound only he understands. His costume is the one the role demands: rose-red haori over pale blue nagabakama strewn with black-and-gold cart-wheel roundels, the wheel motif long associated with the part. Between them a bank of blossoming cherry falls across pale bamboo blinds; behind, stylised water and gilded cloud-bands close the scene off like a painted screen.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯Artist: Utagawa Kunisada / Toyokuni III (歌川国貞・三代豊国, 1786–1865)
Title: Untitled — identified by the role cartouches: 狐忠信 Kitsune Tadanobu (the fox Tadanobu, left sheet) and 靜御前 Shizuka Gozen (right sheet)
Subject: Yakusha-e (kabuki actor print) — a scene from Yoshitsune Senbon Zakura (義経千本桜), "Yoshitsune and the Thousand Cherry Trees"
Format: Ōban tate-e diptych, two separate sheets, each approx. 36 × 24 cm
Technique: Nishiki-e (full-colour woodblock print)
Date: Kaei 7 (1854), 6th month — combined round aratame (改) censor and date seal on each sheet
----------------------------------------------------------------------
Condition: Excellent colour and impression — bright, fresh and well-registered. The paper is firm and subtle. A very unique design! Please refer to the images for full condition detail.
----------------------------------------------------------------------
About the print
Few moments in the kabuki repertoire were printed as often, or loved as well, as the fox and the drum. In Yoshitsune Senbon Zakura, Yoshitsune's mistress Shizuka Gozen carries the Hatsune no tsuzumi, a hand-drum given her by her lover — and unknown to her, its two heads are made from the skins of a pair of foxes. Their child follows the drum in the shape of Satō Tadanobu, Yoshitsune's loyal retainer, guarding Shizuka through the cherry hills of Yoshino for the sake of the parents he can hear inside it. The recognition scene at Kawatsura Hōgen's mansion, in which the fox is unmasked and finally given the drum, is the best known passage of the whole play.
Kunisada stages exactly that suspended instant. On the right, Shizuka kneels on a patterned mat at the edge of a palace veranda, robed in layered pink, red and indigo with peony and pine-bark roundels, a blossom-laden hair ornament above her brow, the little drum lifted to her shoulder. On the left, Tadanobu has come to a halt on the boards, his head turned back, his mouth open — a man arrested mid-motion by a sound only he understands. His costume is the one the role demands: rose-red haori over pale blue nagabakama strewn with black-and-gold cart-wheel roundels, the wheel motif long associated with the part. Between them a bank of blossoming cherry falls across pale bamboo blinds; behind, stylised water and gilded cloud-bands close the scene off like a painted screen.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
江戶時代（1600-1868）
原產國
日本
Attribution
原版
Height
36 cm
Width
48 cm
藝術品標題
KUNISADA • The Fox and the Hatsune Drum • Japanese Woodblock Print • Ukiyo-e
Condition
狀況一般
種源
私人收藏
真偽
原創/正版
