北斎 — 掛干の富士 — 来自《道中画谱》的原版双页木刻版画 - 日本 - 江戶時代（1600-1868）
03
天
13
小時
32
分鐘
16
秒
沒有出價記錄
Catawiki買家保障
在您收到物品前，我們會妥善保管您的付款。查看詳情
Trustpilot評分 4.4 | 139803 則評論
在Trustpilot獲得極佳評等。
日本江戶時代原作木版畫，葛飾北斎之作，Dōchū gafu 原創雙頁幅，富嶽百景系列第二冊，1835年刊，尺寸約22 × 32 cm，品相公平。
AI輔助摘要
賣家描述
Artist: Katsushika Hokusai 葛飾北斎 (1760–1849)
Work: 筧の不二 Kakehi no Fuji
Series: 富嶽百景 Fugaku hyakkei — "One Hundred Views of Mount Fuji," Volume 2 (nihen 二編)
Date: Volume 2 first cut and published Tenpō 6 (1835)
Technique: Woodblock print (mokuhanga)
Format: Double-page composition (mihiraki) from a disbound album, the two half-leaves joined at the gutter. Approx. 22.6 × 26 cm overall
----------------------------------------------------------------
Condition
Minor soiling; the paper otherwise firm and well preserved. Crisp line and clean grey gradation. Please refer to the images for full detail.
-------------------------------------------------------
About the print
Fugaku hyakkei is Hokusai's late masterpiece in book form — 102 views across three volumes, begun when he was seventy-five, immediately after the colour series Thirty-Six Views of Mount Fuji. Stripped of colour and reduced to black line and grey wash, the hundred views are where Hokusai does his most audacious compositional thinking: Fuji is almost never the subject, only the thing glimpsed past whatever happens to be in the way.
Here the obstruction is a kakehi — a wooden flume carrying water down a hillside on trestles. Hokusai lets it discharge a single unbroken arc of water clean across the upper left of the sheet, a long pale curve drawn with three lines and nothing else, and sets Fuji in the gap it opens. The mountain is tiny, dark, and easy to miss. The whole visual weight of the design sits with the water and with the traffic beneath it: porters shouldering bundles and a peddler's cabinet along the riverbank road, a figure resting under a wide flat hat, two women on the higher path among the rocks, and two flat-bottomed boats out on the water. Behind them the land opens into a plain rendered in soft grey bands, with more travellers reduced to specks.
It is a characteristic piece of Hokusai's late wit — the sacred peak of Japan framed, and nearly upstaged, by a length of village plumbing.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯Artist: Katsushika Hokusai 葛飾北斎 (1760–1849)
Work: 筧の不二 Kakehi no Fuji
Series: 富嶽百景 Fugaku hyakkei — "One Hundred Views of Mount Fuji," Volume 2 (nihen 二編)
Date: Volume 2 first cut and published Tenpō 6 (1835)
Technique: Woodblock print (mokuhanga)
Format: Double-page composition (mihiraki) from a disbound album, the two half-leaves joined at the gutter. Approx. 22.6 × 26 cm overall
----------------------------------------------------------------
Condition
Minor soiling; the paper otherwise firm and well preserved. Crisp line and clean grey gradation. Please refer to the images for full detail.
-------------------------------------------------------
About the print
Fugaku hyakkei is Hokusai's late masterpiece in book form — 102 views across three volumes, begun when he was seventy-five, immediately after the colour series Thirty-Six Views of Mount Fuji. Stripped of colour and reduced to black line and grey wash, the hundred views are where Hokusai does his most audacious compositional thinking: Fuji is almost never the subject, only the thing glimpsed past whatever happens to be in the way.
Here the obstruction is a kakehi — a wooden flume carrying water down a hillside on trestles. Hokusai lets it discharge a single unbroken arc of water clean across the upper left of the sheet, a long pale curve drawn with three lines and nothing else, and sets Fuji in the gap it opens. The mountain is tiny, dark, and easy to miss. The whole visual weight of the design sits with the water and with the traffic beneath it: porters shouldering bundles and a peddler's cabinet along the riverbank road, a figure resting under a wide flat hat, two women on the higher path among the rocks, and two flat-bottomed boats out on the water. Behind them the land opens into a plain rendered in soft grey bands, with more travellers reduced to specks.
It is a characteristic piece of Hokusai's late wit — the sacred peak of Japan framed, and nearly upstaged, by a length of village plumbing.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
江戶時代（1600-1868）
物品數量
1
原產國
日本
Attribution
原版
Height
22 cm
Width
32 cm
藝術品標題
HOKUSAI — KAKEHI NO FUJI — Original Double-Page Woodblock from Dōchū gafu
Condition
狀況一般
種源
私人收藏
真偽
原創/正版
