Marc Eemans (1907-1998) - Composition Surrealiste
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Marc Eemans，Composition Surrealiste，1966年手簽限量木刻版畫，來源自比利時，框裝，尺寸為35 × 35 cm，狀況尚可。
AI輔助摘要
賣家描述
Marc Eemans: Composition
Woodcut on paper, signed and numbered lower left "Marc Eemans.Framed with yellow passepartout (35 x 35 x 4 cm).
A figurative composition by the Belgian artist and poet Marc Eemans: within a ruled black border, a nude male figure seen from behind carries a second, limp nude body across his shoulders, moving through a stylised landscape of still water, bare saplings and banded clouds. The bold black contour, the flat patterning of water and sky and the mythic, elegiac mood are characteristic of Eemans's early graphic work, in which the influence of Flemish modernism and of German Romanticism is distilled into a spare, symbolist idiom — the "gnostic" imagery that runs through his art and poetry.
Marc Eemans (Dendermonde 1907 – Brussels 1998) was a Belgian painter, poet, art historian and critic. He began with a constructivist-abstract sensibility before turning, around 1925, to the orbit of Surrealism, exhibiting alongside René Magritte and Salvador Dalí. From the 1930s he moved away from abstraction toward a personal, symbolist mysticism, developing the visionary imagery for which he is best known. His works are held in collections including the Museum of Fine Arts, Ghent, and the Print Room in Brussels.
La Lune en Rodage is the three-volume collective portfolio assembled by the Basel-based publisher, psychoanalyst and collector Carl Laszlo (Pécs 1923 – Basel 2013), issued by Edition Panderma, Basel, in 1960, 1965 and 1977. The three volumes gather a total of some 180 original works and form a dense survey of the European avant-garde between the 1950s and the 1970s. Several of the included works mark turning points in the careers of the artists involved: Enrico Castellani's sheet is regarded as his first documented graphic work, and Piero Manzoni's Achrome as the only multiple the artist ever realised.
Condition: mint archival condition. Framed with yellow, self-made passepartout (non professional).
Provenance: Edition Panderma, Carl Laszlo, Basel — Private Collection, Basel.
賣家的故事
Kunstkontor Basel於2018年在瑞士巴塞爾成立在線藝術品經銷處。我們專注於混凝土，建築和數字藝術，其歷史可追溯到1920年代。 Kunstkontor展示了精選的歐洲藝術家與著名出版商合作的原始版畫，複本和獨特作品。 LajosKassák，Victor Vasarely，Lou Loeber，Lothar Schreyer，GüntherFruhtrunk，Jo Niemeyer，Lars-GunnarNordström，Matti Kujasalo，Peter Vogel等藝術家的作品。
由Google翻譯翻譯Marc Eemans: Composition
Woodcut on paper, signed and numbered lower left "Marc Eemans.Framed with yellow passepartout (35 x 35 x 4 cm).
A figurative composition by the Belgian artist and poet Marc Eemans: within a ruled black border, a nude male figure seen from behind carries a second, limp nude body across his shoulders, moving through a stylised landscape of still water, bare saplings and banded clouds. The bold black contour, the flat patterning of water and sky and the mythic, elegiac mood are characteristic of Eemans's early graphic work, in which the influence of Flemish modernism and of German Romanticism is distilled into a spare, symbolist idiom — the "gnostic" imagery that runs through his art and poetry.
Marc Eemans (Dendermonde 1907 – Brussels 1998) was a Belgian painter, poet, art historian and critic. He began with a constructivist-abstract sensibility before turning, around 1925, to the orbit of Surrealism, exhibiting alongside René Magritte and Salvador Dalí. From the 1930s he moved away from abstraction toward a personal, symbolist mysticism, developing the visionary imagery for which he is best known. His works are held in collections including the Museum of Fine Arts, Ghent, and the Print Room in Brussels.
La Lune en Rodage is the three-volume collective portfolio assembled by the Basel-based publisher, psychoanalyst and collector Carl Laszlo (Pécs 1923 – Basel 2013), issued by Edition Panderma, Basel, in 1960, 1965 and 1977. The three volumes gather a total of some 180 original works and form a dense survey of the European avant-garde between the 1950s and the 1970s. Several of the included works mark turning points in the careers of the artists involved: Enrico Castellani's sheet is regarded as his first documented graphic work, and Piero Manzoni's Achrome as the only multiple the artist ever realised.
Condition: mint archival condition. Framed with yellow, self-made passepartout (non professional).
Provenance: Edition Panderma, Carl Laszlo, Basel — Private Collection, Basel.
賣家的故事
Kunstkontor Basel於2018年在瑞士巴塞爾成立在線藝術品經銷處。我們專注於混凝土，建築和數字藝術，其歷史可追溯到1920年代。 Kunstkontor展示了精選的歐洲藝術家與著名出版商合作的原始版畫，複本和獨特作品。 LajosKassák，Victor Vasarely，Lou Loeber，Lothar Schreyer，GüntherFruhtrunk，Jo Niemeyer，Lars-GunnarNordström，Matti Kujasalo，Peter Vogel等藝術家的作品。
由Google翻譯翻譯詳細資料
藝術家
Marc Eemans (1907-1998)
出售者：
畫廊
版本
限量版
藝術品標題
Composition Surrealiste
技術
木刻版畫
簽名
Hand signed
原產國
比利時
年份
1966
狀態
狀況一般
Height
35 cm
Width
35 cm
Style
超現實主義
時段
1940-1950
連框架出售
是
