SHINSUI • “Suzumi” 涼み • 降温 • 后置版 • 日本木版画 • 浮世绘 - 日本 - 20世紀
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20世紀日本木版畫原作，作者伊藤深水（Itō Shinsui），題名 Suzumi — Cooling Off，戰後版本，來自 Isetatsu 版，更換的版面，約37 × 26 cm，橫向 ōban，品相良好，紙張色溫偏暖。
AI輔助摘要
賣家描述
Artist: Itō Shinsui 伊東深水 (1898–1972)
Title: Suzumi 涼み — "Evening Cool" / "Cooling Off"
Edition: Postwar impression from the Isetatsu blocks
Date: c. 1940s–1960s - First Edition released 1925
Technique: Woodblock print (mokuhanga) on washi,
Format: Horizontal ōban / approx. 37 × 26
Publisher: Isetatsu 伊勢辰 (Sōsaku Hangakai Isetatsu)
----------------------------------------------------------------------
Paper & condition
The colours are well preserved; the paper has taken on warm tones. The print still presents very well. Please check the images!
----------------------------------------------------------------------
About the print
A young woman stands in profile, half turned away, in an indigo yukata scattered with morning glories. The whole design is built around what she is not showing you: the face is reduced to a single clean contour, and the eye goes instead to the nape of her neck, left bare above the collar. That exposed nape — unaji — was one of the few uncovered parts of a woman's body in traditional dress, and the most quietly charged. Shinsui puts a round uchiwa fan at her shoulder and a pale obi worked with thistles at her waist, and lets the flat blue of the cotton do the rest. It reads as heat, and as relief from it.
Suzumi stands slightly apart from the rest of Shinsui's output. Nearly all his prints were made with Watanabe Shōzaburō; this one was issued by Isetatsu, the old Tokyo paper house, which handled only a small group of his designs in the mid-1920s. The printing is unusually rich for the format: mica laid into the obi, blind embossing in the white reserves of the yukata, and a grey ground deliberately printed to bring the woodgrain of the block through. Shinsui was twenty-seven when he drew it, already fifteen years into the career that would end with his designation as a Living National Treasure for the woodblock medium in 1952.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯Artist: Itō Shinsui 伊東深水 (1898–1972)
Title: Suzumi 涼み — "Evening Cool" / "Cooling Off"
Edition: Postwar impression from the Isetatsu blocks
Date: c. 1940s–1960s - First Edition released 1925
Technique: Woodblock print (mokuhanga) on washi,
Format: Horizontal ōban / approx. 37 × 26
Publisher: Isetatsu 伊勢辰 (Sōsaku Hangakai Isetatsu)
----------------------------------------------------------------------
Paper & condition
The colours are well preserved; the paper has taken on warm tones. The print still presents very well. Please check the images!
----------------------------------------------------------------------
About the print
A young woman stands in profile, half turned away, in an indigo yukata scattered with morning glories. The whole design is built around what she is not showing you: the face is reduced to a single clean contour, and the eye goes instead to the nape of her neck, left bare above the collar. That exposed nape — unaji — was one of the few uncovered parts of a woman's body in traditional dress, and the most quietly charged. Shinsui puts a round uchiwa fan at her shoulder and a pale obi worked with thistles at her waist, and lets the flat blue of the cotton do the rest. It reads as heat, and as relief from it.
Suzumi stands slightly apart from the rest of Shinsui's output. Nearly all his prints were made with Watanabe Shōzaburō; this one was issued by Isetatsu, the old Tokyo paper house, which handled only a small group of his designs in the mid-1920s. The printing is unusually rich for the format: mica laid into the obi, blind embossing in the white reserves of the yukata, and a grey ground deliberately printed to bring the woodgrain of the block through. Shinsui was twenty-seven when he drew it, already fifteen years into the career that would end with his designation as a Living National Treasure for the woodblock medium in 1952.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
20世紀
原產國
日本
Attribution
原版
Height
37 cm
Width
26 cm
藝術品標題
SHINSUI • "Suzumi" 涼み • Cooling Off • Postware Edition • Japanese Woodblock Print • Ukiyo-e
Condition
良好狀態
種源
私人收藏
真偽
原創/正版
