Jarrón Tango Art Déco - 花瓶 - 玻璃

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Michel Karis
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藝術史學家,具有豐富的古董拍賣行工作經驗。

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賣家描述

波希米亚艺术玻璃的艺术风格花瓶 Tango Art Déco 玻璃艺术花瓶,带有 bohemian 艺术玻璃的光彩与喜悦。

本文呈现这件 Art Déco 时期的 Tango 花瓶,采用 Bohemian 艺术玻璃制成,视觉上 Applied 饰饰的设计让人联想到 Lötz/Loetz Ausführung 166 的构成语言:单色主体、玻璃线丝的应用以及直接贴在主体上的独立玻璃圆饰。
Tango Glass 的特点在于使用颜色强烈的玻璃块,通过应用的装饰元素——边缘、线丝、钮扣或圆饰——来制造色彩对比,而作品在灼热的塑性状态下仍然发光。

描述:
花瓶以吹制工艺手工制作,这一点可从其存在的气泡种子看出,与当时的工艺技术相吻合。

其轮廓以张扬且圆润的喇叭形著称,口径约为 14 cm,宽阔的口部在短而优雅缩窄的颈部上大胆展开。由此往下,主体发展为倒置水滴形态,厚实且底座低矮,赋予其稳定且显著的雕塑感。
作品通过黄色玻璃的强烈对比以及蓝色的装饰元素来呈现视觉上的对比,装饰通过一条水平贴玻璃带和一串凸起的圆饰来结构化体积,使吹制成形的线条具有明显的几何节奏。

Pontil 与 attribution
底座保留原始断裂 Pontil 的标记(粗糙 Pontil 标记),这是手工制造过程的典型痕迹,作品保留了不规则轮廓与粗糙纹理,显示出并未完全抛光的 Pontil 特征。

该作品可能处于波希米亚制造商如 Welz、Kralik、Rückl 或 Rindskopf 的生产领域之内;然而,进行具体归属并不严格也不公正,因为这类作品中很大一部分缺乏签名或识别标记。 Pontil 的性质也不足以单独确立归属,因为同一制造厂中也可能出现粗糙和抛光两种 Pontil 的作品。

本时期生产的大量玻璃目前无法可靠地归属到具体制造商,原因在于缺乏记录、样式书和工业文献,以及对某些工厂身份的进一步不了解。

DATE:大致 1920–1930 年(两次大战之间的时期)。

尺寸:
高 20 cm
口径 13.5 cm
主体最大直径 16 cm
底径 9 cm

状态:
极好,无裂纹或缺口。仅有随年代沉积的包浆和历史摩擦微痕,符合其年代的特征。

其他说明:
** 图片为描述的一部分。
** 最终标示的尺寸与重量为安全包装配置所对应的数值,确保在运输过程中的正确保护。

::::::::::::::::::::::::::::::::: ENGLISH :::::::::::::::::::::::::::::::::

Art Deco Tango vase in Bohemian art glass. ca. 1920–1930. Inspired by the decorative language of Lötz/Loetz Ausführung 166.

I present this Tango vase from the Art Deco period, made of Bohemian art glass that radiates light and joy. Visually, the applied decoration of this piece recalls the compositional language of Lötz/Loetz Ausführung 166: monochrome body, applied glass thread and independent glass cabochons applied directly onto the body.

Tango Glass is characterized by the use of intensely colored glass masses and chromatic contrasts produced by means of applied decorative elements—rims, threads, buttons or cabochons—while the piece is still incandescent, in a plastic state.

DESCRIPTION:
The vase is handcrafted by blowing, as evidenced by the presence of air seeds consistent with the technology of the period.

It stands out for its bold and full flared silhouette, with a wide mouth of approximately 14 cm that opens audaciously over a short and elegantly narrowed neck. From there, the body develops into a suggestive inverted teardrop shape, massive and with a low base, giving it a stable and distinctly sculptural presence.

The piece lives from the contrast between the intensity of the yellow glass and the blue decorative elements, which visually structure the volume through a horizontal band of applied glass and a succession of raised cabochons. These elements provide a marked geometric rhythm to the fluidity of the blown form.

PONTIL & ATTRIBUTION
The base preserves the original fracture pontil mark (rough pontil mark), a characteristic vestige of the artisanal manufacturing process that this piece preserves, showing an irregular outline and rough texture, characteristic of a not completely polished pontil.

The piece could be situated within the production sphere of Bohemian manufacturers such as Welz, Kralik, Rückl or Rindskopf; however, it would not be rigorous or honest to make a specific attribution, since an important part of this production lacks a signature or identifying mark. Nor does the nature of the pontil alone allow an attribution to be established, since within the same manufactory pieces with both rough and polished pontils can be found.

Much of the glass produced during this period cannot currently be reliably attributed to a specific manufacturer, due to the loss of records, pattern books and industrial documentation, as well as the current lack of knowledge regarding the identity of certain glassworks.

DATING: Circa 1920–1930 (Interwar Period).

DIMENSIONS:
Height: 20 cm
Mouth diameter: 13.5 cm
Maximum body diameter: 16 cm
Base diameter: 9 cm

CONDITION:
Excellent, with no cracks or chips. It presents only a patina from historical settling and slight signs of historical friction consistent with its age.

ADDITIONAL NOTES:
• The photographs form part of the description.

• The final measurements and weight indicated correspond to the configuration of secure packaging, which is essential to ensure the proper protection of this piece during transport.

波希米亚艺术玻璃的艺术风格花瓶 Tango Art Déco 玻璃艺术花瓶,带有 bohemian 艺术玻璃的光彩与喜悦。

本文呈现这件 Art Déco 时期的 Tango 花瓶,采用 Bohemian 艺术玻璃制成,视觉上 Applied 饰饰的设计让人联想到 Lötz/Loetz Ausführung 166 的构成语言:单色主体、玻璃线丝的应用以及直接贴在主体上的独立玻璃圆饰。
Tango Glass 的特点在于使用颜色强烈的玻璃块,通过应用的装饰元素——边缘、线丝、钮扣或圆饰——来制造色彩对比,而作品在灼热的塑性状态下仍然发光。

描述:
花瓶以吹制工艺手工制作,这一点可从其存在的气泡种子看出,与当时的工艺技术相吻合。

其轮廓以张扬且圆润的喇叭形著称,口径约为 14 cm,宽阔的口部在短而优雅缩窄的颈部上大胆展开。由此往下,主体发展为倒置水滴形态,厚实且底座低矮,赋予其稳定且显著的雕塑感。
作品通过黄色玻璃的强烈对比以及蓝色的装饰元素来呈现视觉上的对比,装饰通过一条水平贴玻璃带和一串凸起的圆饰来结构化体积,使吹制成形的线条具有明显的几何节奏。

Pontil 与 attribution
底座保留原始断裂 Pontil 的标记(粗糙 Pontil 标记),这是手工制造过程的典型痕迹,作品保留了不规则轮廓与粗糙纹理,显示出并未完全抛光的 Pontil 特征。

该作品可能处于波希米亚制造商如 Welz、Kralik、Rückl 或 Rindskopf 的生产领域之内;然而,进行具体归属并不严格也不公正,因为这类作品中很大一部分缺乏签名或识别标记。 Pontil 的性质也不足以单独确立归属,因为同一制造厂中也可能出现粗糙和抛光两种 Pontil 的作品。

本时期生产的大量玻璃目前无法可靠地归属到具体制造商,原因在于缺乏记录、样式书和工业文献,以及对某些工厂身份的进一步不了解。

DATE:大致 1920–1930 年(两次大战之间的时期)。

尺寸:
高 20 cm
口径 13.5 cm
主体最大直径 16 cm
底径 9 cm

状态:
极好,无裂纹或缺口。仅有随年代沉积的包浆和历史摩擦微痕,符合其年代的特征。

其他说明:
** 图片为描述的一部分。
** 最终标示的尺寸与重量为安全包装配置所对应的数值,确保在运输过程中的正确保护。

::::::::::::::::::::::::::::::::: ENGLISH :::::::::::::::::::::::::::::::::

Art Deco Tango vase in Bohemian art glass. ca. 1920–1930. Inspired by the decorative language of Lötz/Loetz Ausführung 166.

I present this Tango vase from the Art Deco period, made of Bohemian art glass that radiates light and joy. Visually, the applied decoration of this piece recalls the compositional language of Lötz/Loetz Ausführung 166: monochrome body, applied glass thread and independent glass cabochons applied directly onto the body.

Tango Glass is characterized by the use of intensely colored glass masses and chromatic contrasts produced by means of applied decorative elements—rims, threads, buttons or cabochons—while the piece is still incandescent, in a plastic state.

DESCRIPTION:
The vase is handcrafted by blowing, as evidenced by the presence of air seeds consistent with the technology of the period.

It stands out for its bold and full flared silhouette, with a wide mouth of approximately 14 cm that opens audaciously over a short and elegantly narrowed neck. From there, the body develops into a suggestive inverted teardrop shape, massive and with a low base, giving it a stable and distinctly sculptural presence.

The piece lives from the contrast between the intensity of the yellow glass and the blue decorative elements, which visually structure the volume through a horizontal band of applied glass and a succession of raised cabochons. These elements provide a marked geometric rhythm to the fluidity of the blown form.

PONTIL & ATTRIBUTION
The base preserves the original fracture pontil mark (rough pontil mark), a characteristic vestige of the artisanal manufacturing process that this piece preserves, showing an irregular outline and rough texture, characteristic of a not completely polished pontil.

The piece could be situated within the production sphere of Bohemian manufacturers such as Welz, Kralik, Rückl or Rindskopf; however, it would not be rigorous or honest to make a specific attribution, since an important part of this production lacks a signature or identifying mark. Nor does the nature of the pontil alone allow an attribution to be established, since within the same manufactory pieces with both rough and polished pontils can be found.

Much of the glass produced during this period cannot currently be reliably attributed to a specific manufacturer, due to the loss of records, pattern books and industrial documentation, as well as the current lack of knowledge regarding the identity of certain glassworks.

DATING: Circa 1920–1930 (Interwar Period).

DIMENSIONS:
Height: 20 cm
Mouth diameter: 13.5 cm
Maximum body diameter: 16 cm
Base diameter: 9 cm

CONDITION:
Excellent, with no cracks or chips. It presents only a patina from historical settling and slight signs of historical friction consistent with its age.

ADDITIONAL NOTES:
• The photographs form part of the description.

• The final measurements and weight indicated correspond to the configuration of secure packaging, which is essential to ensure the proper protection of this piece during transport.

詳細資料

時代
1900-2000
具體原產地
Bohemia
物品數量
1
原產國
捷克共和國
設計師/藝術家/製作者
Jarrón Tango Art Déco
材質
玻璃
Style
藝術裝飾
顏色
藍色, 黃色
狀態
極佳 - 幾乎沒有 使用痕跡/老化/小瑕疵
Height
20 cm
Width
16 cm
Depth
20 cm
大概年份
1920-1930
西班牙已驗證
13
已售物品
100%
私人

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