Sofia Reshmi - My wife

Coming Home 是一系列关于寻找家的作品——不一定是一个地点，而是一种感觉。\nThroughout the works, a small town on a hill keeps returning. It is distant yet familiar, like a place remembered rather than seen. Around it, figures move through the landscape — running, falling, dancing, carrying, searching.\n在这些作品中，一个坐落在山丘上的小镇不断浮现。它既遥远又熟悉，像记忆中的地方而非亲眼所见。\n在它周围，人物穿行于风景之中——奔跑、跌倒、起舞、携物、搜索。\nInspired by Mallorca, its landscapes and ancient visual language, the works explore the space between memory and imagination.\n受马略卡岛的景观及古老视觉语言的启发，作品探索记忆与想象之间的空间。\nThe figures are reduced to simple movements, almost like traces left by people who passed through the same landscape long before us.\n人物被简化为简单的动作，几乎像是很久之前经过同一片风景的人的痕迹。\nPerhaps it is not about finding a place that has been waiting for us.\n也许这并非在寻找一个一直在等待我们的地方。\nPerhaps it is about finding that place within ourselves where, finally, we feel that we belong.\n也许是在发现自己内心的那个地方，使我们最终感到归属。\n\n----\n\nArtistic Profile\nSofia Reshmi is a Swedish contemporary artist based in Berlin, whose practice moves between painting, photography, sculpture and mixed media.\n艺术家简介\nSofia Reshmi 是一位瑞典当代艺术家，居住在柏林，其创作跨越绘画、摄影、雕塑与混合媒介。\nWorking across a number of interconnected series, she combines found imagery, Polaroids, paint, spray, text and sculptural elements to create works that are at once visually immediate and conceptually layered.\n在多个相互关联的系列中，她将发现的图像、宝丽来照片、颜料、喷雾、文字和雕塑元素结合，创作出在视觉上直观、在概念上层次丰富的作品。\nHer work explores identity, belonging, longing, desire and the tension between the individual and the world around us.\n她的作品探讨身份、归属、渴望、欲望，以及个体与周围世界之间的张力。\nPersonal experiences are often transformed into visual narratives that leave room for ambiguity, humour and emotional recognition.\n个人经历常被转化为视觉叙事，为模糊性、幽默感与情感共鸣留出空间。\nRather than telling a single story, Reshmi creates fragments, symbols and situations that invite the viewer to complete the narrative themselves.\n她并不讲述单一的故事，而是创作碎片、符号与情境，邀请观者自行完成叙事。\nA distinctive part of her practice is the way she combines familiar visual languages with unexpected materials and contexts.\n她的创作中一个鲜明的特点，是将熟悉的视觉语言与出人意料的材料与语境结合。\nPop-cultural references, personal memories, everyday objects and archetypal imagery can coexist within the same work, creating a visual language that is playful on the surface while carrying a deeper emotional undercurrent.\n流行文化参照、个人记忆、日常物件与原型意象可以在同一幅作品中共存，营造出表面上俏皮、却潜藏着更深情感底流的视觉语言。\nRecent bodies of work include Mallorca / Coming Home, Analogue Stories, Longing: Distance, Boring Housewives, Urbano Cats and Transitions.\n近作包括 Mallorca / Coming Home、Analogue Stories、Longing: Distance、Boring Housewives、Urbano Cats 与 Transitions。\nAcross these series, Reshmi continuously investigates what it means to belong — to a place, to another person, to a memory, or ultimately to oneself.\n在这些系列中，Reshmi 不断探究“归属”的意义——归属一个地方、归属另一人、归属一段记忆，最终归属自我。\nReshmi's career has developed rapidly since she began presenting her work publicly, with collectors across Europe, the US and other international markets.\n自她开始公开展出作品以来，Reshmi 的职业发展迅速，收藏家遍及欧洲、美国及其他国际市场。\nHer practice is increasingly positioned at the intersection of contemporary art, visual culture and a new generation of artist-led international practice.\n她的实践日益处于当代艺术、视觉文化与新一代艺术家驱动的国际实践的交汇点上。\nBased in Sweden, Reshmi works with both intimate and large-scale formats and continues to develop an expanding body of work intended for an international audience.\n居于瑞典的 Reshmi 以亲密与大型格式并用的方式创作，不断拓展面向国际观众的作品量。\nReshmi has also founded the international invitationalclub Social Art Club (SAC.) which brings collectors and artlovers together.\nReshmi 还创立了国际性邀请制俱乐部 Social Art Club（SAC），将收藏家与艺术爱好者聚集在一起。