KUNISADA • 歌舞伎行商人舞蹈角色 • 双联画 • 日本木版画 • 浮世绘 - 日本 - 江戶時代(1600-1868)





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江戶時期原作浮世繪對聯屏由歌川國貞(Toyokuni III)創作,兩張 Ōban,約36×24 cm 每張,合計約36×48 cm, hōsho 紙 Nishiki-e,品相極佳,來自私人收藏。
賣家描述
Artist: Utagawa Kunisada / Toyokuni III (歌川国貞・三代豊国, 1786–1865)
Title: Actors Sawamura Tanosuke III as the Dance Teacher (Odori no Shishō) Okino, and Nakamura Shikan IV — signing this year under his prior name Fukusuke I — as the Mask Seller (Men-uri) Fukukichi
Subject: 一对変化舞(“transformation dance”)的摊位服装角色,来自 kaomise 季的素颜舞伎作品。右侧纸张: Sawamura Tanosuke III,坐姿扮演流动的舞蹈教师 Okino,身着 Tokiwazu/Kiyomoto 乐队装(“连中”字样为乐师徽记),后台有一名三味线乐手与高音诵唱者在讲台上可见。左侧纸张:Nakamura Shikan IV,中程动作,穿着条纹和服,扮演面具商 Fukukichi,这是一个笑料性的能乐与节日面具的小贩——他包袱上挂着一小串带画脸的面具,是该角色的标志性特征。右侧纸张上的“此世一代”字样旗标着此场演出为乐师的正式告别表演。
Format: Ōban diptych — two sheets, each ca. 36 × 24 cm (overall ca. 36 × 48 cm)
Technique: Nishiki-e (full-colour woodblock print) on hōsho paper
Date: 1860 (Man'en 1)
Publisher: Kiya Sōjirō (Kōbokudō), Bakurochō 4-chōme — cartouche reads 馬喰四 木屋板, lower left
Carver: Horikane (Koizumi Kanegorō) — signed 彫兼, lower left
Signature: 豊国画 Toyokuni ga, in the red toshidama cartouche, both sheets
----------------------------------------------------------------------
Condition: Very good impression with very good, fresh colour throughout. The paper is firm with a subtle texture. Minor scuff on the right margin of each sheet otherwise clean and presentable. Please refer to the images for full detail!
----------------------------------------------------------------------
About the print
1860 found Kunisada, now in his mid-seventies and signing as the third Toyokuni, still the go-to designer for Edo's kaomise dance programmes — the season-opening shows built around a run of quick-change vendor and street-character roles performed to live Tokiwazu or Kiyomoto accompaniment. This sheet catches two of those characters back to back: Sawamura Tanosuke III, already established as one of the era's leading onnagata, as a wandering dance teacher, and Nakamura Shikan IV — who had only just taken that stage name in 1860 after a decade performing as Fukusuke I — as the mask seller, one of the stock comic hawkers who populate this kind of revue, his pack strung with the small painted faces that give the role its name.
The musicians are not tucked away: Kunisada puts the ensemble on its own raised platform across the top of the right sheet, in keeping with how these dance interludes were actually staged and watched. A "once in this life" cartouche marking a chanter's farewell performance dates the sheet to a specific, if unidentified, benefit programme. The publisher and carver seals — Kiya Sōjirō of Bakurochō, cut by Horikane — are both well-documented Kunisada collaborators of exactly this period. A left-sheet impression of this design is catalogued individually by the Museum of Fine Arts, Boston; the right-hand companion sheet is far less often seen, and a complete, matching diptych is correspondingly scarce on the market.
賣家的故事
Artist: Utagawa Kunisada / Toyokuni III (歌川国貞・三代豊国, 1786–1865)
Title: Actors Sawamura Tanosuke III as the Dance Teacher (Odori no Shishō) Okino, and Nakamura Shikan IV — signing this year under his prior name Fukusuke I — as the Mask Seller (Men-uri) Fukukichi
Subject: 一对変化舞(“transformation dance”)的摊位服装角色,来自 kaomise 季的素颜舞伎作品。右侧纸张: Sawamura Tanosuke III,坐姿扮演流动的舞蹈教师 Okino,身着 Tokiwazu/Kiyomoto 乐队装(“连中”字样为乐师徽记),后台有一名三味线乐手与高音诵唱者在讲台上可见。左侧纸张:Nakamura Shikan IV,中程动作,穿着条纹和服,扮演面具商 Fukukichi,这是一个笑料性的能乐与节日面具的小贩——他包袱上挂着一小串带画脸的面具,是该角色的标志性特征。右侧纸张上的“此世一代”字样旗标着此场演出为乐师的正式告别表演。
Format: Ōban diptych — two sheets, each ca. 36 × 24 cm (overall ca. 36 × 48 cm)
Technique: Nishiki-e (full-colour woodblock print) on hōsho paper
Date: 1860 (Man'en 1)
Publisher: Kiya Sōjirō (Kōbokudō), Bakurochō 4-chōme — cartouche reads 馬喰四 木屋板, lower left
Carver: Horikane (Koizumi Kanegorō) — signed 彫兼, lower left
Signature: 豊国画 Toyokuni ga, in the red toshidama cartouche, both sheets
----------------------------------------------------------------------
Condition: Very good impression with very good, fresh colour throughout. The paper is firm with a subtle texture. Minor scuff on the right margin of each sheet otherwise clean and presentable. Please refer to the images for full detail!
----------------------------------------------------------------------
About the print
1860 found Kunisada, now in his mid-seventies and signing as the third Toyokuni, still the go-to designer for Edo's kaomise dance programmes — the season-opening shows built around a run of quick-change vendor and street-character roles performed to live Tokiwazu or Kiyomoto accompaniment. This sheet catches two of those characters back to back: Sawamura Tanosuke III, already established as one of the era's leading onnagata, as a wandering dance teacher, and Nakamura Shikan IV — who had only just taken that stage name in 1860 after a decade performing as Fukusuke I — as the mask seller, one of the stock comic hawkers who populate this kind of revue, his pack strung with the small painted faces that give the role its name.
The musicians are not tucked away: Kunisada puts the ensemble on its own raised platform across the top of the right sheet, in keeping with how these dance interludes were actually staged and watched. A "once in this life" cartouche marking a chanter's farewell performance dates the sheet to a specific, if unidentified, benefit programme. The publisher and carver seals — Kiya Sōjirō of Bakurochō, cut by Horikane — are both well-documented Kunisada collaborators of exactly this period. A left-sheet impression of this design is catalogued individually by the Museum of Fine Arts, Boston; the right-hand companion sheet is far less often seen, and a complete, matching diptych is correspondingly scarce on the market.

