YOSHITORA · 忠臣蔵 第八幕 · 富士山的新婚之旅 · Izumiya Ichibei, Kaei Era - 日本 - 江戶時代(1600-1868)





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賣家描述
Artist: Utagawa Yoshitora 歌川芳虎 (active c. 1840s–1880), signed 一猛齋芳虎画 Ichimōsai Yoshitora ga
Title: Chūshingura Hachidanme 忠臣蔵八段目, "Chūshingura, Act Eight"
Technique: Woodblock print, nishiki-e
Date: c. 1840s
Publisher: Izumiya Ichibei 泉市 (Kansendō), Edo
Format: Yoko-e (horizontal), approx. 35 × 22 cm
Seals: Publisher's seal; two nanushi censor seals
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Condition
Good overall. The composition is very well preserved. The paper has some soiling, toning and slight creases on the margins. Please refer to the images!
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ABOUT THE WORK
Kanadehon Chūshingura, the story of the forty-seven loyal retainers, was the most popular play of the Edo stage. Print designers illustrated it act by act for more than a century. Act Eight is the quiet interlude of the drama. Tonase escorts her daughter Konami along the Tōkaidō to be married, and the act is traditionally drawn as a travel landscape. Yoshitora follows that tradition. A roadside tea stall with a smoking fire sits under tall pines, a finely dressed young woman stands by the shore, and Mount Fuji rises over a deep blue bay with white sails.
Yoshitora, one of Kuniyoshi's leading pupils, is best known for warrior prints and Yokohama-e. This design shows his softer side, and its Hiroshige-style landscape is less typical of his work.
賣家的故事
Artist: Utagawa Yoshitora 歌川芳虎 (active c. 1840s–1880), signed 一猛齋芳虎画 Ichimōsai Yoshitora ga
Title: Chūshingura Hachidanme 忠臣蔵八段目, "Chūshingura, Act Eight"
Technique: Woodblock print, nishiki-e
Date: c. 1840s
Publisher: Izumiya Ichibei 泉市 (Kansendō), Edo
Format: Yoko-e (horizontal), approx. 35 × 22 cm
Seals: Publisher's seal; two nanushi censor seals
--------------------------------------------------------------------
Condition
Good overall. The composition is very well preserved. The paper has some soiling, toning and slight creases on the margins. Please refer to the images!
---------------------------------------------------------------------
ABOUT THE WORK
Kanadehon Chūshingura, the story of the forty-seven loyal retainers, was the most popular play of the Edo stage. Print designers illustrated it act by act for more than a century. Act Eight is the quiet interlude of the drama. Tonase escorts her daughter Konami along the Tōkaidō to be married, and the act is traditionally drawn as a travel landscape. Yoshitora follows that tradition. A roadside tea stall with a smoking fire sits under tall pines, a finely dressed young woman stands by the shore, and Mount Fuji rises over a deep blue bay with white sails.
Yoshitora, one of Kuniyoshi's leading pupils, is best known for warrior prints and Yokohama-e. This design shows his softer side, and its Hiroshige-style landscape is less typical of his work.

