中国南京的龟裂釉姜罐,饰有武士场景——晚清末至民国初期。 - 陶瓷 - 中國 - 20世紀初





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中國南京/Nanjing craquelé 薑罐,連續武將場景,晚清/初民國時期(約1890–1920),陶瓷材質,高約15.5 cm,寬約13.5 cm,狀況良好,真品/原裝。
賣家描述
中文南京/crackled ginger pot with warriors scene – late Qing / early Republic, ca. 1890–1920
Chinese hand-painted ginger pot with fine cream-colored craquelé glaze and a continuous polychrome military scene featuring riders, warriors, banners, weapons and stylized mountain/camp landscape.
Central to the piece is a striking bearded general on a white horse, holding aloft in his raised hand a black, clearly segmented melee weapon. This bears strong resemblance to the traditional steel bian of the famous Sui-Tang general Yuchi Gong (Yuchi Jingde). The young feathered rider on the brown horse could possibly represent Luo Cheng. Thus the scene may be drawn from the popular Sui-Tang/Shuo Tang tale and opera tradition. This identification, however, has not been definitively established.
The shoulder and foot are adorned with broad dark-brown, incised/textured bands in an archaizing, bronze-imitation style. The neck is painted with a colorful floral/ruyi-like border. Inconspicuous.
Dimensions: approx. 15.5 cm high × 13.5 cm wide.
Condition: good antique condition with normal age- and use-related wear. Fine craquelé and small glaze/ceramic irregularities typical for this type of ceramic. No lid present; presumably originally fitted with a lid. See the photos for full condition.
Dating: probably late-Qing / early Republic, circa 1890–1920.
中文南京/crackled ginger pot with warriors scene – late Qing / early Republic, ca. 1890–1920
Chinese hand-painted ginger pot with fine cream-colored craquelé glaze and a continuous polychrome military scene featuring riders, warriors, banners, weapons and stylized mountain/camp landscape.
Central to the piece is a striking bearded general on a white horse, holding aloft in his raised hand a black, clearly segmented melee weapon. This bears strong resemblance to the traditional steel bian of the famous Sui-Tang general Yuchi Gong (Yuchi Jingde). The young feathered rider on the brown horse could possibly represent Luo Cheng. Thus the scene may be drawn from the popular Sui-Tang/Shuo Tang tale and opera tradition. This identification, however, has not been definitively established.
The shoulder and foot are adorned with broad dark-brown, incised/textured bands in an archaizing, bronze-imitation style. The neck is painted with a colorful floral/ruyi-like border. Inconspicuous.
Dimensions: approx. 15.5 cm high × 13.5 cm wide.
Condition: good antique condition with normal age- and use-related wear. Fine craquelé and small glaze/ceramic irregularities typical for this type of ceramic. No lid present; presumably originally fitted with a lid. See the photos for full condition.
Dating: probably late-Qing / early Republic, circa 1890–1920.

