KEISAI EISEN • KAKEMONO-E · 全身美人 · 天保時代 · 約1840年 日本木版画 - 日本 - 江戶時代（1600-1868）
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賣家描述
Artist: Keisai Eisen (渓斎英泉)
Title: Beauty with Bat Obi and Duck Kimono
Technique: Woodblock print (nishiki-e)
Format: Kakemono-e, two separate ōban sheets (each approx. 24*36cm) forming one vertical design
Date: c. 1840 (Tenpō era)
Signature: Keisai Eisen ga (渓斎英泉画)
Seals: Kiwame (極) censor seal
See Smithsonian National Museum of Asian Art: https://asia-archive.si.edu/object/FSC-GR-625a-b/
_______________________________________________________________________________
CONDITION
Fair color and impression, mild toning and soiling, light repair mark on the margins, two separate sheets. Overall fair condition! Please check the images carefully.
____________________________________________________________
About the Print
Keisai Eisen was the leading designer of beauty prints (bijinga) in the 1820s and 1830s. He moved away from the tall, idealised women of Utamaro's generation toward a more worldly and sensual type, and his women are often read as the most characteristic faces of late-Edo taste. He knew the pleasure quarters well, having run a brothel in Nezu for a time, and he wrote as well as painted. His output shrank in the 1840s, and he died in 1848.
The kakemono-e format was a publisher's answer to a practical demand. Two full-size sheets were printed to join vertically into a single tall image that could be mounted and hung like a scroll painting, giving buyers a full-length figure at a fraction of the cost of a painting. Many were hung, handled and worn out, so complete pairs with both sheets present are the exception rather than the rule. Here the design shows a beauty whose sash carries a bat motif, a traditional emblem of good fortune borrowed from China, where the word for bat sounds like the word for luck, worn over a kimono patterned with ducks. The kiwame seal dates the print to before the Tenpō reforms of 1842, which banned lavish prints of courtesans and geisha and brought this kind of luxurious full-length beauty to a halt.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯Artist: Keisai Eisen (渓斎英泉)
Title: Beauty with Bat Obi and Duck Kimono
Technique: Woodblock print (nishiki-e)
Format: Kakemono-e, two separate ōban sheets (each approx. 24*36cm) forming one vertical design
Date: c. 1840 (Tenpō era)
Signature: Keisai Eisen ga (渓斎英泉画)
Seals: Kiwame (極) censor seal
See Smithsonian National Museum of Asian Art: https://asia-archive.si.edu/object/FSC-GR-625a-b/
_______________________________________________________________________________
CONDITION
Fair color and impression, mild toning and soiling, light repair mark on the margins, two separate sheets. Overall fair condition! Please check the images carefully.
____________________________________________________________
About the Print
Keisai Eisen was the leading designer of beauty prints (bijinga) in the 1820s and 1830s. He moved away from the tall, idealised women of Utamaro's generation toward a more worldly and sensual type, and his women are often read as the most characteristic faces of late-Edo taste. He knew the pleasure quarters well, having run a brothel in Nezu for a time, and he wrote as well as painted. His output shrank in the 1840s, and he died in 1848.
The kakemono-e format was a publisher's answer to a practical demand. Two full-size sheets were printed to join vertically into a single tall image that could be mounted and hung like a scroll painting, giving buyers a full-length figure at a fraction of the cost of a painting. Many were hung, handled and worn out, so complete pairs with both sheets present are the exception rather than the rule. Here the design shows a beauty whose sash carries a bat motif, a traditional emblem of good fortune borrowed from China, where the word for bat sounds like the word for luck, worn over a kimono patterned with ducks. The kiwame seal dates the print to before the Tenpō reforms of 1842, which banned lavish prints of courtesans and geisha and brought this kind of luxurious full-length beauty to a halt.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
江戶時代（1600-1868）
原產國
日本
Attribution
原版
Height
36 cm
Width
73 cm
藝術品標題
KEISAI EISEN • KAKEMONO-E · FULL-LENGTH BEAUTY · TENPŌ ERA · c. 1840 Japanese Woodblock Print
Condition
狀況一般
種源
私人收藏
真偽
原創/正版
