Miquel Torner de Semir (1938) - El espejo interior

Pictura Subastas presents this magnificent artwork by Miquel Torner de Semir, which represents a symbolic composition featuring three adult women among fragmented shapes and enigmatic objects, evoking different states of identity, memory and introspection. The painting stands out for its excellent technique and the great pictorial quality it conveys.

· Dimensions with frame: 116x97x6 cm.
· Dimensions without frame: 92x73 cm.
· Oil on panel hand-signed by the artist in the lower right.
· The piece is in good conservation condition.
· The work is sold with a precious frame (included in the auction as a gift).

The piece comes from an exclusive private collection in Girona.

Important note: the included photographs form an integral part of the lot description.

The painting will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available.

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This painting presents a complex figurative composition starring three adult women, whose bodies and faces are distributed among fragmented shapes, decorative objects and broad areas of color. The scene does not appear to take place in a recognizable or everyday space, but within a symbolic universe in which the human figures coexist with abstract elements. This combination creates an enigmatic image that invites careful observation of every corner and the construction of a personal interpretation.

In the lower left, the figure of the woman closest to the viewer appears. Her nude body is shown facing forward, with the face slightly lifted and a serene, though somewhat uneasy, expression. Her large dark eyes look outward from the scene, establishing an immediate connection with the viewer. The light tones of her skin, accompanied by blueish, pink and violet reflections, make her presence stand out against the darker areas of the surroundings.

The face of this first woman possesses delicate and stylized features. The reddish lips, rosy cheeks and deep gaze convey a mix of vulnerability, surprise and introspection. Her hair rises forming a large mass of ochre color, covered by wavy lines of blueish tones. This hairstyle takes on an almost sculptural dimension and allows the head to integrate with the abstract shapes behind her.

In the upper left, a second woman appears depicted in profile. Her head oriented to the outside of the composition and her neck elongated with elegance. The light face contrasts with the dark background surrounding it, while the ochre hair expands backward in a rounded form. The wavy lines running through it seem to suggest thoughts, inner energy or an invisible movement that accompanies the figure.

The posture of this second woman conveys calmness and distance. Her eyes seem to look toward a distant point outside the represented space, as if she were immersed in a memory or a silent reflection. The delicacy of her profile contrasts with the verticality of a wide gray shape next to her, marked by a succession of small reddish circles that provide rhythm and structure to the whole.

To the right appears a third female figure, also shown in profile and oriented to the left. Her face is partially defined by dark areas, geometric patches and small color details. The head seems to rest gently on a surface or lie within an atmosphere of deep introspection. This position creates a visual relation with the woman in the upper part, as if both figures were participating in a silent dialogue.

The body of the figure on the right occupies a considerable part of the composition. Its rounded forms are built with whites, grays, beiges and pinks that contrast with the black background. A small motif resembling an eye appears on her torso, introducing a symbolic element that can be associated with vigilance, inner awareness or the perception of what remains hidden.

The three women do not physically interact, but their gazes and positions create an emotional connection. One observes the viewer, another looks into the distance, and the third seems to fold in on herself. This diversity of attitudes can be interpreted as the representation of different moods or different moments of the same identity: presence, memory and introspection.

The scene is crossed by a plentiful variety of geometric and organic shapes. There are rectangular surfaces, curved fragments, black lines and small zones of intense colors that overlap around the bodies. These elements divide the space into multiple sections and produce a sense of visual collage, as if reality had decomposed into memories, emotions and independent percepts.

On the left side is a large element in reddish, violet and golden tones, decorated with shapes resembling jewels, flowers or ornaments. Near the head of the lower figure also appears an elongated structure with black, golden and bluish areas. These objects add visual richness and reinforce the imaginative atmosphere of the painting, though their meaning remains deliberately open.

The color palette combines soft and muted tones with intense accents. The whites, grays and beiges of the bodies coexist with dark greens, blacks, browns and ochres, while small touches of blue, red, turquoise and violet run through the composition. This balance between delicate colors and deep zones creates an intimate, mysterious and slightly theatrical atmosphere.

The background does not function as a stable space, but as a succession of overlapped planes. Some areas resemble walls, columns or architectural interiors, while others become abstract stains and fragments difficult to identify. This ambiguity makes the figures seem suspended between reality and dream, within a stage built from sensations rather than concrete places.

The nudity of the figures is presented in a serene and symbolic way. The bodies are not mere physical studies, but expressions of fragility, identity and inner truth. By removing clothing and clear temporal references, the women acquire a universal presence, capable of representing human emotions such as loneliness, contemplation, the desire to understand or the search for oneself.

The work invites interpreting the three figures as independent characters or as different facets of the same woman. The frontal figure could represent the present conscious; the woman looking to the left, memory or the past; and the reclining figure, the inner world or dream. This reading turns the composition into a reflection on identity, memory and the multiple ways a person can perceive themselves.

Overall, this painting offers a mysterious and deeply expressive representation of three female figures immersed in a fragmentary and symbolic space. The serene faces, clear bodies, divergent gazes and abundance of abstract shapes build a scene rich in introspection and sensitivity. The work invites contemplation of the different dimensions of female identity and to discover, among its colors and fragments, an open story about memory, consciousness and the inner world.