Baule 滑轮 - Baule - 象牙海岸

在象牙海岸，棉纤维的编织传统上由男人进行。\nAmong the Agni and the Abron, heirs of the former Ashanti Kingdom, but also among the Baule and the Guro, the woven wraparound skirt (kenté) is a royal court art. -> 在阿 Agni 与 Abron——前阿散蒂王国的继承者——以及布劳族和古罗族中，环绕裙（kenté）是一门王室宫廷艺术。\nCarved looms and pulleys are also consummate art. -> 雕刻的织机与滑轮也是精湛的艺术。\nThe latter serve to support the bobbin which allows the thread binding both heddles to circulate. -> 后者用以支撑梭芯，使连接两根经线的线束能够循环移动。\nThis way, the weaver can alternately lift each half of the weft under which the netting needle passes. -> 这样，织工可以交替抬起纬线的半边，让网织针穿过。\nThis significant sculpture, reserved to the families who could own one, was placed in front of the weaver, examining the quality of the work in progress. -> 这一重要的雕塑般的构件，仅限于能够拥有的家族，将其置于织工面前，以检验正在进行的作品质量。\nBoth a visible presence and an occult manifestation, protective, supporting work of quality, which is meticulously created over time. -> 既是可见的存在，也是神秘的显现，具有保护与支撑作用的高质量工艺，历经时间精心打造。\nThese progressively standardised objects, which use was not specifically ritual, were crafted by skilful artists, who worked in specialised villages, attracting buyers from afar. -> 这些逐步标准化的物品，使用并非专门的仪式性，但由熟练的艺术家在专业村落创作，吸引远方买家。\nTherefore, this is not a regional art anymore, but forms of objects which have spread among the Mande, the Senufo and the Akan. -> 因此，这不再是一种地区性艺术，而是一种在曼德、塞努福和阿坎人之间传播的物品形式。\nProvenance: old american Collection -> 来源：旧美国收藏