Stephen Shore - Transparencies - 2020

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Transparencies: Small Camera Works 1971-1979 提供了对摄影史最具传奇色彩的一个事件的另类叙述：Stephen Shore 以跨国旅行为载体，呈现他对美国景观的新颖光影视野《Uncommon Places》。 Along with his large-format camera, Shore also brought a 35mm Leica on his travels. 用它拍摄的图像，使用发光的彩色幻灯片胶片，既亲密、自然，又保留了 Shore 精心考究的形式感。 In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. 在这些完全未曾公开的照片中，一种标志性画面的平行演绎浮现出来，仿佛一段被以新调演奏的音乐。

The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and colour. 词汇看似熟悉：高速公路与家园、电话亭、快餐店以及阳光照耀的停车场。但这种替代格式以独特的构图、态度与色彩实验，明确地重新诠释了这些主题。

Transparencies uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master. Transparencies 同时揭示了对1970年代美国家景的细节导向型调查，以及由这位无可争议的现代大师所进行的形式上的严谨而富有想象力的练习。

With an afterword by Britt Salvesen, curator at LACMA, titled 'Ordinary Speech: The Vernacular in Stephen Shore’s Early 35mm Photography'. 附有 LACMA 策展人 Britt Salvesen 撰写的后记，题为《Ordinary Speech: The Vernacular in Stephen Shore’s Early 35mm Photography》。