Kajita Hanko — 口絵 — 美人与梅花，1903 银云母 - 日本 - 明治時期（1868-1912）
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日本明治時代 Kajita Hankō 的 kuchi-e 前嵌畫，標題 Beauty and Plum Blossoms，1903 年，木版彩繪並以銀雲石肌，尺寸約 22 × 30 cm，簽名 Hankō，品質良好，來自私人收藏，日本。
AI輔助摘要
賣家描述
梶田半古 — KAJITA HANKŌ (1870–1917)
Beauty and Plum Blossoms, kuchi-e frontispiece
Technique: Woodblock print (mokuhanga), polychrome, with silver mica and burnishing
Date: 1903 (Meiji 36)
Period: Meiji era
Format: Kuchi-e, yoko-e (landscape orientation), approx. 22 × 30 cm
Signature: Signed Hankō (半古), lower right
Condition: Excellent colors and impression. The paper is clean and subtle!
------------------------------------------
Description:
The design shows a young woman in a circular inset, holding a slip of paper and a writing brush as if reading a poem or a note she has just written. Branches of white plum blossom extend across the foreground. Silver mica is used on the paper she holds, and the hair is burnished. Plum is the first tree to blossom in the Japanese year, flowering in late winter. In Japanese poetry and painting it has long been linked with the new year, renewal and the writing of verse.
THE ARTIST
Kajita Hankō was born in Tokyo in 1870 as Kajita Jōjirō, the son of a respected metalwork artist. He trained in Shijō-school painting and later under the Nanga painter Ishii Kenkō, and from 1886 he worked under the name Hankō. After a short period as vice-principal of the Toyama Prefectural School of Arts and Crafts, he returned to Tokyo to illustrate for the Yomiuri Shinbun. His illustrations for Ozaki Kōyō's novel Konjiki Yasha (The Golden Demon), serialised from 1900 to 1901, made him one of the most popular illustrators of the time. From 1902 he led a private painting school, where his pupils included Kobayashi Kokei, Maeda Seison and Okumura Togyū, who went on to become leading Nihonga painters of the 20th century.
THE KUCHI-E TRADITION
Kuchi-e are woodblock-printed frontispieces that were bound into Japanese novels and literary magazines between about 1890 and 1915. They were the last major field of traditional Japanese woodblock printing before the shin-hanga movement. They were designed by trained painters and printed with great care, often with mica, metallic pigments and embossing, and most show idealised beauties in a modern Meiji style. Hankō was one of the leading kuchi-e designers, along with Mizuno Toshikata, Takeuchi Keishū and Kaburagi Kiyokata
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯梶田半古 — KAJITA HANKŌ (1870–1917)
Beauty and Plum Blossoms, kuchi-e frontispiece
Technique: Woodblock print (mokuhanga), polychrome, with silver mica and burnishing
Date: 1903 (Meiji 36)
Period: Meiji era
Format: Kuchi-e, yoko-e (landscape orientation), approx. 22 × 30 cm
Signature: Signed Hankō (半古), lower right
Condition: Excellent colors and impression. The paper is clean and subtle!
------------------------------------------
Description:
The design shows a young woman in a circular inset, holding a slip of paper and a writing brush as if reading a poem or a note she has just written. Branches of white plum blossom extend across the foreground. Silver mica is used on the paper she holds, and the hair is burnished. Plum is the first tree to blossom in the Japanese year, flowering in late winter. In Japanese poetry and painting it has long been linked with the new year, renewal and the writing of verse.
THE ARTIST
Kajita Hankō was born in Tokyo in 1870 as Kajita Jōjirō, the son of a respected metalwork artist. He trained in Shijō-school painting and later under the Nanga painter Ishii Kenkō, and from 1886 he worked under the name Hankō. After a short period as vice-principal of the Toyama Prefectural School of Arts and Crafts, he returned to Tokyo to illustrate for the Yomiuri Shinbun. His illustrations for Ozaki Kōyō's novel Konjiki Yasha (The Golden Demon), serialised from 1900 to 1901, made him one of the most popular illustrators of the time. From 1902 he led a private painting school, where his pupils included Kobayashi Kokei, Maeda Seison and Okumura Togyū, who went on to become leading Nihonga painters of the 20th century.
THE KUCHI-E TRADITION
Kuchi-e are woodblock-printed frontispieces that were bound into Japanese novels and literary magazines between about 1890 and 1915. They were the last major field of traditional Japanese woodblock printing before the shin-hanga movement. They were designed by trained painters and printed with great care, often with mica, metallic pigments and embossing, and most show idealised beauties in a modern Meiji style. Hankō was one of the leading kuchi-e designers, along with Mizuno Toshikata, Takeuchi Keishū and Kaburagi Kiyokata
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
明治時期（1868-1912）
物品數量
1
原產國
日本
Attribution
原版
Height
30 cm
Width
22 cm
藝術品標題
Kajita Hanko — Kuchi-e — Beauty and Plum Blossoms, 1903 Silver mica
Condition
良好狀態
種源
私人收藏
真偽
原創/正版
