古埃及 Faience 第十八王朝的面部镶嵌 - 36 mm





€353 | ||
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€333 | ||
€140 | ||
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古埃及法蹄釉面嵌件,出自第十八王朝,原創/官方,狀況Excellent,年代約公元前1550–1069年,尺寸24 × 36 毫米,於2009年自英國取得。
賣家描述
Ancient Egyptian
Provenance:
Collection passed on to me by mother (P.M.Shaw) in 2009
Given to her by
J.G.Judd who acquired the piece part of a strand of varied depictions and amulets from Cairo dealer 05-05-1977. - with copy of original invoice available.
International Signed and Tracked.
Egyptian Faience Face Inlay.
It is highly possible that this piece dates specifically to the 18th Dynasty, and more closely to the Amarna Period (reign of Pharaoh Akhenaten, ca. 1353–1336 BCE).
Several key artistic and stylistic features align this inlay directly with 18th Dynasty workshop traditions:
1. The Amarna Style Proportions
The facial architecture strongly reflects the stylistic revolution of the late 18th Dynasty:
• The Lips and Chin: The full, slightly down-turned, fleshy lips and the soft, rounded chin are classic markers of Amarna-era royal portraiture.
• The Nose and Eye: The nose has a distinct, elegant slope, and the extremely elongated, almond-shaped eye—defined by a heavily incised cosmetic line—is a diagnostic feature seen on representations of Akhenaten, Nefertiti, and their daughters.
2. High-Point of Inlay Technology
While composite inlay work existed in later periods, the 18th Dynasty represents the absolute technological and artistic peak of Egyptian faience and glass manufacturing.
Excavations at the capital city of Tell el-Amarna uncovered thousands of open-faced terracotta molds used specifically to press out specialized body parts—like ears, hands, and faces—for massive composite murals. The flawless detail of the molded eye and ear on this piece fits perfectly into this era of mass-producing complex luxury decorations.
3. The Pierced Ear Tradition
The visible perforation near the ear is another huge clue pointing to the mid-to-late 18th Dynasty. Ear piercing was introduced to Egyptian royalty during the New Kingdom, heavily popularized during the reigns of Thutmose IV and Amenhotep III. In Amarna art, royal figures (both male and female) were routinely depicted with prominently pierced ears to accommodate large, colorful ear studs or dangling heavy pendants.
Microscopic images have been added to display pigmentation and integrity of the core faience.
"Compliance with European Legislation
I, the seller, declare that I am familiar with Regulation (EU) 2019/880 and Regulation (EU) 2024/1070 (in force as of June 2025), and confirm that:
• This object was not illegally exported from its country of origin after the date on which the 1970 UNESCO Convention entered into force for that specific country.
• The object is accompanied by the documentation required by EU law for its legal import.
• I undertake to provide any required export licenses or certificates of origin to European customs authorities.
Disclaimer for Experts and Platforms.
This declaration is provided by the seller under their sole responsibility. The seller confirms knowledge of and compliance with Regulation (EU) 2024/1070 and all applicable laws concerning the sale and import of cultural goods.
Neither the platform nor its experts are liable for the accuracy, legality, or authenticity of the documents and statements provided.
Acceptance of the object on the platform does not imply legal validation of its importation or authentication.
The buyer is responsible for ensuring compliance with customs laws in their country.
Ancient Egyptian
Provenance:
Collection passed on to me by mother (P.M.Shaw) in 2009
Given to her by
J.G.Judd who acquired the piece part of a strand of varied depictions and amulets from Cairo dealer 05-05-1977. - with copy of original invoice available.
International Signed and Tracked.
Egyptian Faience Face Inlay.
It is highly possible that this piece dates specifically to the 18th Dynasty, and more closely to the Amarna Period (reign of Pharaoh Akhenaten, ca. 1353–1336 BCE).
Several key artistic and stylistic features align this inlay directly with 18th Dynasty workshop traditions:
1. The Amarna Style Proportions
The facial architecture strongly reflects the stylistic revolution of the late 18th Dynasty:
• The Lips and Chin: The full, slightly down-turned, fleshy lips and the soft, rounded chin are classic markers of Amarna-era royal portraiture.
• The Nose and Eye: The nose has a distinct, elegant slope, and the extremely elongated, almond-shaped eye—defined by a heavily incised cosmetic line—is a diagnostic feature seen on representations of Akhenaten, Nefertiti, and their daughters.
2. High-Point of Inlay Technology
While composite inlay work existed in later periods, the 18th Dynasty represents the absolute technological and artistic peak of Egyptian faience and glass manufacturing.
Excavations at the capital city of Tell el-Amarna uncovered thousands of open-faced terracotta molds used specifically to press out specialized body parts—like ears, hands, and faces—for massive composite murals. The flawless detail of the molded eye and ear on this piece fits perfectly into this era of mass-producing complex luxury decorations.
3. The Pierced Ear Tradition
The visible perforation near the ear is another huge clue pointing to the mid-to-late 18th Dynasty. Ear piercing was introduced to Egyptian royalty during the New Kingdom, heavily popularized during the reigns of Thutmose IV and Amenhotep III. In Amarna art, royal figures (both male and female) were routinely depicted with prominently pierced ears to accommodate large, colorful ear studs or dangling heavy pendants.
Microscopic images have been added to display pigmentation and integrity of the core faience.
"Compliance with European Legislation
I, the seller, declare that I am familiar with Regulation (EU) 2019/880 and Regulation (EU) 2024/1070 (in force as of June 2025), and confirm that:
• This object was not illegally exported from its country of origin after the date on which the 1970 UNESCO Convention entered into force for that specific country.
• The object is accompanied by the documentation required by EU law for its legal import.
• I undertake to provide any required export licenses or certificates of origin to European customs authorities.
Disclaimer for Experts and Platforms.
This declaration is provided by the seller under their sole responsibility. The seller confirms knowledge of and compliance with Regulation (EU) 2024/1070 and all applicable laws concerning the sale and import of cultural goods.
Neither the platform nor its experts are liable for the accuracy, legality, or authenticity of the documents and statements provided.
Acceptance of the object on the platform does not imply legal validation of its importation or authentication.
The buyer is responsible for ensuring compliance with customs laws in their country.
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Catawiki已告知賣家有關文件的要求,賣家須保證如下: - 物品為合法獲得; - 賣家有權出售和/或出口相關物品; - 賣家依據當地法規(如適用)提供必要的原產地資訊,並辦理所需文件和許可證/執照; - 若許可證/執照的取得發生任何延誤,賣家須通知買家。 參與競標即表示您知悉,根據您的居住國,可能需要進口文件,而取得許可證/執照可能導致您的物品延遲交付。
Catawiki已告知賣家有關文件的要求,賣家須保證如下: - 物品為合法獲得; - 賣家有權出售和/或出口相關物品; - 賣家依據當地法規(如適用)提供必要的原產地資訊,並辦理所需文件和許可證/執照; - 若許可證/執照的取得發生任何延誤,賣家須通知買家。 參與競標即表示您知悉,根據您的居住國,可能需要進口文件,而取得許可證/執照可能導致您的物品延遲交付。

