尾形月耕 · 义士四十七图 · 四十七浪人 · 忠臣藏 · 明治 - 日本 - 明治時期（1868-1912）
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日本明治時期原作木刻版畫，作者尾形月耕，題名Gishi Shijūshichi Zu（四十七義士圖），Ōban Tate-e，約36 × 24 cm，紙本彩墨，色彩良好，印象鮮明，來源為私人收藏，日本。
AI輔助摘要
賣家描述
Artist: Ogata Gekkō 尾形月耕 (1859–1920)
Series: Gishi shijūshichi zu 義士四十七圖 (Pictures of the Forty-seven Loyal Retainers)
Title: Muramatsu Kihei Hidenao 村松喜兵衛秀直
Format: Ōban tate-e, approx. 36 × 24 cm
Technique: Woodblock print (nishiki-e), ink and colour on paper
Date: Meiji period, 1896–1902 (to be confirmed from the margin colophon)
Publisher: Matsuki Heikichi 松木平吉 (margin colophon)
Signature: 月耕 (Gekkō), with the artist's seal
________________________________________________________
CONDITION
Good colors and strong impression. The paper has minor Soiling/toning and an album backing. Please check the images!
-------------------------------------------------------
About the print
Muramatsu Kihei was one of the oldest men in the league, already in his sixties at the time of the raid. He served the Asano house in Edo as a low-ranking official, and he joined the vendetta together with his eldest son, Muramatsu Sandayū. Father and son both took part in the attack on Kira's mansion.
After the raid the rōnin were split up among four daimyō houses to await the shogunate's verdict. Kihei and his son were sent to different houses: Kihei to the Mōri lords of Chōfu, Sandayū to the Mizuno lords of Okazaki. Both men died by seppuku on the same day in early 1703.
In 1702, forty-seven former retainers of Lord Asano of Akō took revenge on Kira Yoshinaka, whose insult had led to their master's forced suicide. They then surrendered and were sentenced to ritual suicide. The story, known as Chūshingura, became Japan's national legend of loyalty.
Gekkō's Gishi shijūshichi zu gives one sheet to each of the forty-seven men, with a label stating his rank, stipend and age at death. The set was completed and reissued in 1902 for the 200th anniversary of the vendetta, and this sheet carries a 1902 publication date.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯Artist: Ogata Gekkō 尾形月耕 (1859–1920)
Series: Gishi shijūshichi zu 義士四十七圖 (Pictures of the Forty-seven Loyal Retainers)
Title: Muramatsu Kihei Hidenao 村松喜兵衛秀直
Format: Ōban tate-e, approx. 36 × 24 cm
Technique: Woodblock print (nishiki-e), ink and colour on paper
Date: Meiji period, 1896–1902 (to be confirmed from the margin colophon)
Publisher: Matsuki Heikichi 松木平吉 (margin colophon)
Signature: 月耕 (Gekkō), with the artist's seal
________________________________________________________
CONDITION
Good colors and strong impression. The paper has minor Soiling/toning and an album backing. Please check the images!
-------------------------------------------------------
About the print
Muramatsu Kihei was one of the oldest men in the league, already in his sixties at the time of the raid. He served the Asano house in Edo as a low-ranking official, and he joined the vendetta together with his eldest son, Muramatsu Sandayū. Father and son both took part in the attack on Kira's mansion.
After the raid the rōnin were split up among four daimyō houses to await the shogunate's verdict. Kihei and his son were sent to different houses: Kihei to the Mōri lords of Chōfu, Sandayū to the Mizuno lords of Okazaki. Both men died by seppuku on the same day in early 1703.
In 1702, forty-seven former retainers of Lord Asano of Akō took revenge on Kira Yoshinaka, whose insult had led to their master's forced suicide. They then surrendered and were sentenced to ritual suicide. The story, known as Chūshingura, became Japan's national legend of loyalty.
Gekkō's Gishi shijūshichi zu gives one sheet to each of the forty-seven men, with a label stating his rank, stipend and age at death. The set was completed and reissued in 1902 for the 200th anniversary of the vendetta, and this sheet carries a 1902 publication date.
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
明治時期（1868-1912）
物品數量
1
原產國
日本
Attribution
原版
藝術品標題
Ogata Gekkō · Gishi Shijūshichi Zu · 47 Rōnin · Chūshingura · Meiji
Condition
良好狀態
種源
私人收藏
真偽
原創/正版
