Joan Canós (1928) - Parc de la Ciutadella

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Antonio Yera
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Joan Canós(1928 出生)油畫作品 Parc de la Ciutadella,油畫布上油,原版,尺寸 45 × 55 cm,手寫簽名,西班牙,由 Galería 出售,品相良好。

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賣家描述

Pictura Galeria presents this magnificent work of art belonging to Joan Canós, which depicts two boats sailing in front of a domed building surrounded by trees and palm trees, as a symbol of calm, memory, travel and harmony. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions of the work: 45x55x2 cm.
· Oil on canvas hand-signed by the artist in the lower right corner of the work.
· The piece is in good conservation condition.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description.

The work will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packing and the transportation itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

------------------------------------------------------------------

This painting presents a serene scene beside a pond or river with tranquil waters, where two small boats advance slowly in front of an elegant building crowned by a large dome. The surrounding vegetation encircles the architecture and occupies a large part of the composition with palm trees, lush trees and branches extending over the water. In the foreground, the boats and their occupants introduce a discreet human presence, while the reflections of the buildings and trees blend on the surface. The landscape conveys calm, balance and a sense of rest, as if time had paused during a bright afternoon.

The water occupies the entire lower area and acts as a large surface of reflections. Predominant tones are greenish greys, pale blues, whites, violets and small brownish hues. The surface appears calm, although numerous horizontal lines suggest gentle currents and the movement of the oars. This softness allows the boats to progress without disturbing the overall serenity.

On the left foreground lies the larger boat. Its hull is elongated and narrow, with a blue stripe running along the top. Whites, greys and small violet tones define its volume. The boat is oriented horizontally and seems to move slowly toward the left.

Inside this boat appears a figure wearing a reddish garment. The body leans slightly forward and occupies the central area of the hull. The head and shoulders are distinguished by dark and light tones. Although its features cannot be seen, its posture conveys tranquility.

A long oar extends from the boat toward the water. Its diagonal line introduces movement and breaks the landscape’s horizontality. The paddle seems to submerge gently, leaving a small disturbance on the surface. This gesture allows imagining the slow, repetitive rhythm of navigation.

The shadow or reflection of the boat appears beneath it in blues, greys and dark tones. Its elongated shape blends with the water and creates a sense of depth. The boundaries are not fully defined due to the movement. The vessel seems to float with great lightness.

A little further back there is a second boat, oriented almost facing forward. Its smaller size indicates it is farther away. The hull shows whites, blues and greys, while two dark figures occupy its interior. The craft advances directly toward the viewer or toward the center of the pond.

The two people in the second boat appear very close. Their heads are distinguished by small dark shapes and their bodies integrate with the hull. One seems to handle the oars, while the other remains seated. This presence adds a dimension of companionship and shared stroll.

From the second boat extend two long oars to either side. The diagonal lines form an open and balanced structure. The paddles touch the water and suggest a slow movement. The symmetry of the oars contrasts with the lateral position of the first vessel.

Between both boats there is a considerable distance of clear water. This space prevents the foreground from feeling congested and reinforces the calm. The vessels seem to follow different paths without interfering. Each lives its own moment within the same landscape.

The water contains numerous reflections from the opposite shore. Near the center there appear whites, yellows, greens and violets that may correspond to facades and palm trees. These shapes descend vertically and fragment when touching the small waves. The reflection turns the architecture into a moving image.

On the right side, the surface becomes darker due to the shadow of the large tree. Deep greens, blacks and browns accumulate near the shore. This area contrasts with the clarity of the center. The shadow creates a sense of shelter and coolness.

The opposite bank cuts across the composition with a horizontal line. A clear promenade separates the water from the vegetation and buildings. Its beige, whites and pink tones suggest a surface illuminated by the sun. This band organizes the landscape and sets a boundary between nature and architecture.

Above the promenade several palm trees line up. Their tall, slender trunks rise vertically and support open crowns in a fan shape. The leaves combine dark greens, blue-tinted greens and small yellow reflections. The palm trees contribute a warm, elegant atmosphere.

Two palm trees located near the left-center stand out especially. Their crowns overlap partially and form large vegetal stars. The dark trunks contrast with the light facade behind. These shapes frame the central area of the building.

The palms create a transition between the water and the architecture. Their reflections descend toward the pond in vertical splotches of dark tones. At the same time, their crowns open toward the sky. They visually connect the lower and upper parts.

On the left side appears a mass of trees and shrubs. The dark greens mix with grey and blue tones. Some crowns are rounded, while others have more irregular shapes. This vegetation partially hides the constructions and softens their lines.

In the center rises the main building. Its facade shows beige, pink, grey and brown tones. Some dark windows are regularly distributed and allow recognizing different levels. The architecture has a monumental character, yet integrates harmoniously with the landscape.

The front of the building displays a sloping roof in orange, ochre and brown tones. In the center opens a small triangular structure that could be a window or a pediment. This feature directs the gaze toward the dome behind. The roof brings warmth to the whole.

A light area extends on the left side of the facade. Several tall, narrow windows follow each other beside the palm trees. Their dark outlines create a vertical rhythm. The light seems to reach directly this part of the building.

To the right, the facade takes on pink and brown tones. Two dark windows appear partially obscured by the tree canopies. The vegetation visually invades the architecture. This relationship conveys the sense of a building surrounded by an old park.

Behind the roofs rises a large dome. Its rounded shape occupies the upper center and becomes the main architectural focal point. Grays, whites, yellows and violets are distributed in broad segments that suggest its structure. The dome is clearly outlined against the sky.

At the base of the dome appears a dark horizontal band. This line marks the transition between the body of the building and the roof deck. Subtle color variations help perceive the volume. The construction conveys stability and solemnity.

At the top there is a small lantern or cylindrical tower. Several dark openings are distributed around its body and a rounded cap crowns it. Its verticality extends the building toward the sky. This finish adds elegance and makes the dome a reference point.

The dome may belong to a church, a pavilion, a palace or a public building. Its exact function is not essential to理解 the scene. What matters is its serene and monumental presence. The architecture seems to observe the calm movement of the boats.

On the right side extends a large tree with wide branches. Its trunk rises from the edge and divides into numerous limbs that cross the upper part. The dark greens, greys, blacks and blue-toned form a dense canopy. The tree acts as a natural frame.

Some branches extend horizontally toward the dome and the sky. Their thin, dark shapes stand out against the clouds. This direction guides the eye toward the central building. The tree seems to lean over the water and protect the shore.

The right vegetation is especially abundant at the bottom. Shrubs, leaves and branches cluster into a dark mass reaching the pond edge. Yellow-green tones introduce small flashes of light. This area balances the openness of the water.

Among the leaves appear gaps through which fragments of architecture and the promenade can be discerned. This overlap creates depth. The viewer feels they are observing the scene from a vantage point protected by trees. Nearby vegetation increases intimacy.

The sky occupies a broad upper band and presents a clear, bright blue. Large white and grayish clouds are mainly distributed toward the left and center. Their soft outlines create a tranquil atmosphere. The light seems to correspond to a pleasant and slightly changing day.

The clouds behind the dome enhance its silhouette. The whites blend with blues and small violets. The clarity of the sky contrasts with the dark trees. This opposition increases depth and luminosity.

The chromatic range remains within a serene harmony. The greens of the vegetation dominate the sides, the blues and greys concentrate in the water and sky, and beige and pinks appear in the architecture. The red of the figure in the first boat introduces a small warm accent. All colors contribute to the overall balance.

The composition is organized into three main levels. The water and boats occupy the foreground; the promenade, the palm trees and the building form the middle ground; and the sky completes the background. This sequence generates great depth. The gaze naturally moves from the figures to the dome.

The two boats bring movement without breaking the calm. The water seems to respond gently to the stroke of the oars. There is no hurry or agitation. Navigation becomes a contemplative activity.

The scene could unfold in an urban park, a historic garden or a setting near a monumental building. The combination of water, vegetation and architecture creates a space designed for rest. People seem to enjoy a stroll away from the noise. The landscape conveys well-being.

The boats can be interpreted as symbols of travel and the passage of time. They advance slowly over a changing surface, leaving small footprints that soon disappear. Each vessel follows its own course. Yet both share the same space and same serenity.

Water symbolizes reflection and memory. It collects the images of the building, trees and people, but transforms them through movement. Nothing reflects in a completely fixed way. This quality recalls that every experience changes when it becomes a memory.

The dome represents permanence, history and human presence. Its solid architecture contrasts with the water’s fluidity. While boats advance and reflections change, the building remains firm. This opposition adds a poetic dimension.

The trees symbolize protection and continuity. They surround the building, offer shade and frame the pond. Their growth demonstrates how nature and architecture can coexist. The palms add a sense of elegance and warm climate.

The presence of several people in the boats introduces a reflection on companionship. The solitary figure in the left boat contrasts with the couple in the back. One represents individual contemplation and the other shared experience. Both ways of traversing the water seem equally valid.

Overall, this painting represents a tranquil boat ride on waters surrounded by trees and palm trees, in front of an elegant building crowned by a large dome. The boats provide movement and human presence; the water symbolizes reflection and the passage of time; the architecture, permanence and memory; and the vegetation, protection and harmony. The reflections unite all elements and transform the landscape into a serene, luminous and deeply contemplative scene. The artwork invites you to pause, observe and enjoy the calm of a shared moment between nature, history and daily life.

Pictura Galeria presents this magnificent work of art belonging to Joan Canós, which depicts two boats sailing in front of a domed building surrounded by trees and palm trees, as a symbol of calm, memory, travel and harmony. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions of the work: 45x55x2 cm.
· Oil on canvas hand-signed by the artist in the lower right corner of the work.
· The piece is in good conservation condition.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description.

The work will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packing and the transportation itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

------------------------------------------------------------------

This painting presents a serene scene beside a pond or river with tranquil waters, where two small boats advance slowly in front of an elegant building crowned by a large dome. The surrounding vegetation encircles the architecture and occupies a large part of the composition with palm trees, lush trees and branches extending over the water. In the foreground, the boats and their occupants introduce a discreet human presence, while the reflections of the buildings and trees blend on the surface. The landscape conveys calm, balance and a sense of rest, as if time had paused during a bright afternoon.

The water occupies the entire lower area and acts as a large surface of reflections. Predominant tones are greenish greys, pale blues, whites, violets and small brownish hues. The surface appears calm, although numerous horizontal lines suggest gentle currents and the movement of the oars. This softness allows the boats to progress without disturbing the overall serenity.

On the left foreground lies the larger boat. Its hull is elongated and narrow, with a blue stripe running along the top. Whites, greys and small violet tones define its volume. The boat is oriented horizontally and seems to move slowly toward the left.

Inside this boat appears a figure wearing a reddish garment. The body leans slightly forward and occupies the central area of the hull. The head and shoulders are distinguished by dark and light tones. Although its features cannot be seen, its posture conveys tranquility.

A long oar extends from the boat toward the water. Its diagonal line introduces movement and breaks the landscape’s horizontality. The paddle seems to submerge gently, leaving a small disturbance on the surface. This gesture allows imagining the slow, repetitive rhythm of navigation.

The shadow or reflection of the boat appears beneath it in blues, greys and dark tones. Its elongated shape blends with the water and creates a sense of depth. The boundaries are not fully defined due to the movement. The vessel seems to float with great lightness.

A little further back there is a second boat, oriented almost facing forward. Its smaller size indicates it is farther away. The hull shows whites, blues and greys, while two dark figures occupy its interior. The craft advances directly toward the viewer or toward the center of the pond.

The two people in the second boat appear very close. Their heads are distinguished by small dark shapes and their bodies integrate with the hull. One seems to handle the oars, while the other remains seated. This presence adds a dimension of companionship and shared stroll.

From the second boat extend two long oars to either side. The diagonal lines form an open and balanced structure. The paddles touch the water and suggest a slow movement. The symmetry of the oars contrasts with the lateral position of the first vessel.

Between both boats there is a considerable distance of clear water. This space prevents the foreground from feeling congested and reinforces the calm. The vessels seem to follow different paths without interfering. Each lives its own moment within the same landscape.

The water contains numerous reflections from the opposite shore. Near the center there appear whites, yellows, greens and violets that may correspond to facades and palm trees. These shapes descend vertically and fragment when touching the small waves. The reflection turns the architecture into a moving image.

On the right side, the surface becomes darker due to the shadow of the large tree. Deep greens, blacks and browns accumulate near the shore. This area contrasts with the clarity of the center. The shadow creates a sense of shelter and coolness.

The opposite bank cuts across the composition with a horizontal line. A clear promenade separates the water from the vegetation and buildings. Its beige, whites and pink tones suggest a surface illuminated by the sun. This band organizes the landscape and sets a boundary between nature and architecture.

Above the promenade several palm trees line up. Their tall, slender trunks rise vertically and support open crowns in a fan shape. The leaves combine dark greens, blue-tinted greens and small yellow reflections. The palm trees contribute a warm, elegant atmosphere.

Two palm trees located near the left-center stand out especially. Their crowns overlap partially and form large vegetal stars. The dark trunks contrast with the light facade behind. These shapes frame the central area of the building.

The palms create a transition between the water and the architecture. Their reflections descend toward the pond in vertical splotches of dark tones. At the same time, their crowns open toward the sky. They visually connect the lower and upper parts.

On the left side appears a mass of trees and shrubs. The dark greens mix with grey and blue tones. Some crowns are rounded, while others have more irregular shapes. This vegetation partially hides the constructions and softens their lines.

In the center rises the main building. Its facade shows beige, pink, grey and brown tones. Some dark windows are regularly distributed and allow recognizing different levels. The architecture has a monumental character, yet integrates harmoniously with the landscape.

The front of the building displays a sloping roof in orange, ochre and brown tones. In the center opens a small triangular structure that could be a window or a pediment. This feature directs the gaze toward the dome behind. The roof brings warmth to the whole.

A light area extends on the left side of the facade. Several tall, narrow windows follow each other beside the palm trees. Their dark outlines create a vertical rhythm. The light seems to reach directly this part of the building.

To the right, the facade takes on pink and brown tones. Two dark windows appear partially obscured by the tree canopies. The vegetation visually invades the architecture. This relationship conveys the sense of a building surrounded by an old park.

Behind the roofs rises a large dome. Its rounded shape occupies the upper center and becomes the main architectural focal point. Grays, whites, yellows and violets are distributed in broad segments that suggest its structure. The dome is clearly outlined against the sky.

At the base of the dome appears a dark horizontal band. This line marks the transition between the body of the building and the roof deck. Subtle color variations help perceive the volume. The construction conveys stability and solemnity.

At the top there is a small lantern or cylindrical tower. Several dark openings are distributed around its body and a rounded cap crowns it. Its verticality extends the building toward the sky. This finish adds elegance and makes the dome a reference point.

The dome may belong to a church, a pavilion, a palace or a public building. Its exact function is not essential to理解 the scene. What matters is its serene and monumental presence. The architecture seems to observe the calm movement of the boats.

On the right side extends a large tree with wide branches. Its trunk rises from the edge and divides into numerous limbs that cross the upper part. The dark greens, greys, blacks and blue-toned form a dense canopy. The tree acts as a natural frame.

Some branches extend horizontally toward the dome and the sky. Their thin, dark shapes stand out against the clouds. This direction guides the eye toward the central building. The tree seems to lean over the water and protect the shore.

The right vegetation is especially abundant at the bottom. Shrubs, leaves and branches cluster into a dark mass reaching the pond edge. Yellow-green tones introduce small flashes of light. This area balances the openness of the water.

Among the leaves appear gaps through which fragments of architecture and the promenade can be discerned. This overlap creates depth. The viewer feels they are observing the scene from a vantage point protected by trees. Nearby vegetation increases intimacy.

The sky occupies a broad upper band and presents a clear, bright blue. Large white and grayish clouds are mainly distributed toward the left and center. Their soft outlines create a tranquil atmosphere. The light seems to correspond to a pleasant and slightly changing day.

The clouds behind the dome enhance its silhouette. The whites blend with blues and small violets. The clarity of the sky contrasts with the dark trees. This opposition increases depth and luminosity.

The chromatic range remains within a serene harmony. The greens of the vegetation dominate the sides, the blues and greys concentrate in the water and sky, and beige and pinks appear in the architecture. The red of the figure in the first boat introduces a small warm accent. All colors contribute to the overall balance.

The composition is organized into three main levels. The water and boats occupy the foreground; the promenade, the palm trees and the building form the middle ground; and the sky completes the background. This sequence generates great depth. The gaze naturally moves from the figures to the dome.

The two boats bring movement without breaking the calm. The water seems to respond gently to the stroke of the oars. There is no hurry or agitation. Navigation becomes a contemplative activity.

The scene could unfold in an urban park, a historic garden or a setting near a monumental building. The combination of water, vegetation and architecture creates a space designed for rest. People seem to enjoy a stroll away from the noise. The landscape conveys well-being.

The boats can be interpreted as symbols of travel and the passage of time. They advance slowly over a changing surface, leaving small footprints that soon disappear. Each vessel follows its own course. Yet both share the same space and same serenity.

Water symbolizes reflection and memory. It collects the images of the building, trees and people, but transforms them through movement. Nothing reflects in a completely fixed way. This quality recalls that every experience changes when it becomes a memory.

The dome represents permanence, history and human presence. Its solid architecture contrasts with the water’s fluidity. While boats advance and reflections change, the building remains firm. This opposition adds a poetic dimension.

The trees symbolize protection and continuity. They surround the building, offer shade and frame the pond. Their growth demonstrates how nature and architecture can coexist. The palms add a sense of elegance and warm climate.

The presence of several people in the boats introduces a reflection on companionship. The solitary figure in the left boat contrasts with the couple in the back. One represents individual contemplation and the other shared experience. Both ways of traversing the water seem equally valid.

Overall, this painting represents a tranquil boat ride on waters surrounded by trees and palm trees, in front of an elegant building crowned by a large dome. The boats provide movement and human presence; the water symbolizes reflection and the passage of time; the architecture, permanence and memory; and the vegetation, protection and harmony. The reflections unite all elements and transform the landscape into a serene, luminous and deeply contemplative scene. The artwork invites you to pause, observe and enjoy the calm of a shared moment between nature, history and daily life.

詳細資料

連框架出售
不是
出售者:
畫廊
版本
原版
藝術家
Joan Canós (1928)
藝術品標題
Parc de la Ciutadella
技術
油畫
簽名
Hand signed
原產國
西班牙
狀態
良好狀態
Height
45 cm
Width
55 cm
Style
後印象派
時段
2010-2020
西班牙已驗證
2003
已售物品
100%
protop

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