Egon Schiele (1890-1918) (after) - Kastanienbaum am Bodensee





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Egon Schiele
《博登湖畔的栗树,1912年》
"Chestnut Tree at the Lake of Constance, 1912"\n\nFrom Otto Benesch Mappe: Egon Schiele als Zeichner, 1951\nCollotype, Size 340x 240 mm \n\nAfter Egon Schiele. Provenance: small edition printed in Vienna by the State Print Office of Austria (Staatsdruckerei Österreich) on high quality paper at the end of the 1940s / beginning of the 1950s.\n\nThis rare print, which demonstrates Schiele's distinctive style, is very well preserved.\n\nPlease see pictures for details about its exact condition.\n\nVery rare collotype!\n\nInternational shipping, tracking number, insurance. Will be very carefuly and securely packed.\n\nAbout the phototype technique:\nPhototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.\nThis technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.
Egon Schiele
《博登湖畔的栗树,1912年》
"Chestnut Tree at the Lake of Constance, 1912"\n\nFrom Otto Benesch Mappe: Egon Schiele als Zeichner, 1951\nCollotype, Size 340x 240 mm \n\nAfter Egon Schiele. Provenance: small edition printed in Vienna by the State Print Office of Austria (Staatsdruckerei Österreich) on high quality paper at the end of the 1940s / beginning of the 1950s.\n\nThis rare print, which demonstrates Schiele's distinctive style, is very well preserved.\n\nPlease see pictures for details about its exact condition.\n\nVery rare collotype!\n\nInternational shipping, tracking number, insurance. Will be very carefuly and securely packed.\n\nAbout the phototype technique:\nPhototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.\nThis technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.

