Tom Hopman

藝術書籍拍賣（建築與設計）

AMO/OMA 客座编辑 Domus 的一期，审视四座最近的建筑，不以我们的视角为主，而是通过这些项目所进入的更广泛的媒体与文化语境，以及用户的亲密且批判性的体验来观察。 

“在本期中，我们试图以一种全新而复杂的方式重新呈现四座近期建筑。我们不强求建筑本身的优点，而是关注它们对各自主人与使用者的影响进行监测。没有“批评家”——通常是‘披着外衣的好友’——也没有威压。我们汇集了无数匿名声音，收集了快照。我们记录了（我们的）建筑如何在原始的影响与前辈之海中站稳脚跟、赖以存在、并试图对存在做出贡献。我们以游客与艺术家的视角来观察，信任其他人来记录。远离媒体的胜利主义或悲观主义光环，我们希望看到在作者缺席的情境中发生的事情，以事实而非功绩，去呈现我们在入住后所参与创造的现实。” - 雷姆·库哈斯

AMO/OMA guest edit an issue of Domus, looking at four recent buildings not through our eyes but through the broader media and cultural context which these projects entered into, and through the intimate and critical experiences of their users.

"With this issue we try to (re)present four recent buildings in a fresh, complex way. We don't insist on the buildings' qualities, but monitored their effects on their respective hosts and users. There are no "critics" - usually, best friends in drag - no intimidation. We have assembled myriad anonymous voices and collected snapshots. We documented how (our) buildings take their place in a primordial sea of influences and predecessors on which their existence depends and to whose existence they try to contribue. We looked through the eyes of tourists and artists, trusted others to record. Away from the triumphalist or miserablist glare of the media, we wanted to see what happens in the absence of the author, to represent the realities we were complicit in creating, post-occupancy, as facts, not feats." - Rem Koolhaas

我們的專家提供此估值，以便您競標時作為參考之用。它基於預期需求和物品的獨有特質，例如品質、稀有度或所有權歷史。我們無法保證物品會以此金額出售、轉售或取得相同估價。

Koolhaas, Rem / AMO - Post-Occupancy - 2006

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