Marcello Morandini (1940) - Composizione





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Marcello Morandini 的《Composizione》是一件手簽限量絲網版畫,帶有壓凸浮雕效果,出版於 1977 年,尺寸為 28 × 20 公分。
賣家描述
Marcello Morandini: Composizione
Medium: 丝网印刷与浮雕
Material: 纸张
Dimensions: 28 x 20 cm,固定在 32 x 32 cm 的硬底板上。
Editor: Edition Panderma, Basel
Year: published 1977
Edition: 这是230版中的未编号副本
(65 hors commerce were unnumbered) -> 其中65份属于 hors commerce,未编号
Signature: Signed
Provenance:
Edition Panderma, Carl Laszlo Basel
Galerie von Bartha, Basel
Private Collection, Basel
Condition / Restauration:
保存状况良好,档案保存完好——右上角与左下角有微小且几乎不可见的缺口(约 1 毫米)。
Further Information:
A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. 这是一部珍稀的战后与当代艺术随身收藏的限量版 La Lune en Rodage III。This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. 这是230版中的未编号副本(其中65份属于 hors commerce,未编号),并且是 La Lune en Rodage 系列书的第三辑的一部分。 La Lune en Rodage was published in three volumes 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. La Lune en Rodage 于1960、1965和1977年出版,共大约180件艺术作品,记录了1950年代至1970年代的艺术前卫现场。 The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.
作品由 Carl Laszlo 收集,汇集了当时最重要的艺术家,他们贡献了重要作品,常常标志着其创作与生涯的转折点:例如 Enrico Castellani 的作品是他首部有记录的平版作品,而 Piero Manzoni 的多件 Achrome 是艺术家亲自参与制作的唯一一件。
Biography:
Marcello Morandini was born in Mantua on the 15th of May 1940. 玛切洛·莫兰迪尼于1940年5月15日出生于曼图阿。 He attended the Brera Art Academy in Milan where he also worked as an assistant designer for an industry and as a graphic artist for a professional studio. 他就读于米兰布雷拉美术学院,在那里他还担任工业助理设计师以及专业工作室的平面艺术家。 The first drawings with direct reference to his artistic research date to 1962. 1962年开始出现与其艺术研究直接相关的第一批素描。 In 1964 he began his first three-dimensional works, exhibited in 1965 in his first one-man exhibition held in Genoa, curated by Germano Celant. 1964年开始了他的第一批三维作品,1965年在热那亚举行的首场个人展由 Germano Celant 策展。 1967 saw his first important exhibitions in Milan, Frankfurt and Cologne. 1967年在米兰、法兰克福、科隆举行了他的重要首次展览。 In the same year he was at the IX Biennial of Sao Paolo in Brazil. 同一年他参加了巴西圣保罗第九届双年展。 In 1968 he was invited with a personal room in the Italian Pavilion to the XXXIV Venice International Biennial. 1968年,他在威尼斯国际双年展的意大利馆获得个人展厅。 In 1969 he was invited to represent Italian art in Brussels as part of the Europalia exhibitions. 1969年,他被邀请在布鲁塞尔代表意大利艺术,参与 Europalia 展览。 In 1970 he began a collaboration with the gallery owner Carl Laszlo in Basle. 1970年开始与巴塞尔画廊老板 Carl Laszlo 合作。 Thanks to this collaboration in 1972 the artist held his important one-person exhibition at the Kestnergesellschaft in Hanover. 多亏了这一合作,1972年他在汉诺威的 Kestnergesellschaft 举办了重要的个人展。 In 1974 he planned a city square with a diameter of 30 metres for the INA commercial centre in Varese. 1974年他为瓦雷塞的 INA 商业中心规划直径30米的城市广场。 In 1977 he was invited to Documenta 6 in Kassel. 1977年他受邀参加卡塞尔第6届 Documenta。 At the Civic Museums of Varese he organized with H. Heinz Holz the second “International Symposium of Constructive Art Studies”. 在瓦雷塞市立博物馆,他与 H. Heinz Holz 一起组织了第二届“国际建设艺术研究研讨会”。
賣家的故事
Marcello Morandini: Composizione
Medium: 丝网印刷与浮雕
Material: 纸张
Dimensions: 28 x 20 cm,固定在 32 x 32 cm 的硬底板上。
Editor: Edition Panderma, Basel
Year: published 1977
Edition: 这是230版中的未编号副本
(65 hors commerce were unnumbered) -> 其中65份属于 hors commerce,未编号
Signature: Signed
Provenance:
Edition Panderma, Carl Laszlo Basel
Galerie von Bartha, Basel
Private Collection, Basel
Condition / Restauration:
保存状况良好,档案保存完好——右上角与左下角有微小且几乎不可见的缺口(约 1 毫米)。
Further Information:
A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. 这是一部珍稀的战后与当代艺术随身收藏的限量版 La Lune en Rodage III。This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. 这是230版中的未编号副本(其中65份属于 hors commerce,未编号),并且是 La Lune en Rodage 系列书的第三辑的一部分。 La Lune en Rodage was published in three volumes 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. La Lune en Rodage 于1960、1965和1977年出版,共大约180件艺术作品,记录了1950年代至1970年代的艺术前卫现场。 The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.
作品由 Carl Laszlo 收集,汇集了当时最重要的艺术家,他们贡献了重要作品,常常标志着其创作与生涯的转折点:例如 Enrico Castellani 的作品是他首部有记录的平版作品,而 Piero Manzoni 的多件 Achrome 是艺术家亲自参与制作的唯一一件。
Biography:
Marcello Morandini was born in Mantua on the 15th of May 1940. 玛切洛·莫兰迪尼于1940年5月15日出生于曼图阿。 He attended the Brera Art Academy in Milan where he also worked as an assistant designer for an industry and as a graphic artist for a professional studio. 他就读于米兰布雷拉美术学院,在那里他还担任工业助理设计师以及专业工作室的平面艺术家。 The first drawings with direct reference to his artistic research date to 1962. 1962年开始出现与其艺术研究直接相关的第一批素描。 In 1964 he began his first three-dimensional works, exhibited in 1965 in his first one-man exhibition held in Genoa, curated by Germano Celant. 1964年开始了他的第一批三维作品,1965年在热那亚举行的首场个人展由 Germano Celant 策展。 1967 saw his first important exhibitions in Milan, Frankfurt and Cologne. 1967年在米兰、法兰克福、科隆举行了他的重要首次展览。 In the same year he was at the IX Biennial of Sao Paolo in Brazil. 同一年他参加了巴西圣保罗第九届双年展。 In 1968 he was invited with a personal room in the Italian Pavilion to the XXXIV Venice International Biennial. 1968年,他在威尼斯国际双年展的意大利馆获得个人展厅。 In 1969 he was invited to represent Italian art in Brussels as part of the Europalia exhibitions. 1969年,他被邀请在布鲁塞尔代表意大利艺术,参与 Europalia 展览。 In 1970 he began a collaboration with the gallery owner Carl Laszlo in Basle. 1970年开始与巴塞尔画廊老板 Carl Laszlo 合作。 Thanks to this collaboration in 1972 the artist held his important one-person exhibition at the Kestnergesellschaft in Hanover. 多亏了这一合作,1972年他在汉诺威的 Kestnergesellschaft 举办了重要的个人展。 In 1974 he planned a city square with a diameter of 30 metres for the INA commercial centre in Varese. 1974年他为瓦雷塞的 INA 商业中心规划直径30米的城市广场。 In 1977 he was invited to Documenta 6 in Kassel. 1977年他受邀参加卡塞尔第6届 Documenta。 At the Civic Museums of Varese he organized with H. Heinz Holz the second “International Symposium of Constructive Art Studies”. 在瓦雷塞市立博物馆,他与 H. Heinz Holz 一起组织了第二届“国际建设艺术研究研讨会”。

