原始木刻五聯畫 - 紙 - Utagawa Kunisada (1786-1865) - 'Hotarugari Azuma fūzoku' 蛍狩當風俗 (Fashionable Firefly-hunting) - 日本 - 1860（安政 7/萬恩 1）
編號 83522719
已出售
最終出價
€ 70
一週前
原創木版畫三聯畫 - 紙 - Utagawa Kunisada (1786-1865) - 'Odorizome kyōen no zu' 伎踊初狂宴之図 (Dance Performance at a Wild New Year's Party) - 日本 - 1854（嘉榮 7/安政 1）
Original woodblock print triptych - Paper - Utagawa Kunisada (1786-1865) - 'Odorizome kyōen no zu' 伎踊初狂宴之図 (Dance Performance at a Wild New Year's Party) - Japan - 1854 (Kaei 7/Ansei 1)
The signature says “Toyokuni e”豊国”.
Poor condition, trimmed margins, soiling, losses
See Tokyo Metropolitan Library: http://archive.library.metro.tokyo.jp/da/detail?tilcod=0000000003-00051307
Utagawa Kunisada memo
Utagawa Kunisada,also known as Utagawa Toyokuni III,was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan.In his own time,his reputation far exceeded that of his contemporaries,Hokusai,Hiroshige and Kuniyoshi.he took on Utagawa as a surname, and also used the surname Gototei 五渡亭( bunka 8 period to the end of Tenpo period),Kouchouou香蝶楼 ( Bunsei 10 period to the first Kaei),Nishikichorou錦朝楼,Yuusai雄斎 (bunka 9 period of), Kotoraisha 琴雷舎(bunka 10 period of), Kitaumedo北梅戸、Tomibozanjin富望山人,Tomoboan 富望庵, tōki-en桃樹園, Oukou応好, Gepparou 月波楼(bunka 8 period), Kioh喜翁 (Bunkyu 2period), Toyokuni豊国 Kunisadasha国貞, Hinashishi Toyokuni雛獅子豊国 , Ukiyo Matahira浮世又平
編號 83522719
已出售
原創木版畫三聯畫 - 紙 - Utagawa Kunisada (1786-1865) - 'Odorizome kyōen no zu' 伎踊初狂宴之図 (Dance Performance at a Wild New Year's Party) - 日本 - 1854（嘉榮 7/安政 1）
Original woodblock print triptych - Paper - Utagawa Kunisada (1786-1865) - 'Odorizome kyōen no zu' 伎踊初狂宴之図 (Dance Performance at a Wild New Year's Party) - Japan - 1854 (Kaei 7/Ansei 1)
The signature says “Toyokuni e”豊国”.
Poor condition, trimmed margins, soiling, losses
See Tokyo Metropolitan Library: http://archive.library.metro.tokyo.jp/da/detail?tilcod=0000000003-00051307
Utagawa Kunisada memo
Utagawa Kunisada,also known as Utagawa Toyokuni III,was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan.In his own time,his reputation far exceeded that of his contemporaries,Hokusai,Hiroshige and Kuniyoshi.he took on Utagawa as a surname, and also used the surname Gototei 五渡亭( bunka 8 period to the end of Tenpo period),Kouchouou香蝶楼 ( Bunsei 10 period to the first Kaei),Nishikichorou錦朝楼,Yuusai雄斎 (bunka 9 period of), Kotoraisha 琴雷舎(bunka 10 period of), Kitaumedo北梅戸、Tomibozanjin富望山人,Tomoboan 富望庵, tōki-en桃樹園, Oukou応好, Gepparou 月波楼(bunka 8 period), Kioh喜翁 (Bunkyu 2period), Toyokuni豊国 Kunisadasha国貞, Hinashishi Toyokuni雛獅子豊国 , Ukiyo Matahira浮世又平
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