Βάζο Λουλουδιών Hagi Ware με γλάζ από στάχτη και μοτίβο ψαριών — με αυθεντικό κουτί - Πήλινα - 守繁栄徹 Morishige Eitetsu（1954–） - Ιαπωνία - 1900–2000

Item Description:

守繁栄徹 Morishige Eitetsu（1954–）

Hagi Haiyū Gyomon Hanaire — Hagi Ware Flower Vase with Ash Glaze and Fish Motif

This captivating flower vase (hanaire) is a distinguished work in the tradition of Hagi ware (Hagi-yaki), one of Japan's most celebrated ceramic styles, created by Morishige Eitetsu — a Hagi-based potter of considerable accomplishment and a full member of the Hagi Potters' Association.

The piece exemplifies the refined aesthetic sensibility that has defined Hagi ceramics for centuries: a quiet, meditative beauty rooted in the ideals of the Japanese tea ceremony.

The vase is covered in a warm, subtly variegated ash glaze (haiyū) that lends the surface a soft, luminous quality characteristic of fine Hagi work.

The graceful fish motif (gyomon) decorating the body adds a sense of movement and life, rendered with confident brushwork that speaks to the artist's mastery of painted ceramic decoration.

The generous, gently rounded form creates a natural presence well suited to the ikebana flower arrangements for which such vessels are traditionally intended.

A work of quiet refinement and unmistakable character, this vase comes with its original wooden storage box (tomobako) and a shiori (artist's leaflet), providing excellent provenance.

An ideal acquisition for collectors of contemporary Hagi ceramics.


Size
Height: 20 cm
Width: 20.3 cm
Depth: 11 cm


Condition
The piece is in excellent condition with no notable scratches or blemishes, as confirmed in the auction listing.


Artist Profile
守繁栄徹 Morishige Eitetsu（1954–）was born in Hagi, Yamaguchi Prefecture, in 1954, where the Morishige kiln — known as Renkozan — was established in 1967. Working within the long and distinguished tradition of Hagi ware, Morishige has built a reputation through consistent recognition at major national ceramics exhibitions. He received the encouragement prize at the Dai-san Bunmei Exhibition in 1990, was selected for the 4th Urasenke Biennale and received awards at the National Ceramics Exhibition and the Asia Crafts Exhibition in 1996, and earned encouragement prizes at the Zento Exhibition in both 1999 and 2000. In 2002 he received the Fukutaro Prize at the Chishin-kai exhibition, and in 2003 he was invited to participate in the Japan–Korea Ceramics Ido Chawan Exhibition. He is currently a full member of the Hagi Potters' Association.


NOITICE:

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