Arita Kigyokuhin - Βάζο με καπάκι - Πορσελάνη - Arita





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Κεραμικό Arita Ko-Imari Sarasa από Kigyokuhin, περίοδος Meiji (περίπου 1850–1900), διακοσμητικό βάζο με καπάκι θολωτό και χρυσοδιακοσμημένο πολυχρωμο σχέδιο πάνω σε σκούρο υπόβαθρο, ύψος 18 cm, πλάτος 10 cm, βάθος 18 cm, σε εξαιρετική κατάσταση και συνοδεύεται από αρχικό κουτί και ξύλινο σταντ.
Περιγραφή από τον πωλητή
Maker / Brand: Kigyokuhin (Kigyokuhin-sei)
Title of Work: Arita Ware Ko-Imari Sarasa Aloeswood Jar, Decorative Jar with Gold-Decorated Polychrome Floral Pattern and Wooden Stand
This exquisite Arita porcelain jar, crafted by Kigyokuhin, is a splendid example of the Ko-Imari Sarasa style, meticulously decorated with a rich polychrome floral pattern enhanced by extensive gold embellishment. Originally conceived as a *jinkō-tsubo* for holding precious agarwood, its intricate design and elegant form make it a distinguished decorative object, presented with its original box and a complementary wooden stand.
Artistic Background — Arita Porcelain
Arita porcelain, originating in the early 17th century in the Hizen Province (modern-day Saga Prefecture) of Japan, holds the distinction of being the first porcelain produced in the country. Following the discovery of kaolin clay in the Arita region by the Korean potter Yi Sam-pyeong, the kilns of Arita rapidly developed advanced techniques, initially producing underglaze blue-and-white wares. By the mid-17th century, the introduction of overglaze enamels led to the vibrant and highly decorative Ko-Imari (Old Imari) style, which was extensively exported to Europe through the port of Imari by the Dutch East India Company. Ko-Imari is celebrated for its opulent designs, often featuring bold combinations of red, green, blue, yellow, and lavish gold, creating a distinctive aesthetic that captivated global audiences.
Design and Technique — Ko-Imari Sarasa and Kinrande
This piece exemplifies the Ko-Imari Sarasa style, a sub-category characterized by its intricate, textile-inspired patterns reminiscent of Indian chintz (sarasa). The design features a dense arrangement of stylized floral motifs and arabesques, often set against a dark ground, as seen here with a deep blue or black background. The *Kinrande* (gold brocade style) technique is prominently displayed, involving the lavish application of gold overglaze enamel that covers significant portions of the surface, creating a shimmering, opulent effect. Polychrome enamels in vibrant red, green, and orange further define the intricate floral elements and patterns, which are often contained within decorative cartouches or panels, contrasting beautifully with the rich gold scrolling. The domed lid, crowned with a gilded finial, mirrors the jar's complex decoration, completing its luxurious appearance.
Form and Aesthetic Qualities
**Elegant Silhouette**: The jar presents a classic rounded, slightly ovoid form, tapering gently towards the base and neck, topped with a gracefully domed lid and a distinctive gilded finial. Its compact and balanced proportions, measuring approximately 18cm in height and 10cm in width, exude a refined presence.
**Luminous Surface Treatment**: Crafted from fine white Arita porcelain, the surface serves as a brilliant canvas for the dense overglaze enamels and extensive gold detailing. The deep blue/black ground provides a dramatic backdrop, allowing the vibrant polychrome floral motifs and the shimmering gold to stand out with exceptional clarity and depth, creating a smooth and glossy finish.
**Dual Purpose and Artistic Merit**: While primarily intended as a *jinkō-tsubo* for the ceremonial appreciation of agarwood fragrance, its exquisite craftsmanship and decorative appeal elevate it to a *kazari-tsubo* (decorative jar). It functions both as an object of practical elegance and a standalone work of art, designed to captivate and adorn.
Decorative and Collectible Appeal
**Enduring Traditional Elegance**: This piece beautifully merges the historical richness of Ko-Imari Sarasa with a timeless aesthetic. Its intricate patterns and lavish gold and polychrome palette offer a sophisticated blend of traditional Japanese artistry that remains highly sought after in contemporary settings.
**Versatile Display Potential**: Accompanied by a bespoke wooden stand, this jar is perfectly poised for display. Its moderate size and opulent decoration make it an ideal accent for various interior designs, from traditional Japanese or East Asian themes to more eclectic or modern spaces, serving as a focal point or a complementary piece within a curated collection.
**Cultural and Historical Significance**: As a *jinkō-tsubo*, this jar represents a profound aspect of Japanese culture: the appreciation of precious fragrances, particularly agarwood, which is imbued with spiritual and aesthetic value. It is a tangible connection to the historical luxury trade and the refined customs of hospitality.
This remarkable Arita Ware Ko-Imari Sarasa jar will appeal to discerning collectors of Japanese porcelain, connoisseurs of traditional crafts, and interior designers seeking an exquisite decorative accent imbued with cultural depth and historical resonance.
Shipping from Japan with Tracking Number & Insurance.
I promise fast shipping via FedEx or DHL as soon as possible!
Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer's responsibility.
These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges.
Maker / Brand: Kigyokuhin (Kigyokuhin-sei)
Title of Work: Arita Ware Ko-Imari Sarasa Aloeswood Jar, Decorative Jar with Gold-Decorated Polychrome Floral Pattern and Wooden Stand
This exquisite Arita porcelain jar, crafted by Kigyokuhin, is a splendid example of the Ko-Imari Sarasa style, meticulously decorated with a rich polychrome floral pattern enhanced by extensive gold embellishment. Originally conceived as a *jinkō-tsubo* for holding precious agarwood, its intricate design and elegant form make it a distinguished decorative object, presented with its original box and a complementary wooden stand.
Artistic Background — Arita Porcelain
Arita porcelain, originating in the early 17th century in the Hizen Province (modern-day Saga Prefecture) of Japan, holds the distinction of being the first porcelain produced in the country. Following the discovery of kaolin clay in the Arita region by the Korean potter Yi Sam-pyeong, the kilns of Arita rapidly developed advanced techniques, initially producing underglaze blue-and-white wares. By the mid-17th century, the introduction of overglaze enamels led to the vibrant and highly decorative Ko-Imari (Old Imari) style, which was extensively exported to Europe through the port of Imari by the Dutch East India Company. Ko-Imari is celebrated for its opulent designs, often featuring bold combinations of red, green, blue, yellow, and lavish gold, creating a distinctive aesthetic that captivated global audiences.
Design and Technique — Ko-Imari Sarasa and Kinrande
This piece exemplifies the Ko-Imari Sarasa style, a sub-category characterized by its intricate, textile-inspired patterns reminiscent of Indian chintz (sarasa). The design features a dense arrangement of stylized floral motifs and arabesques, often set against a dark ground, as seen here with a deep blue or black background. The *Kinrande* (gold brocade style) technique is prominently displayed, involving the lavish application of gold overglaze enamel that covers significant portions of the surface, creating a shimmering, opulent effect. Polychrome enamels in vibrant red, green, and orange further define the intricate floral elements and patterns, which are often contained within decorative cartouches or panels, contrasting beautifully with the rich gold scrolling. The domed lid, crowned with a gilded finial, mirrors the jar's complex decoration, completing its luxurious appearance.
Form and Aesthetic Qualities
**Elegant Silhouette**: The jar presents a classic rounded, slightly ovoid form, tapering gently towards the base and neck, topped with a gracefully domed lid and a distinctive gilded finial. Its compact and balanced proportions, measuring approximately 18cm in height and 10cm in width, exude a refined presence.
**Luminous Surface Treatment**: Crafted from fine white Arita porcelain, the surface serves as a brilliant canvas for the dense overglaze enamels and extensive gold detailing. The deep blue/black ground provides a dramatic backdrop, allowing the vibrant polychrome floral motifs and the shimmering gold to stand out with exceptional clarity and depth, creating a smooth and glossy finish.
**Dual Purpose and Artistic Merit**: While primarily intended as a *jinkō-tsubo* for the ceremonial appreciation of agarwood fragrance, its exquisite craftsmanship and decorative appeal elevate it to a *kazari-tsubo* (decorative jar). It functions both as an object of practical elegance and a standalone work of art, designed to captivate and adorn.
Decorative and Collectible Appeal
**Enduring Traditional Elegance**: This piece beautifully merges the historical richness of Ko-Imari Sarasa with a timeless aesthetic. Its intricate patterns and lavish gold and polychrome palette offer a sophisticated blend of traditional Japanese artistry that remains highly sought after in contemporary settings.
**Versatile Display Potential**: Accompanied by a bespoke wooden stand, this jar is perfectly poised for display. Its moderate size and opulent decoration make it an ideal accent for various interior designs, from traditional Japanese or East Asian themes to more eclectic or modern spaces, serving as a focal point or a complementary piece within a curated collection.
**Cultural and Historical Significance**: As a *jinkō-tsubo*, this jar represents a profound aspect of Japanese culture: the appreciation of precious fragrances, particularly agarwood, which is imbued with spiritual and aesthetic value. It is a tangible connection to the historical luxury trade and the refined customs of hospitality.
This remarkable Arita Ware Ko-Imari Sarasa jar will appeal to discerning collectors of Japanese porcelain, connoisseurs of traditional crafts, and interior designers seeking an exquisite decorative accent imbued with cultural depth and historical resonance.
Shipping from Japan with Tracking Number & Insurance.
I promise fast shipping via FedEx or DHL as soon as possible!
Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer's responsibility.
These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges.

