Βάζο ενός λουλουδιού - Γυαλί - Ιαπωνία - Kiriko Κρύσταλλο Κομμένο με το Χέρι (χωρίς τιμή ασφαλείας)

Maker / Brand: CLUSTER (Kurasutā)
Title of Work: Unused Kiriko Hand-Cut Crystal Flower Vase "CLUSTER"

This exquisite piece is an unused hand-cut crystal flower vase, embodying the brilliant craftsmanship of Japanese Kiriko glass. Crafted in a rich indigo blue, its surface is adorned with intricate, hand-faceted patterns that refract light beautifully, making it a striking decorative object even without floral arrangements. Presented in pristine, unused condition, this vase showcases a timeless elegance designed to enhance any interior.

Artistic Background, Kiriko Glass (Kiriko Garasu)

Kiriko glass, a distinguished Japanese craft, refers to cut glass that originated in the Edo period (1603-1868) in Edo (present-day Tokyo) and later flourished in Satsuma (Kagoshima Prefecture). Characterized by its precise, hand-applied cuts on the surface of colored or clear glass, Kiriko creates dazzling patterns that play with light and shadow. While initially influenced by Dutch glass cutting techniques, Japanese artisans developed their unique aesthetic, emphasizing delicate patterns, intricate geometric motifs, and a refined sense of beauty that continues to be celebrated today.

Design and Technique, Hand-Cut Crystal Engraving (Tezukuri Kiriko)

This vase exemplifies the careful art of hand-cut crystal engraving. Employing specialized grinding wheels, artisans careful incise patterns into the deep indigo blue crystal. The process involves carefully removing portions of the colored glass to reveal the clear crystal underneath, creating a captivating contrast and enhancing the material's inherent brilliance. The intricate patterns, which appear as a combination of geometric and stylized floral motifs across the body and a starburst design on the base, are a testament to the artisan's skill, precision, and dedication to transforming a solid form into a shimmering canvas of light.

Form and Aesthetic Qualities

* Elegant Silhouette: The vase features a gracefully tapered form, flaring gently at the scalloped rim and broadening towards a stable, footed base. Its slender profile exudes sophistication, making it an ideal vessel for showcasing a variety of floral arrangements.
* Brilliant Indigo Hue and Faceted Surface: Fashioned from high-quality crystal, the vase boasts a captivating indigo blue color that deepens and lightens with the play of light. The extensive hand-cut facets across its surface create a dazzling interplay of sparkle and transparency, revealing the clarity of the crystal beneath the rich blue overlay.
* Artistic and Functional Purpose: Designed primarily as a flower vase, its inherent beauty and intricate craftsmanship elevate it beyond mere utility. It serves equally well as a standalone art piece, adding a touch of refined Japanese aesthetic and luxurious sparkle to any setting.

Decorative and Collectible Appeal

* Traditional Craftsmanship with Modern Allure: This piece beautifully bridges traditional Japanese Kiriko techniques with a contemporary design sensibility, making it a versatile addition to both classic and modern interiors. Its enduring elegance ensures it remains a cherished item for generations.
* Versatile Display Potential: The vase's striking color and intricate cuts ensure it commands attention whether displayed solo on a mantelpiece, as a centerpiece on a dining table, or as part of a curated collection of fine glass. Its pristine, unused condition further enhances its display value.
* Embodiment of Japanese Artisanal Heritage: Collecting this Kiriko vase offers an opportunity to own a tangible piece of Japan's rich artisanal heritage. It represents the dedication to craftsmanship, aesthetic refinement, and the pursuit of beauty that defines traditional Japanese arts.

This hand-cut crystal vase is an exceptional acquisition for collectors of Japanese glass, enthusiasts of fine crystal art, and those seeking to infuse their living spaces with objects of distinguished beauty and artisanal quality.

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